Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download PROMETHEUS R&D SYNESTHESIA IN ART PDF full book. Access full book title PROMETHEUS R&D SYNESTHESIA IN ART by Bulat M. Galeyev . Download full books in PDF and EPUB format.
Author: Bulat M. Galeyev Publisher: Meta Yayınevi ISBN: 6250008373 Category : Art Languages : en Pages : 83
Book Description
Prometheus R&D argued and defended the opinion that synesthesia rather than being a mind anomaly is a norm of human psychic perception, imagination, and creativity manifested in non-verbal thinking, realized by either involuntary or by purposeful comparison of different modalities, on the basis of structural, semantic, or emotional similarities. In this context, synesthesia associates with cultural aspects rather than being a biological phenomenon, moreover, Bulat Galeyev persistently stressed that language, monosensory, and bisensory arts, serve as the “testing areas” where synaesthesia is formed and most actively cultivated.
Author: Bulat M. Galeyev Publisher: Meta Yayınevi ISBN: 6250008373 Category : Art Languages : en Pages : 83
Book Description
Prometheus R&D argued and defended the opinion that synesthesia rather than being a mind anomaly is a norm of human psychic perception, imagination, and creativity manifested in non-verbal thinking, realized by either involuntary or by purposeful comparison of different modalities, on the basis of structural, semantic, or emotional similarities. In this context, synesthesia associates with cultural aspects rather than being a biological phenomenon, moreover, Bulat Galeyev persistently stressed that language, monosensory, and bisensory arts, serve as the “testing areas” where synaesthesia is formed and most actively cultivated.
Author: Dani Cavallaro Publisher: McFarland ISBN: 0786475633 Category : Art Languages : en Pages : 213
Book Description
This study explores the relationship between synesthesia--the experience of a sensation in one perceptual domain triggering a sensation in another perceptual domain--and the arts (including painting, photography, music and literature). Its aim is twofold: to introduce readers as yet unfamiliar with synesthesia to this intriguing phenomenon by focusing on its impact on the creation and reception of art; and to alert readers already conversant with synesthesia in its many manifestations to its potential to encourage fresh ways of approaching art, of understanding the part played by our bodies in its production and receipt and, by extension, of reassessing our position in nature as humans.
Author: W.R. Crozier Publisher: Elsevier ISBN: 0080866735 Category : Psychology Languages : en Pages : 461
Book Description
This book reviews progress and describes original research in the cognitive psychology of the arts. The invited contributors are leading authorities, and the topics which they cover include psychological approaches to symbols and meaning in art, issues in experimental aesthetics, the development in children of artistic production and appreciation, and the perception of musical and pictorial material.
Author: John Fraim Publisher: Daimon ISBN: 385630620X Category : Business & Economics Languages : en Pages : 427
Book Description
With a focus on the three-month period following the terrorist attacks of September 11, 2001, marketing consultant Fraim explains how American symbols are created, communicated, managed, and understood. He discusses the emergence of symbols from their traditional residence in religion, art, dreams, and particular cultures to a new ubiquitous global status and argues that future wars will be increasingly fought over and won through the use of symbols. Distributed by Continuum. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Irina Sirotkina Publisher: Bloomsbury Publishing ISBN: 1350014338 Category : Performing Arts Languages : en Pages : 233
Book Description
The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.
Author: Cretien Van Campen Publisher: MIT Press ISBN: 0262514079 Category : Psychology Languages : en Pages : 199
Book Description
The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature. What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.
Author: Yael Kaduri Publisher: Oxford University Press ISBN: 0190631694 Category : Music Languages : en Pages :
Book Description
The Oxford Handbook of Sound and Image in Western Art examines, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms. The book represents state-of-the-art case studies with key figures of modern thinking constituting a foundation for discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core thematic sections. The first, Sights and Sounds, concentrates on the interaction between the experience of seeing and the experience of hearing. Examples of painting, classic and digital animation, video art, choreography, and music performance are examined in this section. Sound, Space, and Matter explores experimental forms emanating from the expansion of the concepts of music and space to include environmental sounds, vibrating frequencies, silence, language, human habitats, the human body, and more. The reader will find here an analysis of different manifestations of this aesthetic shift in sound art, fine art, contemporary dance, multimedia theatre, and cinema. The last section, Performance, Performativity, and Text, shows how new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound, voice, and text - to become active in new ways in postmodern and contemporary art creation. In addition to examples of real-time performing arts such as music theatre, experimental theatre, and dance, it includes case studies that demonstrate performativity in fine art, visual poetry, short film, and cinema. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners.
Author: Olga A. Kanysheva Publisher: Anisiia Tomanek OSVČ ISBN: 8090795714 Category : Education Languages : en Pages : 90
Book Description
It is the second issue of the international scientific journal "European Scientific e-Journal" (Czech Republic). There are 7 scientific works of Russian scientists and researchers in the fields of philosophy, political science, and history. The articles are written in English, Czech and Russian languages.
Author: Diane V. Silverthorne Publisher: Bloomsbury Publishing USA ISBN: 1501330144 Category : Art Languages : en Pages : 305
Book Description
Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.
Author: Bulat M. Galeyev 
Author: Bulat M. Galeyev 
Author: Dani Cavallaro
Author: María José de Córdoba Serrano
Author: W.R. Crozier
Author: John Fraim
Author: Irina Sirotkina
Author: Cretien Van Campen
Author: Yael Kaduri
Author: Olga A. Kanysheva
Author: Diane V. Silverthorne