Recueil des conventions et traités concernant la propriété littéraire et artistique publiés en français et dans les langues des pays contractańts PDF Download

Author: International Union for the Protection of Literary and Artistic Works
Publisher:
ISBN:
Category : Copyright, International
Languages : fr
Pages : 926

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Author: Christine Haynes
Publisher: Harvard University Press
ISBN: 0674053982
Category :
Languages : en
Pages : 347

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Book Description
Linking the study of business and politics, Christine Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting - but also in limiting - press freedom and literary property.

Author: Konrad E. Zweigert
Publisher: BRILL
ISBN: 9789028600997
Category : Law
Languages : en
Pages : 1346

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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 780

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Author: Internationale Vereinigung für Vergleichende Rechtswissenschaft und Volkswirtschaftslehre zu Berlin
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 1046

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Author: Acadimie de Droit International de La Haye
Publisher: Martinus Nijhoff Publishers
ISBN: 9789028608924
Category : Law
Languages : en
Pages : 672

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Book Description
The Academy is a prestigious international institution for the study and teaching of Public and Private International Law and related subjects. The work of the Hague Academy receives the support and recognition of the UN. Its purpose is to encourage a thorough and impartial examination of the problems arising from international relations in the field of law. The courses deal with the theoretical and practical aspects of the subject, including legislation and case law. All courses at the Academy are, in principle, published in the language in which they were delivered in the "Collected Courses of the Hague Academy of International Law .

Author:
Publisher: Editions Bréal
ISBN: 2749523044
Category :
Languages : en
Pages : 242

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Book Description

Author: Sotirios Paraschas
Publisher: Routledge
ISBN: 1351191853
Category : Literary Criticism
Languages : en
Pages : 432

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Book Description
"The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as 'copies' of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as 'doubles' of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide."

Author: Estelle Derclaye
Publisher: Bloomsbury Publishing
ISBN: 1847316514
Category : Law
Languages : en
Pages : 406

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Book Description
Intellectual property rights, conventionally seen as quite distinct, are increasingly overlapping with one another. There are several reasons for this: the expansion of IPRs beyond their traditional borders, the creation of new IPRs especially at EU level, the exploitation of gaps in the law by shrewd lawyers, and the use of unfair competition as an alternative when IPRs are either not available at all or expired. The convergence of several IPRs on the same subject-matter poses problems. As they are normally envisaged as water-tight categories, there are very few rules which cater for the sort of regime clash that any overlap of IPRs necessarily entails. This book's aim is to find appropriate rules to regulate overlaps and thereby avoid regime conflicts and undue unstructured expansion of IPRs. The book studies the practical consequences of each overlap at the international, European and national levels (where the laws of France, the UK and Germany are reviewed). It then analyses the reasons for the prohibition or authorisation of overlaps. This analysis enables the determination of criteria and principles that can be used to (re)map the overlaps to achieve appropriateness and legitimacy.

Author: Emily Salines
Publisher: BRILL
ISBN: 9401202621
Category : Social Science
Languages : en
Pages : 301

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Book Description
Alchemy and Amalgam explores a relatively un-researched area of the Baudelairean corpus (his translations from English) and relates them to the rest of his works. It seeks to establish a link between translational and creative writing, arguing for a reassessment of the place of translation in Baudelaire’s writing method. Rather than a sideline in Baudelaire’s creative activities, translation is thus shown to be a central form of dual writing at the core of his works. Baudelaire’s translations from English, his constant rewriting of pre-existing material (including his own), the doublets, the transpositions d’art, and the art criticism are all based on an approach to writing which is essentially derivative but also transformative. Thus the Baudelairean experiment illustrates the limits of romantic notions of originality, creativity and genius, reminding us that all writing is intrinsically intertextual. It also shows the complexity of translation as a form of creation at the core of modern writing. The book is one of the first of its kind to link the study the translational activity of a major writer to his ‘creative’ writings. It is also one of the first to provide an integrated presentation of French 19th-century translation approaches and to link them to questions of copyright and authorship in the context of the rise of capitalism and romantic views of creation and genius. It offers, therefore, a new perspective both on translation history and on literary history. Alchemy and Amalgam will be of interest to students of translation, comparative literature and French studies.