Proust et le théâtre PDF Download

Author:
Publisher: BRILL
ISBN: 9401203571
Category : Literary Criticism
Languages : en
Pages : 300

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Author: Allan Simmons
Publisher: Rodopi
ISBN: 9042021764
Category :
Languages : en
Pages : 202

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This collection of thirteen essays by writers from several countries lavishly celebrates the centenary of the publication of Conrad's The Secret Agent. It reconsiders one of Conrad's most important political novels from a variety of critical perspectives and presents a stimulating documentary section as well as specially commissioned maps and new contextualizing illustrations. Much new information is provided on the novel's sources, and the work is placed in new several contexts. The volume is essential reading on this novel both for students studying it as a set text as well as for scholars of the late-Victorian and early Modernist periods.

Author: Adam Watt
Publisher: Cambridge University Press
ISBN: 110751214X
Category : Literary Criticism
Languages : en
Pages : 287

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This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.

Author: Martine Blanche
Publisher: Summa Publications, Inc.
ISBN: 9781883479107
Category : Art
Languages : en
Pages : 222

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Author: Adam Watt
Publisher: BRILL
ISBN: 9004302425
Category : Literary Criticism
Languages : en
Pages : 241

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This number of Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, edited by Adam Watt, has its origins in a conference that took place in Exeter, UK, in December 2013 to celebrate the centenary of the publication of Du côté de chez Swann. The articles, in English and French, approach this first volume of A la recherche du temps perdu from various perspectives: there are reception studies, thematic and stylistic studies, as well as contributions to our knowledge of the cultural and intellectual history of the period and, in particular, that annus mirabilis 1913. ‘Swann at 100’ will be an important resource for all readers of the Recherche. Ce numéro de Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, dirigé par Adam Watt, a ses racines dans un colloque qui eut lieu à Exeter (Angleterre) en décembre 2013 pour fêter le centenaire de la publication de Du côté de chez Swann. Les articles, en français et en anglais, abordent ce premier volume de la Recherche (ainsi que d’autres parties du roman) sous plusieurs perspectives : on y trouve des études de la réception de l’œuvre, des études thématiques et stylistiques, ainsi que des contributions à notre connaissance de l’histoire culturelle et intellectuelle de la période et, en particulier, de cette annus mirabilis 1913. ‘Swann à 100 ans’ sera une ressource considérable pour tout lecteur de la Recherche.

Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911250
Category : Literary Criticism
Languages : en
Pages : 520

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This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.

Author: Caroline Weber
Publisher: Vintage
ISBN: 0345803124
Category : History
Languages : en
Pages : 754

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From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.

Author: Jennifer Rushworth
Publisher: University of Pennsylvania Press
ISBN: 1512825972
Category : Literary Criticism
Languages : en
Pages : 345

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In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.

Author: Shuangyi Li
Publisher: Springer
ISBN: 9811044546
Category : Language Arts & Disciplines
Languages : en
Pages : 252

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The book traces the literary journey that Proust’s work made to China and back by means of translation, intertextual engagement, and the creation of a transcultural dialogue through migrant literature. It begins with a translation history of Proust’s work in China and studies the different (re)translations and editions of La Recherche highlighting their culturally conditioned thematic emphases and negligence, such as time and memory over anti-Semitism and homosexuality. The book then moves on to explore three contemporary mainland Chinese writers’ creative intertextual engagement with Proust against the backdrop of China's explosive development from modernity to post-modernity in the 1990s. Finally, back to France, the book examines the multifarious literary relations between Proust and the Franco-Chinese migrant writer François Cheng. It demonstrates how the cultural heritages of China and the West can be re-negotiated and put into dialogue through the fictional and creative medium of literature, as well as providing a means of understanding the economic, political, and cultural exchanges in our current global context.

Author: Angela Moorjani
Publisher: Rodopi
ISBN: 9401208441
Category : History
Languages : en
Pages : 372

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Table of Contents/Table des matières Early Modern Beckett/Beckett et le début de l¿ère moderne Introduction/Avant-propos I. In Dialogue with Dramatists and Writers/En dialogue avec des auteurs dramatiques et des écrivains Carla Taban: Le Molière de Beckett Angela Moorjani: Beckett¿s Racinian Fictions: ¿Racine and the Modern Novel¿ Revisited Danièle de Ruyter: Fascination de la tragédie Racinienne: résonances dans Oh les beaux jours Arka Chattopadhyay: ¿Worst In Need Of Worse¿: King Lear, Worstward Ho and the Trajectory of Worsening Julie Campbell: Allegories of Clarity and Obscurity: Bunyan¿s The Pilgrim¿s Progress and Beckett¿s Molloy Seán Kennedy: Edmund Spenser, Famine Memory and the Discontents of Humanism in Endgame Melanie Foehn: A Rhetoric of Discontinuity: On Stylistic Parallels between Pascal¿s Pensées and Samuel Beckett¿s L¿Innommable II. In Dialogue with Philosophers and Artists/En dialogue avec des philosophes et des artistes Yoshiyuki Inoue: Cartesian Mechanics in Beckett¿s Fin de Partie Layla M. Roesler: En compagnie d¿une métaphysique parodique: Beckett lecteur de Descartes redux Everett C. Frost: Beckett and Geulincx¿s Ethics: ¿¿my Geulincx could only be a literary fantasia¿ Naoya Mori: Beckett¿s Faint Cries: Leibniz¿s petites perceptions in First Love and Malone Dies Claire Lozier: Présence de la sculpture funéraire des débuts de l¿époque moderne dans l¿¿uvre narrative de Samuel Beckett: du motif artistique religieux à sa laïcisation scripturale Joanne Shaw: Light and Darkness in Elsheimer, Caravaggio, Rembrandt and Beckett Beckett Between/Beckett entre deux Introduction Dúnlaith Bird: Light, Landscape and Beckett James Williams: Beckett between the Words: Punctuation and the Body in the English Prose Alys Moody: The Non-Lieu of Hunger: Post-war Beckett and the Genealogies of Starvation Dirk Van Hulle: The Extended Mind and Multiple Drafts: Beckett¿s Models of the Mind and the Postcognitivist Paradigm Everett C. Frost: Beckett and Geulincx¿s Metaphysics: ¿Without knowing why exactly¿ John Wall: ¿L¿au-delà du dehors-dedans¿: Paradox, Space and Movement in Beckett Lea Sinoimeri: ¿Ill-Told Ill-Heard¿: Aurality and Reading in Comment c¿est/How It Is Karine Germoni and Pascale Sardin: Tensions of the In-Between: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame Iain Baily: Beckett, Bilingualism and the Bible Garin Dowd: The Proxemics of ¿Neither¿ Contributors/Auteurs