Author: Paul M.W. Hackett
Publisher: Springer
ISBN: 1137483326
Category : Psychology
Languages : en
Pages : 164
Book Description
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
Psychology and Philosophy of Abstract Art
Author: Paul M.W. Hackett
Publisher: Springer
ISBN: 1137483326
Category : Psychology
Languages : en
Pages : 164
Book Description
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
Publisher: Springer
ISBN: 1137483326
Category : Psychology
Languages : en
Pages : 164
Book Description
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
Psychology and Philosophy of Abstract Art
Author: Paul M.W. Hackett
Publisher: Palgrave Pivot
ISBN: 9781349694563
Category : Psychology
Languages : en
Pages : 146
Book Description
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
Publisher: Palgrave Pivot
ISBN: 9781349694563
Category : Psychology
Languages : en
Pages : 146
Book Description
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
How Art Works
Author: Ellen Winner
Publisher: Oxford University Press, USA
ISBN: 0190863358
Category : Art
Languages : en
Pages : 321
Book Description
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.
Publisher: Oxford University Press, USA
ISBN: 0190863358
Category : Art
Languages : en
Pages : 321
Book Description
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.
Art And The Unconscious
Author: Thorburn, John M
Publisher: Routledge
ISBN: 1136327924
Category : Medical
Languages : en
Pages : 258
Book Description
First published in 1999. This is a reproduction of John Thorburn’s work of 1925, Art and the Unconscious: A Psychological Approach to a Problem of Philosophy; covering the psychology of the artistic process and a discussion on symbolic or 'eternal'.
Publisher: Routledge
ISBN: 1136327924
Category : Medical
Languages : en
Pages : 258
Book Description
First published in 1999. This is a reproduction of John Thorburn’s work of 1925, Art and the Unconscious: A Psychological Approach to a Problem of Philosophy; covering the psychology of the artistic process and a discussion on symbolic or 'eternal'.
Rhythm in Art, Psychology and New Materialism
Author: Gregory Minissale
Publisher: Cambridge University Press
ISBN: 110891246X
Category : Psychology
Languages : en
Pages : 291
Book Description
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
Publisher: Cambridge University Press
ISBN: 110891246X
Category : Psychology
Languages : en
Pages : 291
Book Description
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
Art and Identity
Author: Tone Roald
Publisher: Rodopi
ISBN: 9401209049
Category :
Languages : en
Pages : 219
Book Description
Art has the capacity to shape and alter our identities. It can influence who and what we are. Those who have had aesthetic experiences know this intimately, and yet the study of art’s impact on the mind struggles to be recognized as a centrally important field within the discipline of psychology. The main thesis of Art and Identity is that aesthetic experience represents a prototype for meaningful experience, warranting intense philosophical and psychological investigation. Currently psychology remains too closed-off from the rich reflection of philosophical aesthetics, while philosophy continues to be sceptical of the psychological reduction of art to its potential for Subjective experience. At the same time, philosophical aesthetics cannot escape making certain assumptions about the psyche and benefits from entering into a dialogue with psychology. Art and Identity brings together philosophical and psychological perspectives on aesthetics in order to explore how art creates minds.
Publisher: Rodopi
ISBN: 9401209049
Category :
Languages : en
Pages : 219
Book Description
Art has the capacity to shape and alter our identities. It can influence who and what we are. Those who have had aesthetic experiences know this intimately, and yet the study of art’s impact on the mind struggles to be recognized as a centrally important field within the discipline of psychology. The main thesis of Art and Identity is that aesthetic experience represents a prototype for meaningful experience, warranting intense philosophical and psychological investigation. Currently psychology remains too closed-off from the rich reflection of philosophical aesthetics, while philosophy continues to be sceptical of the psychological reduction of art to its potential for Subjective experience. At the same time, philosophical aesthetics cannot escape making certain assumptions about the psyche and benefits from entering into a dialogue with psychology. Art and Identity brings together philosophical and psychological perspectives on aesthetics in order to explore how art creates minds.
Emerging Visions of the Aesthetic Process
Author: Gerald C. Cupchik
Publisher: Cambridge University Press
ISBN: 9780521400510
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Emerging Visions of the Aesthetic Process explores the processes underlying aesthetics and play from the perspectives of psychologists, philosophers, and semiologists. It reveals the different ways in which scholars think about the following questions: (1) What is the origin of the creative process? (2) How do biological, social, and cognitive processes shape the activities of artists and the responses of viewers? (3) How does literary activity draw on our experiences of everyday life and how is it tied to other kinds of media? (4) How does play affect the process of growth from childhood to adulthood? The contributors consider artistic, literary, and play activity from its most biological roots through individual cognitive and emotional processing to its expression at the social level. Emerging Visions of the Aesthetic Process offers a stimulating basis for the discussion of aesthetic processes and will serve as an integrative, comprehensive treatise on the topic for researchers and students.
Publisher: Cambridge University Press
ISBN: 9780521400510
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Emerging Visions of the Aesthetic Process explores the processes underlying aesthetics and play from the perspectives of psychologists, philosophers, and semiologists. It reveals the different ways in which scholars think about the following questions: (1) What is the origin of the creative process? (2) How do biological, social, and cognitive processes shape the activities of artists and the responses of viewers? (3) How does literary activity draw on our experiences of everyday life and how is it tied to other kinds of media? (4) How does play affect the process of growth from childhood to adulthood? The contributors consider artistic, literary, and play activity from its most biological roots through individual cognitive and emotional processing to its expression at the social level. Emerging Visions of the Aesthetic Process offers a stimulating basis for the discussion of aesthetic processes and will serve as an integrative, comprehensive treatise on the topic for researchers and students.
Abstraction and Empathy
Author: Wilhelm Worringer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Subjects and Objects
Author: Jeffrey Strayer
Publisher: BRILL
ISBN: 9047419324
Category : Philosophy
Languages : en
Pages : 410
Book Description
The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any artwork has an identity, and comprehension of that identity depends on a perceptual object. A subject’s apprehension of such an object creates an “artistic complex” of which the object, the subject, and the apprehension are constituents. The essential elements of this kind of complex are the subject of the final part of the work. Its concluding section considers these elements as ‘material’ to be used to determine the limits of Abstraction.
Publisher: BRILL
ISBN: 9047419324
Category : Philosophy
Languages : en
Pages : 410
Book Description
The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any artwork has an identity, and comprehension of that identity depends on a perceptual object. A subject’s apprehension of such an object creates an “artistic complex” of which the object, the subject, and the apprehension are constituents. The essential elements of this kind of complex are the subject of the final part of the work. Its concluding section considers these elements as ‘material’ to be used to determine the limits of Abstraction.
Art and Abstract Objects
Author: Christy Mag Uidhir
Publisher: Oxford University Press
ISBN: 0199691495
Category : Art
Languages : en
Pages : 319
Book Description
Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and core areas of philosophy. A team of contributors examine the ontological nature of repeatable artworks—such as plays, novels, and films—as abstract objects, which are immaterial, causally inert, and outside space-time.
Publisher: Oxford University Press
ISBN: 0199691495
Category : Art
Languages : en
Pages : 319
Book Description
Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and core areas of philosophy. A team of contributors examine the ontological nature of repeatable artworks—such as plays, novels, and films—as abstract objects, which are immaterial, causally inert, and outside space-time.