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Author: Emma Rosalind Peacocke Publisher: ISBN: Category : Art Languages : en Pages : 241
Book Description
Public museums and romantic writing emerged side by side in Britain. My thesis deals with various texts' uses of the new institution of the museum, as shorthand, allegory, or arena of discussion for the ways in which regency society was changing. The three major bodies of theory that inform my work are cultural theory, book history, and museum theory. The first chapter explores one of the germinal texts of romantic poetry, Wordsworth's The Prelude . The idea of a public gallery underlies Wordsworth's description of seeing Charles Le Brun's Penitent Magdalene canvas. The second chapter focuses on Walter Scott's 1814 novel, Waverley. The narrator views the novel's portraits forensically, and discredits them as historical documents. His critical knowledge belongs not to the 1745 setting of Waverley , but to early nineteenth-century Edinburgh, when public art exhibitions commenced. The third chapter is on Maria Edgeworth's Harrington (1817). Harrington is the story of two collections competing to form the hero's mind: the benevolent, Jewish Mr. Montenero's art collection, which he uses to preserve the British ruling class, and the Mowbray collection, which incarnates anti-semitism. A crucial scene takes place in the proto-museum of the Tower of London. When the British Museum purchased the Elgin Marbles in 1816, it intensified a polarized debate over the collection's proper ownership - and created one of the first mass audiences for any museum. The final chapter examines the Marbles' presence in periodical literature, comparing the pirating of Byron's Curse of Minerva (first published 1815) in the New Monthly Magazine with the publishing of Horace Smith's "The Phidias Room" in the London Magazine in 1821. My conclusion jumps ahead to E.W. Hornung's short story, "A Jubilee Present" (1901), which features a robbery of the British Museum. Hornung's lighthearted portrayal of criminals as patriots shows how the public virtues of the museum - which literary romanticism did so much to instill throughout regency culture - were so established by the late Victorian era that they had become the basis for a gentle joke.
Author: Emma Rosalind Peacocke Publisher: ISBN: Category : Art Languages : en Pages : 241
Book Description
Public museums and romantic writing emerged side by side in Britain. My thesis deals with various texts' uses of the new institution of the museum, as shorthand, allegory, or arena of discussion for the ways in which regency society was changing. The three major bodies of theory that inform my work are cultural theory, book history, and museum theory. The first chapter explores one of the germinal texts of romantic poetry, Wordsworth's The Prelude . The idea of a public gallery underlies Wordsworth's description of seeing Charles Le Brun's Penitent Magdalene canvas. The second chapter focuses on Walter Scott's 1814 novel, Waverley. The narrator views the novel's portraits forensically, and discredits them as historical documents. His critical knowledge belongs not to the 1745 setting of Waverley , but to early nineteenth-century Edinburgh, when public art exhibitions commenced. The third chapter is on Maria Edgeworth's Harrington (1817). Harrington is the story of two collections competing to form the hero's mind: the benevolent, Jewish Mr. Montenero's art collection, which he uses to preserve the British ruling class, and the Mowbray collection, which incarnates anti-semitism. A crucial scene takes place in the proto-museum of the Tower of London. When the British Museum purchased the Elgin Marbles in 1816, it intensified a polarized debate over the collection's proper ownership - and created one of the first mass audiences for any museum. The final chapter examines the Marbles' presence in periodical literature, comparing the pirating of Byron's Curse of Minerva (first published 1815) in the New Monthly Magazine with the publishing of Horace Smith's "The Phidias Room" in the London Magazine in 1821. My conclusion jumps ahead to E.W. Hornung's short story, "A Jubilee Present" (1901), which features a robbery of the British Museum. Hornung's lighthearted portrayal of criminals as patriots shows how the public virtues of the museum - which literary romanticism did so much to instill throughout regency culture - were so established by the late Victorian era that they had become the basis for a gentle joke.
Author: E. Peacocke Publisher: Springer ISBN: 1137471441 Category : Literary Criticism Languages : en Pages : 205
Book Description
Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.
Author: E. Peacocke Publisher: Springer ISBN: 1137471441 Category : Literary Criticism Languages : en Pages : 157
Book Description
Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.
Author: Maureen McCue Publisher: Routledge ISBN: 1317171497 Category : Literary Criticism Languages : en Pages : 204
Book Description
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author: Eric Gidal Publisher: Bucknell University Press ISBN: 9780838754931 Category : Art Languages : en Pages : 292
Book Description
In the process of tracing poetic and critical responses to the museum and its collections, Poem Exhibitions simultaneously demonstrates the impact of nationalist ideologies and scientific discourse on formal and thematic developments in Romantic poetry and aesthetics.".
Author: Lene Østermark-Johansen Publisher: Museum Tusculanum Press ISBN: 9788772898605 Category : Art Languages : en Pages : 182
Book Description
Unlike the first two volumes of "ANGLES" on the English-Speaking World, this special issue does not originate in a set of conference papers. The idea of compiling a collection of essays on Romanticism emerged from the unusually strong concentration on Romantic studies among the graduate students of the English Department a couple of years ago. This volume places their work in the context of distinguished international scholars of greater seniority, scholars who have become academic contacts through conferences and assessment committees, and whose contributions I am very pleased to be able to include alongside the works of local contributors. The Romantic generations of the title of this volume thus strike a number of different chords: generations of scholars in Romantic studies; conventional divisions of Romantic poets into first, second and possibly third generations; the self-generative aspect of Romanticism; the awareness of poetic reputation and the image and afterlife of the poet. The collection spans just over a hundred years, from the 1780s to the 1890s, and while not in any way attempting to define Romanticism or raise issues of periodization the volume allows for the continued existence of Romantic features right until the end of the nineteenth century. Poetry looms large in this issue of ANGLES; apart from Ian Duncan's essay on Hume, Scott, and the "Rise of Fiction",' all the other essays are in some way concerned with the Romantic poet and his poetry. The Romantic poet is thus represented as a collector and editor of ballads, as a political radical and printmaker, as other to himself, essentially ignorant of the process of poetic composition, as a rival and collaborator with other poets, or as a poet long dead, the subject of successive generations of poetic lament. The boundaries between poetry and the visual arts is explored in a couple of the essays; indeed, the rivalry between portraiture and literature pervades no less than three of the contributions, and no matter whether the subject of inquiry is the image of the poet or the image of the poet's mother, the Romantic poet displays a high degree of self-consciousness with respect to both literary and visual media. Romantic generations generate both selves and others in poetry and portraiture.
Author: Gillian Russell Publisher: Springer ISBN: 1137474319 Category : Fiction Languages : en Pages : 270
Book Description
This volume argues for the enduring and pervasive significance of war in the formation of British Enlightenment and Romantic culture. Showing how war throws into question conventional disciplinary parameters and periodization, essays in the collection consider how war shapes culture through its multiple, divergent, and productive traces.
Author: Jacqueline Labbe Publisher: Routledge ISBN: 1317314417 Category : History Languages : en Pages : 256
Book Description
Charlotte Smith's early sonnets established the genre as a Romantic form; her novels advanced sensibility beyond its reliance on emotional facility; and her blank verse initiated one of the most familiar of Romantic verse forms. This volume draws together the best of current scholarship.
Author: Joel Faflak Publisher: John Wiley & Sons ISBN: 1119129613 Category : Literary Criticism Languages : en Pages : 440
Book Description
The Handbook to Romanticism Studies is an accessible and indispensible resource providing students and scholars with a rich array of historical and up-to-date critical and theoretical contexts for the study of Romanticism. Focuses on British Romanticism while also addressing continental and transatlantic Romanticism and earlier periods Utilizes keywords such as imagination, sublime, poetics, philosophy, race, historiography, and visual culture as points of access to the study of Romanticism and the theoretical concerns and the culture of the period Explores topics central to Romanticism studies and the critical trends of the last thirty years
Author: Emma Rosalind Peacocke
Author: Emma Rosalind Peacocke
Author: E. Peacocke
Author: E. Peacocke
Author: Nottingham Castle Museum
Author: Maureen McCue
Author: Eric Gidal
Author: Lene Østermark-Johansen
Author: Gillian Russell
Author: Jacqueline Labbe
Author: Joel Faflak