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Author: John Fizer Publisher: John Benjamins Publishing ISBN: 9027215065 Category : Language Arts & Disciplines Languages : en Pages : 295
Book Description
Unlike studies which confine psychologism to the second half of the nineteenth century, and to an explicit claim of psychology as a 'Grundwissenschaft' during that period, this work attempts to trace psychologism's emergence in Greek antiquity, in hedonistic tendencies of the Renaissance, and in British Empiricism. Thus, psychologism figures as a generic concept, embracing a variety of both positivistic and idealistic arguments concerning the localization of normative sciences, particularly aesthetics and literary theory, in psychological space. This study also considers the implicit psychologism of even those psychoaesthetic theories which claimed to be against the exclusive status of psychology. In their actual treatment of aesthetic and literary facts, such theories inadvertently did indeed resort to psychologistic arguments. The position from which I have chosen to look at psychologistically committed aesthetics and literary theory is essentially phenomenological. The author seeks to present psychologism as a central tendency of psychoaesthetics as well as to assert critically psychologism's basic assumptions.
Author: John Fizer Publisher: John Benjamins Publishing ISBN: 9027215065 Category : Language Arts & Disciplines Languages : en Pages : 295
Book Description
Unlike studies which confine psychologism to the second half of the nineteenth century, and to an explicit claim of psychology as a 'Grundwissenschaft' during that period, this work attempts to trace psychologism's emergence in Greek antiquity, in hedonistic tendencies of the Renaissance, and in British Empiricism. Thus, psychologism figures as a generic concept, embracing a variety of both positivistic and idealistic arguments concerning the localization of normative sciences, particularly aesthetics and literary theory, in psychological space. This study also considers the implicit psychologism of even those psychoaesthetic theories which claimed to be against the exclusive status of psychology. In their actual treatment of aesthetic and literary facts, such theories inadvertently did indeed resort to psychologistic arguments. The position from which I have chosen to look at psychologistically committed aesthetics and literary theory is essentially phenomenological. The author seeks to present psychologism as a central tendency of psychoaesthetics as well as to assert critically psychologism's basic assumptions.
Author: Mark S. Micale Publisher: Stanford University Press ISBN: 9780804747974 Category : History Languages : en Pages : 484
Book Description
This vanguard collection of original and in-depth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries and considers the reasons why a common Modernist project took shape when and in the circumstances that it did. These changes occurred precisely when the distinctively modern disciplines of psychology, psychiatry, and psychoanalysis established their "scientific foundations and achieved the forms in which we largely know them today. This volume examines the dense web of connections joining the aesthetic and psychological realms in the modern era, charting historically the emergence of the ongoing modern discussion surrounding such issues as identity-formation, sexuality, and the unconscious. The contributors form a distinguished and diversified group of scholars, who write about a wide range of cultural fields, including philosophy, the novel and poetry, drama, dance, film and photography, as well as medicine, psychology, and the occult sciences.
Author: Robert Michael Brain Publisher: University of Washington Press ISBN: 0295805781 Category : History Languages : en Pages : 381
Book Description
Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of “physiological aesthetics,” which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself.
Author: Luca Tateo Publisher: Springer ISBN: 3319923390 Category : Psychology Languages : en Pages : 220
Book Description
This book explores the relationship between cultural psychology and aesthetics, by integrating the historical, theoretical and phenomenological perspectives. It offers a comprehensive discussion of the history of aesthetics and psychology from an international perspective, with contributions by leading researchers from Serbia, Austria, Portugal, Norway, Denmark, and Brazil. The first section of the book aims at summarizing the debate of where the song comes from. It discusses undeveloped topics, methodological hints, and epistemological questions in the different areas of contemporary psychological sciences. The second section of the book presents concrete examples of case-studies and methodological issues (the new melodies in psychological research) to stimulate further explorations. The book aims to bring art back into psychology, to provide an understanding for the art of psychology. An Old Melody in a New Song will be of interest to advanced students and researchers in the fields of educational and developmental psychology, cultural psychology, history of ideas, aesthetics, and art-based research.
Author: Elisabeth Schellekens Publisher: OUP Oxford ISBN: 0191619515 Category : Philosophy Languages : en Pages : 480
Book Description
The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art. An eminent international team of experts presents new research in philosophy, psychology, neuroscience, and social anthropology: they explore the roles of emotion, imagination, empathy, and beauty in this realm of human experience, ranging over visual and literary art, music, and dance. Among the questions discussed are: Why do we engage with things aesthetically and why do we create art? Does art or aesthetic experience have a function or functions? Which characteristics distinguish aesthetic mental states? Which skills or abilities do we put to use when we engage aesthetically with an object and how does that compare with non-aesthetic experiences? What does our ability to create art and engage aesthetically with things tell us about what it is to be a human being? This ambitious and far-reaching volume is essential reading for anyone investigating the aesthetic and the artistic.
Author: Martin Jay Publisher: Univ of Massachusetts Press ISBN: Category : History Languages : en Pages : 288
Book Description
A leading intellectual historian explores some of the reigning assumptions and imperatives of our age. By looking closely at what "words do and perform", Martin Jay makes us aware of the extent to which the language we use mediates and shapes our experience. Elegantly written and richly insightful, this is a work of cultural criticism and intellectual analysis of the first order.
Author: Norman Kiell Publisher: Metuchen, N.J. : Scarecrow Press ISBN: Category : Literary Criticism Languages : en Pages : 988
Book Description
Almost 20,000 entries of worldwide literature related to psychology and psychiatry as these disciplines are dealt with in literary publications. Most of the contents of the first edition are included in the second. Divided into sections of such forms as drama, poetry, folklore, and myths. Each numbered entry includes bibliographical information. Author, title, and subject indexes.
Author: John Fizer
Author: John Fizer
Author: Mark S. Micale
Author: Robert Michael Brain
Author: Luca Tateo
Author: New York Public Library. Research Libraries
Author: 
Author: Elisabeth Schellekens
Author: Martin Jay
Author: Norman Kiell
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