Author: Charles Dibdin
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 198
Book Description
Professional & Literary Memoirs of Charles Dibdin the Younger
Author: Charles Dibdin
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 198
Book Description
Professional & Literary Memoirs
Author: Charles Dibdin
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 198
Book Description
I Hope I Don't Intrude
Author: David Vincent
Publisher: OUP Oxford
ISBN: 019103813X
Category : History
Languages : en
Pages : 367
Book Description
'I Hope I Don't Intrude' takes its title from the catch-phrase of the eponymous hero of the 1825 play Paul Pry, which was an immense success on the London stage and then rapidly in New York and around the English-speaking world. It tackles the complex, multi-faceted subject of privacy in nineteenth-century Britain by examining the way in which the tropes, language, and imagery of the play entered public discourse about privacy in the rest of the century. The volume is not just an account of a play, or of late Georgian and Victorian theatre. Rather it is a history of privacy, showing how the play resonated through Victorian society and revealed its concerns over personal and state secrecy, celebrity, gossip and scandal, postal espionage, virtual privacy, the idea of intimacy, and the evolution of public and private spheres. After 1825 the overly inquisitive figure of Paul Pry appeared everywhere - in songs, stories, and newspapers, and on everything from buttons and Staffordshire pottery to pubs, ships, and stagecoaches - and 'Paul-Prying' rapidly entered the language. 'I Hope I Don't Intrude' is an innovative kind of social history, using rich archival research to trace this cultural artefact through every aspect of its consumer context, and using its meanings to interrogate the largely hidden history of privacy in a period of major transformations in the role of the home, mass communication (particularly the new letter post, which delivered private messages through a public service), and the state. In vivid and entertaining detail, including many illustrations, David Vincent presents the most thorough account yet attempted of a recreational event in an era which saw a decisive shift in consumer markets. His study casts fresh light on the perennial tensions between curiosity and intrusion that were captured in Paul Pry and his catchphrase. Giving a new account of the communications revolution of the period, it re-evaluates the role of the state and the market in creating a new regime of privacy. And its critique of the concept and practice of surveillance looks forward to twenty-first-century concerns about the invasion of privacy through new technologies.
Publisher: OUP Oxford
ISBN: 019103813X
Category : History
Languages : en
Pages : 367
Book Description
'I Hope I Don't Intrude' takes its title from the catch-phrase of the eponymous hero of the 1825 play Paul Pry, which was an immense success on the London stage and then rapidly in New York and around the English-speaking world. It tackles the complex, multi-faceted subject of privacy in nineteenth-century Britain by examining the way in which the tropes, language, and imagery of the play entered public discourse about privacy in the rest of the century. The volume is not just an account of a play, or of late Georgian and Victorian theatre. Rather it is a history of privacy, showing how the play resonated through Victorian society and revealed its concerns over personal and state secrecy, celebrity, gossip and scandal, postal espionage, virtual privacy, the idea of intimacy, and the evolution of public and private spheres. After 1825 the overly inquisitive figure of Paul Pry appeared everywhere - in songs, stories, and newspapers, and on everything from buttons and Staffordshire pottery to pubs, ships, and stagecoaches - and 'Paul-Prying' rapidly entered the language. 'I Hope I Don't Intrude' is an innovative kind of social history, using rich archival research to trace this cultural artefact through every aspect of its consumer context, and using its meanings to interrogate the largely hidden history of privacy in a period of major transformations in the role of the home, mass communication (particularly the new letter post, which delivered private messages through a public service), and the state. In vivid and entertaining detail, including many illustrations, David Vincent presents the most thorough account yet attempted of a recreational event in an era which saw a decisive shift in consumer markets. His study casts fresh light on the perennial tensions between curiosity and intrusion that were captured in Paul Pry and his catchphrase. Giving a new account of the communications revolution of the period, it re-evaluates the role of the state and the market in creating a new regime of privacy. And its critique of the concept and practice of surveillance looks forward to twenty-first-century concerns about the invasion of privacy through new technologies.
Cheap Print and Street Literature of the Long Eighteenth Century
Author: David Atkinson
Publisher: Open Book Publishers
ISBN: 180511042X
Category : Art
Languages : en
Pages : 236
Book Description
This deeply researched collection offers a comprehensive introduction to the eighteenth-century trade in street literature – ballads, chapbooks, and popular prints – in England and Scotland. Offering detailed studies of a selection of the printers, types of publication, and places of publication that constituted the cheap and popular print trade during the period, these essays delve into ballads, slip songs, story books, pictures, and more to push back against neat divisions between low and high culture, or popular and high literature. The breadth and depth of the contributions give a much fuller and more nuanced picture of what was being widely published and read during this period than has previously been available. It will be of great value to scholars and students of eighteenth-century popular culture and literature, print history and the book trade, ballad and folk studies, children’s literature, and social history.
Publisher: Open Book Publishers
ISBN: 180511042X
Category : Art
Languages : en
Pages : 236
Book Description
This deeply researched collection offers a comprehensive introduction to the eighteenth-century trade in street literature – ballads, chapbooks, and popular prints – in England and Scotland. Offering detailed studies of a selection of the printers, types of publication, and places of publication that constituted the cheap and popular print trade during the period, these essays delve into ballads, slip songs, story books, pictures, and more to push back against neat divisions between low and high culture, or popular and high literature. The breadth and depth of the contributions give a much fuller and more nuanced picture of what was being widely published and read during this period than has previously been available. It will be of great value to scholars and students of eighteenth-century popular culture and literature, print history and the book trade, ballad and folk studies, children’s literature, and social history.
Napoleon and British Song, 1797-1822
Author: Oskar Cox Jensen
Publisher: Springer
ISBN: 1137555386
Category : History
Languages : en
Pages : 264
Book Description
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.
Publisher: Springer
ISBN: 1137555386
Category : History
Languages : en
Pages : 264
Book Description
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.
Reflecting the Audience
Author: Jim Davis
Publisher: University of Iowa Press
ISBN: 1587294028
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
Publisher: University of Iowa Press
ISBN: 1587294028
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The Victorian Novel and the Problems of Marine Language
Author: Matthew Peter Milton Kerr
Publisher: Oxford University Press
ISBN: 0192843990
Category : English fiction
Languages : en
Pages : 305
Book Description
This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
Publisher: Oxford University Press
ISBN: 0192843990
Category : English fiction
Languages : en
Pages : 305
Book Description
This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
David Garrick, Director
Author: Kalman A. Burnim
Publisher: SIU Press
ISBN: 9780809306251
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
The life of this actor, manager, playwright, and eighteenth-century gentleman is here refracted through the volurninous correspondence and analyses of roles, plays, and performances in this, no doubt final, biography of David Garrick. As the direct result of modern scholarship accessible only since the 1960s, it is now possible to appraise fully the life of this remarkable person who was born in Lichfield 19February 1717, a childhood friend of Samuel Johnson, who became the greatest English theatrical luminary who ever lived, and who when he died 20 January 1779was mourned by the nation and eulogized by Dr. Johnson as one whose death "eclipsed the gaiety of nations." For twenty-nine years (1747-1776) Garrick managed Drury Lane theatre, caring passionately for its well-being. His own acting set the pace for the performances, his discipline carried it on, and his theatrical innovations attracted the audiences on which the lives, hopes, and families of some 140actors, actresses, singers, dancers, and others depended. In addition, he wrote, adapted, or altered some 49 plays and wrote nearly 100 prologues. What emerges from this big, new critical biography is a fully drawn portrait of an eighteenth-century gentleman, with a wide range of acquaintances, elegant socially, morally, and personally, and an engaging conversationalist with and respecter of women of mark and with his closest friends. He was also, as the evidence now shows, the solid link with his own age and the great dramatic artists of the past, from the Restoration playwrights to Massinger, Jonson, Shakespeare, and early English dramatists.
Publisher: SIU Press
ISBN: 9780809306251
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
The life of this actor, manager, playwright, and eighteenth-century gentleman is here refracted through the volurninous correspondence and analyses of roles, plays, and performances in this, no doubt final, biography of David Garrick. As the direct result of modern scholarship accessible only since the 1960s, it is now possible to appraise fully the life of this remarkable person who was born in Lichfield 19February 1717, a childhood friend of Samuel Johnson, who became the greatest English theatrical luminary who ever lived, and who when he died 20 January 1779was mourned by the nation and eulogized by Dr. Johnson as one whose death "eclipsed the gaiety of nations." For twenty-nine years (1747-1776) Garrick managed Drury Lane theatre, caring passionately for its well-being. His own acting set the pace for the performances, his discipline carried it on, and his theatrical innovations attracted the audiences on which the lives, hopes, and families of some 140actors, actresses, singers, dancers, and others depended. In addition, he wrote, adapted, or altered some 49 plays and wrote nearly 100 prologues. What emerges from this big, new critical biography is a fully drawn portrait of an eighteenth-century gentleman, with a wide range of acquaintances, elegant socially, morally, and personally, and an engaging conversationalist with and respecter of women of mark and with his closest friends. He was also, as the evidence now shows, the solid link with his own age and the great dramatic artists of the past, from the Restoration playwrights to Massinger, Jonson, Shakespeare, and early English dramatists.
The Great Belzoni
Author: Stanley Mayes
Publisher: Bloomsbury Publishing
ISBN: 085771306X
Category : Biography & Autobiography
Languages : en
Pages : 359
Book Description
The truly extraordinary life story of Giovanni Belzoni, one of the giants of 19th century Egyptian archaeology. Sometimes maligned as a tomb robber, Giovanni Battista Belzoni - engineer, barber, monk, actor and strongman in a circus, where he earned his title, 'The Great Belzoni' - is perhaps the most important and yet least remembered explorer and archaeologist of the last two hundred years. After a failed business venture in Egypt, attempting to sell a patent water wheel to the Pasha, he undertook one of the most ambitious archaeological projects ever. Under seeming impossible conditions, Belzoni transported the colossal granite head of Ramesses II from Thebes to England, where it is now one of the treasures of the British Museum. He went on to excavate the great temple of Abu Simbel, discover six major royal tombs in the Valley of the Kings, including that of Seti I, and provide the British Museum with a spectacular collection of Egyptian antiquities. Giovanni Belzoni was the first person to penetrate the heart of the second pyramid at Giza and the first European to visit the oasis of Siwah and discover the ruined city of Berenice on the Red Sea. His exhibitions and best-selling memoirs made him a major celebrity in Regency London where he was a huge influence on the vogue for Egyptian style in art, design and architecture. In 1823, at the age of forty-five, Belzoni died of fever trying to reach the mysterious city of Timbuktu.
Publisher: Bloomsbury Publishing
ISBN: 085771306X
Category : Biography & Autobiography
Languages : en
Pages : 359
Book Description
The truly extraordinary life story of Giovanni Belzoni, one of the giants of 19th century Egyptian archaeology. Sometimes maligned as a tomb robber, Giovanni Battista Belzoni - engineer, barber, monk, actor and strongman in a circus, where he earned his title, 'The Great Belzoni' - is perhaps the most important and yet least remembered explorer and archaeologist of the last two hundred years. After a failed business venture in Egypt, attempting to sell a patent water wheel to the Pasha, he undertook one of the most ambitious archaeological projects ever. Under seeming impossible conditions, Belzoni transported the colossal granite head of Ramesses II from Thebes to England, where it is now one of the treasures of the British Museum. He went on to excavate the great temple of Abu Simbel, discover six major royal tombs in the Valley of the Kings, including that of Seti I, and provide the British Museum with a spectacular collection of Egyptian antiquities. Giovanni Belzoni was the first person to penetrate the heart of the second pyramid at Giza and the first European to visit the oasis of Siwah and discover the ruined city of Berenice on the Red Sea. His exhibitions and best-selling memoirs made him a major celebrity in Regency London where he was a huge influence on the vogue for Egyptian style in art, design and architecture. In 1823, at the age of forty-five, Belzoni died of fever trying to reach the mysterious city of Timbuktu.