Proof Positive. A comedy PDF Download

Author: Francis Cowley Burnand
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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Author: Sir Francis Cowley Burnand
Publisher:
ISBN:
Category :
Languages : en
Pages : 53

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Author: Joyce Richards Case
Publisher: WestBow Press
ISBN: 1512789801
Category : Fiction
Languages : en
Pages : 303

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Book Description
This inspirational story follows Winston and Hope Prichard during the 1940s in South Texas. This fourth volume begins with the attack on Pearl Harbor. The portrayal of the family on the home front accurately recounts the events of WWII. Sacrificing for the war effort, the Prichard family is also beset with devastating loss and hardship of starting over. They never miss printing the weekly newspaper, though at times, Winn accomplishes it with a hangover. Hope has faith that God will answer her prayers for him to overcome his compulsion to binge drinking. Infuriating relatives and endearing town characters contribute humor and warmth to this compelling novel. The author weaves a story of an honest, hardworking couple who love deeply, laugh readily, and look to God for every need. Proof Positive is a feel-good book, acknowledging the pure kindness of folks who care about each other and their neighbors.

Author: Robert Metcalf Smith
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 780

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Author: William Congreve
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 530

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Book Description

Author: James Combs
Publisher: Cambridge Scholars Publishing
ISBN: 1443850993
Category : Performing Arts
Languages : en
Pages : 345

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Book Description
Comic Grace is Comb’s third book on the movies for Cambridge Scholars Publishing. These books hardly form a trilogy, but they do express a pragmatic interest of the author; namely, the aspects of movies that we have not adequately studied. More specifically, the first, Movie Time, examines the inadequately understood temporal appearance of movies, in movies set in the past, the present, and the future, attempting to make sense of such questions as to why certain past periods still fascinate, how an emergent present is accompanied by cinematic treatment, and what kind of futures we like to speculate about by watching alternative futures on film. This temporal interest was complemented in the second book, Wit’s End by examination of qualitative interest, discussing how and why certain movies come to be regarded and remembered by the movie culture as great and memorable. Even though there is obviously no unanimous agreement on which movies are “canonical”, there is enough consensus among those who study and value films for us to constitute inquiry into why some films are thought great. This third book in this sustained inquiry poses the question of not only why we think some movie comedies are great, but also what is unique and enduring in the legacy of comedy on film. The book looks at comedy with humane interest, entertaining the proposition that comedy may well be motion picture’s greatest achievement. If so, then it behooves inquirers to understand what movie audiences enjoy and cherish about movie comedy, and what it is about the film medium that so adequately communicates the comedic across such vast audiences and why they never tire of certain kinds of comedy. These interests will inspire students of the remarkable medium of film to inquire further into not only these questions, but also others that they find interesting and illuminating about the film experience.

Author: Christopher J. Olson
Publisher: Rowman & Littlefield
ISBN: 1442211040
Category : Performing Arts
Languages : en
Pages : 351

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The term “cult film” may be difficult to define, but one thing is certain: A cult film is any movie that has developed a rabid following for one reason or another. From highly influential works of pop art like Eraserhead and Faster, Pussycat! Kill! Kill! to trash masterpieces such as Miami Connection and Fateful Findings, thousands of movies have earned recognition as cult classics over the years, and new movies rise to cult status every year. So how do viewers searching for the best or most important cult films decide where to start? In 100 Greatest Cult Films, Christopher J. Olson highlights the most provocative, intriguing, entertaining, and controversial films produced over the last century. The movies included here have either earned reputations as bona fide cult classics or have in some way impacted our understanding of cult cinema, often transcending traditional notions of “good” and “bad” while featuring memorable characters, unforgettably shocking scenes, and exceptionally quotable dialogue. With detailed arguments for why these films deserve to be considered among the greatest of all time, Olson provides readers fodder for debate and a jumping-off point for future watching. A thought-provoking and accessible look at dozens of cinematic “treasures,” this resource includes valuable information on the films, creators, and institutions that have shaped cult cinema. Ultimately, The 100 Greatest Cult Films offers readers—from casual cinephiles, film scholars, and avid fans alike—a chance to discover or re-discover some of the most memorable films of all time.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 444

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Author: Bev Hogue
Publisher: Modern Language Association
ISBN: 1603296166
Category : Language Arts & Disciplines
Languages : en
Pages : 269

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Book Description
From Shakespeare to The Simpsons, comedy has long provided both entertainment and social commentary. It may critique cultural values, undermine authority, satirize sacred beliefs, and make room for the marginalized to approach the center. Comedy can be challenging to teach, but in the classroom it can help students connect with one another, develop critical thinking skills, and engage with important issues. The essays in this volume address a rich variety of texts spanning film, television, stand-up, cartoons, and memes as well as conventional literary works from different places and times. Contributors offer theoretical foundations and practical methods for a broad range of courses, including guidance on contextualizing the humor of historical works and on navigating the ways that comedy can both subvert and reinforce stereotypes. Finally, the volume argues for the value of comedy in difficult times, as a way to create community and meaning. This volume contains discussion of fiction, poetry, plays, and essays by Maya Angelou, Jane Austen, Aphra Behn, Hugh Henry Brackenridge, Frances Burney, Charles W. Chesnutt, Roddy Doyle, Maria Edgeworth, Ben Jonson, Anita Loos, Emtithal Mahmoud, Thomas Middleton, Okot p'Bitek, William Shakespeare, Laurence Sterne, Jonathan Swift, Alma Villanueva, Paula Vogel, Oscar Wilde, John Wilmot, and William Wycherley; TV shows and films including Crazy Ex-Girlfriend, The Gold Rush, Life Is Beautiful, The Marvelous Mrs. Maisel, The Office, Office Space, Rick and Morty, and South Park; works and stand-up performances by Aziz Ansari, Samantha Bee, Dave Chappelle, Louis C.K., Tina Fey, Moms Mabley, Hasan Minhaj, Eddie Murphy, Trevor Noah, Richard Pryor, Issa Rae, and Wanda Sykes; and visual works and other media including Aaron McGruder's The Boondocks, Bill Watterson's Calvin and Hobbes, Nick Sousanis's Unflattening, Marvel's Hawkeye, The Onion, YouTube videos, advertisements, and memes.

Author: Jonathan Santlofer
Publisher: Open Road Media
ISBN: 1480434264
Category : Fiction
Languages : en
Pages : 191

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Book Description
“A gem” of a collection of marijuana stories, poems and artwork by Joyce Carol Oates, Lee Child, Linda Yablonsky, Cheryl Lu-Lien Tan, and others (New York Journal of Books). It’s known by many names: Pot. Grass. Hash. Hemp. Reefer. Ganja. Dope. Weed. Smoke. Spliff. Mary Jane. Tea. Blunt. And it has played just as many parts in the mind of the public, from Reefer Madness to medical marijuana. Here is a collection of new works as diverse and provocative as the drug itself. From Joyce Carol Oates’s “High” to Dean Haspiel’s “Cannibal Sativa”; from Maggie Estep’s “Zombie Hookers of Hudson” to Philip Spitzer’s “Tips for the Pot-Smoking Traveler,” this collection explores the drug in its many forms and varietals. In prose, pictures, stories, and poems, you can delve into the folklore and the facts, rich cultural history, and dramas personal, political, spiritual, and legal. Like Dave Chappelle says: “Hey, hey, hey. Smoke weed every day.”