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Author: Frederic V. Grunfeld Publisher: Plunkett Lake Press ISBN: Category : Social Science Languages : en Pages :
Book Description
Prophets Without Honour is a collective biography set in an extraordinary epoch of cultural history sometimes called “the Weimar Renaissance.” In a series of mini-portraits, Grunfeld has written a tribute to the German-speaking scientists, musicians, writers and artists who created European cultural life in the early twentieth century. All were evicted or murdered by the Nazis. Albert Einstein, Walter Benjamin, Sigmund Freud, Gustav Mahler, and Franz Kafka are the best-known of his subjects but Grunfeld includes such lesser-known figures as Else Lasker-Schüler, Ernst Toller, Gertrud Kolmar, Alfred Döblin, Erich Mühsam, Carl Sternheim, Kurt Tucholsky and Hermann Broch. Grunfeld summarizes their lives, illuminates their work, traces their interactions, and sets it all against the background of Central European political and cultural life in the first three decades of the last century. “Grunfeld’s fascinating ‘collective biography’... is a peculiar and moving achievement because it puts faces and feet on ideas... one of the odd pleasures of this book is, in its digressions, Mr. Grunfeld’s curiosity.” — John Leonard, The New York Times “He has put the whole awful, tragic, somehow ennobling story together with a quiet passion and a wealth of unexpected details.” — Alfred Kazin “This is a fascinating introduction, written with clarity, compassion, and verve. Strongly recommended.” — Library Journal “Grunfeld has brought to life a whole generation that had been buried alive... To read this book is an intellectual adventure. One partakes of the great drama of art and politics played out by Germans and Jews before the darkness fell over Europe.” —Lucy Dawidowicz
Author: Frederic V. Grunfeld Publisher: Plunkett Lake Press ISBN: Category : Social Science Languages : en Pages :
Book Description
Prophets Without Honour is a collective biography set in an extraordinary epoch of cultural history sometimes called “the Weimar Renaissance.” In a series of mini-portraits, Grunfeld has written a tribute to the German-speaking scientists, musicians, writers and artists who created European cultural life in the early twentieth century. All were evicted or murdered by the Nazis. Albert Einstein, Walter Benjamin, Sigmund Freud, Gustav Mahler, and Franz Kafka are the best-known of his subjects but Grunfeld includes such lesser-known figures as Else Lasker-Schüler, Ernst Toller, Gertrud Kolmar, Alfred Döblin, Erich Mühsam, Carl Sternheim, Kurt Tucholsky and Hermann Broch. Grunfeld summarizes their lives, illuminates their work, traces their interactions, and sets it all against the background of Central European political and cultural life in the first three decades of the last century. “Grunfeld’s fascinating ‘collective biography’... is a peculiar and moving achievement because it puts faces and feet on ideas... one of the odd pleasures of this book is, in its digressions, Mr. Grunfeld’s curiosity.” — John Leonard, The New York Times “He has put the whole awful, tragic, somehow ennobling story together with a quiet passion and a wealth of unexpected details.” — Alfred Kazin “This is a fascinating introduction, written with clarity, compassion, and verve. Strongly recommended.” — Library Journal “Grunfeld has brought to life a whole generation that had been buried alive... To read this book is an intellectual adventure. One partakes of the great drama of art and politics played out by Germans and Jews before the darkness fell over Europe.” —Lucy Dawidowicz
Author: Dennis B. Klein Publisher: University of Chicago Press ISBN: 0226439607 Category : History Languages : en Pages : 218
Book Description
Dennis B. Klein explores the Jewish consciousness of Freud and his followers and the impact of their Jewish self-conceptions on the early psychoanalytic movement. Using little-known sources such as the diaries and papers of Freud's protégé Otto Rank and records of the Vienna B'nai B'rith that document Freud's active participation in that Jewish fraternal society, Klein argues that the feeling of Jewish ethical responsibility, aimed at renewing ties with Germans and with all humanity, stimulated the work of Freud, Rank, and other analysts and constituted the driving force of the psychoanalytic movement.
Author: Michael Rogin Publisher: Univ of California Press ISBN: 0520213807 Category : History Languages : en Pages : 360
Book Description
The tangled connections that have bound Jews to African Americans in popular culture and liberal politics are at the heart of this text. It explores blackface in Hollywood films as an aperture to various broader issues.
Author: S. Aschheim Publisher: Springer ISBN: 1137002298 Category : History Languages : en Pages : 273
Book Description
The essays in this volume seek to confront some of the charged meeting points of European - especially German - and Jewish history. All, in one way or another, explore the entanglements, the intertwined moments of empathy and enmity, belonging and estrangement, creativity and destructiveness that occurred at these junctions.
Author: Emily D. Bilski Publisher: Univ of California Press ISBN: 9780520222410 Category : Art Languages : en Pages : 310
Book Description
Berlin Metropolis: Jews and the New Culture, 1890-1918 vividly documents the diverse ways that Jewish artists, intellectuals, and cultural impresarios participated in this burst of creativity and promoted the emergence of modernism in Berlin and on the international scene."--BOOK JACKET.
Author: Lynne M. Swarts Publisher: Bloomsbury Publishing USA ISBN: 1501336150 Category : Art Languages : en Pages : 401
Book Description
Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
Author: Abba Eban Publisher: Plunkett Lake Press ISBN: Category : History Languages : en Pages : 402
Book Description
Voice of Israel is a collection of Abba Eban’s speeches before the United Nations’ Security Council and General Assembly, at universities and other venues between 1948 and 1968. Eban addresses Israel’s position on security in the Middle East, the Arab refugee problem, Jerusalem and the Holy Places, freedom of navigation through the Suez Canal and the Straights of Tiran, border clashes, American-Israel relations and the Six-Day War. “The Ambassador sounds a note of fierce and joyous pride in the achievements of Israel... The texts show Mr. Eban’s equal facility with the majestic phrase, the mild word and the blunt rejoinder... It need not be insisted that Mr. Eban is the oratorical equal of the incomparable Sir Winston [Churchill].” — Hal Lehrman, The New York Times “For almost two generations, Abba Eban was Israel's voice — its messenger to the high and mighty among the nations as well as to the Jewish people all over the world. Since he first appeared at the side of Dr. Chaim Weizmann in the late 1940’s during the struggle for Jewish statehood and sovereignty, few people could articulate the Zionist and later the Israeli case with comparable eloquence and conviction. With his Churchillian prose and almost Shakespearean cadences, his mellifluous phrases and sonorous voice carried for decades a message of hope from a people that could have lost all hope and trust in humanity after the horrors of World War II. As Ambassador to the United States and the UN, and later as Foreign Minister, he represented an Israel with which the world's liberal imagination could identify. Larger and more powerful nations were envious of so powerful a spokesman, and his speeches became textbook models for statesmen and diplomats in distant lands. His books — which he found time to write despite the hectic demands of diplomacy — were a unique combination of enormous erudition and crystalline clarity. His scholarly training and rhetorical gifts supplemented each other in a rare fashion. Rarely has a small country been represented by a statesman of such world stature: only Thomas Masaryk and Jan Smuts come to mind to compare with him. He was a true patriot, in the old-fashioned sense of the word: proud of his people, but never ethno-centric; a man of the world, but deeply embedded in Jewish cultural heritage; focused on the plights and tribulations of the Jewish people, but never losing the universal horizon of mankind. In short, he was a modern Jew in the best sense of the word.” — Shlomo Avineri
Author: Howard Greenfeld Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 405
Book Description
Ben Shahn was born in Lithuania in 1898 and emigrated to New York with his family in 1906. Trained as a lithographer, Shahn created social realist paintings of controversial subjects such as Sacco and Vanzetti. He worked as an assistant to Diego Rivera on Rivera’s Rockefeller Center mural, and later created his own public murals in Washington, New York, and New Jersey. In 1935, Walker Evans invited him to join the New Deal’s Farm Security Administration. As a photographer, Shahn documented the Depression in the American South with Evans and Dorothea Lange. During the war years, he worked for the Office of War Information (OWI) producing propaganda posters before returning to painting. Toward the end of his life he worked as a commercial artist, taught and wrote about art, including The Biography of a Painting(1956) and The Shape of Content (1960). Howard Greenfeld's biography is the first complete life of the artist and is illustrated with 90 of his photographs, pictures, and paintings. “Howard Greenfeld’s approach scrupulously balances the personal and the political to provide a rounded portrait... gives a convincing sense of a determined individual making his mark as an immigrant in the turbulent America of depression and war, social upheaval and reaction.” — David Cohen, The New York Times
Author: Frederic V. Grunfeld
Author: Frederic V. Grunfeld
Author: Frederic V. Grunfeld
Author: Frederic V. Grunfeld
Author: Dennis B. Klein
Author: Michael Rogin
Author: S. Aschheim
Author: Emily D. Bilski
Author: Lynne M. Swarts
Author: Abba Eban
Author: Howard Greenfeld