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Author: Michael Cavanagh Publisher: CUA Press ISBN: 0813216710 Category : Literary Criticism Languages : en Pages : 273
Book Description
The first full-length study of Heaney's poetics, Professing Poetry explores Heaney's unusual concept of influence and the various ways in which Heaney interacts with other writers
Author: Michael Cavanagh Publisher: CUA Press ISBN: 0813216710 Category : Literary Criticism Languages : en Pages : 273
Book Description
The first full-length study of Heaney's poetics, Professing Poetry explores Heaney's unusual concept of influence and the various ways in which Heaney interacts with other writers
Author: Susan B. Rosenbaum Publisher: University of Virginia Press ISBN: 9780813926100 Category : Literary Criticism Languages : en Pages : 308
Book Description
Sincerity--the claim that the voice, figure, and experience of a first-person speaker is that of the author--has dominated both the reading and the writing of Anglo-American poetry since the romantic era. Most critical studies have upheld an opposition between sincerity and the literary marketplace, contributing to the widespread understanding of the lyric poem as a moral refuge from the taint of commercial culture. Guided by the question of why we expect poetry to be sincere, Susan Rosenbaum reveals in Professing Sincerity: Modern Lyric Poetry, Commercial Culture, and the Crisis in Reading that, in fact, sincerity in the modern lyric was in many ways a product of commercial culture. As she demonstrates, poets who made a living from their writing both sold the moral promise that their lyrics were sincere and commented on this conflict in their work. Juxtaposing the poetry of Wordsworth and Frank O'Hara, Charlotte Smith and Sylvia Plath, and Anna Laetitia Barbauld and Elizabeth Bishop, Rosenbaum shows how on the one hand, through textual claims to sincerity poets addressed moral anxieties about the authenticity, autonomy, and transparency of literature written in and for a market. On the other hand, by performing their "private" lives and feelings in public, she argues, poets marketed the self, cultivated celebrity, and advanced professional careers. Not only a moral practice, professing sincerity was also good business. The author focuses on the history of this conflict in both British romantic and American post-1945 poetry. Professing Sincerity will appeal to students and scholars of Anglo-American lyric poetry, of the history of authorship, and of gender studies and commercial culture.
Author: John Dennison Publisher: Oxford University Press ISBN: 0191059714 Category : Literary Criticism Languages : en Pages : 256
Book Description
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the violence of public historical life. It is a curiously equivocal ideal, and as such most clearly demonstrates the intellectual origins, the humanist character, and the inherent strains of these poetics, the work of one of the world's leading poet-critics of the last thirty years. Seamus Heaney and the Adequacy of Poetry is the first study of the development of Heaney's thought and its central theme. Eschewing the tendency of Heaney critics to endorse or expand on the poet's poetics in largely adulatory terms, it draws on archival as well as print sources to trace the emerging dualistic shape, redemptive logic, and post-Christian nature of Heaney's thought, from his undergraduate formation to the expansive affirmations of his late cultural poetics. Through a meticulous and wholly new examination of Heaney's revisions to previously published prose, it reveals the logical strain of his conceptual constructions, so that it becomes acutely apparent just how appropriate that ambivalent ideal 'adequacy' is. This book takes seriously the post-Christian, frequently religious tenor of Heaney's language, explicating the character of his thought while exposing its limits: Heaney's belief in poetry's adequacy ultimately constitutes an Arnoldian substitute for—indeed, an 'afterimage' of—Christian belief. This is the deep significance of the idea of adequacy to Heaney's thought: it allows us to identify precisely the late humanist character and the limits of his troubled trust in poetry.
Author: Fran Brearton Publisher: OUP Oxford ISBN: 0191636754 Category : Literary Criticism Languages : en Pages : 743
Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Author: Christopher Laverty Publisher: Springer Nature ISBN: 3030955680 Category : Literary Criticism Languages : en Pages : 251
Book Description
This book examines the influence of American poetry on Seamus Heaney’s achievement by close attention to the themes, style, and resonances of his poetry at different stages of his career, including his appointments in Berkeley and Harvard. Beginning with an examination of Heaney’s education at Queen’s University, this study presents comparative close readings which explore the influence of five American poets he read during this period: Robert Frost, John Crowe Ransom, Theodore Roethke, Robert Lowell, and Elizabeth Bishop. Laverty demonstrates how Heaney returned to several of these poets in response to difficulty and to consolidate later aesthetic developments. Heaney’s ambivalent critical treatment of Sylvia Plath is investigated, as is his partial misreading of Bishop, who is understood today more sensitively than in her lifetime. This study also probes the reasons for his elision of other prominent American writers, making this the first comprehensive assessment of American influence on Heaney’s poetry.
Author: S. N. Prasad Publisher: Dorrance Publishing ISBN: 1638677980 Category : Literary Criticism Languages : en Pages : 344
Book Description
The Poetry Of Philip Larkin: A Study In Long Perspectives By: S. N. Prasad The present book is an innovative attempt to give the Philip Larkin criticism a new direction. Early critical writings on Larkin for the most part tried to show him as a provincial poet and his poetic imagination as of a middle-brow kind. However, soon some perceptive readers of his poetry found some of its real value, as a result of which he is now regarded as one of the major British post-modern poets. This book has tried to show that Philip Larkin in his poetry tries to see man in his present existential condition and he sees his future prospects as a species in very long perspectives and, in this respect, besides his many- faceted merit as a true poet, he can and should be seen in the company of great mainstream scientists, philosophers, creative writers and thinkers. Philip Larkin in his major poems aims at giving a therapeutic touch to the ailing human culture. This book has a long INTRODUCTION which tries to show the true origins of man, his physiology and his present psycho-social condition. Views of reputed creative writers, scientists, philosophers and thinkers have been referred to in this connection. In the three middle sections of the book, thirty of Larkin’s poems taken from his three major volumes have been analyzed individually at some length. These analyses reveal some of the very important but hitherto unrevealed aspects of his poetry.
Author: John Holmes Publisher: Liverpool University Press ISBN: 1846318092 Category : Literary Criticism Languages : en Pages : 251
Book Description
Over the last thirty years, more and more critics and scholars have come to recognize the significant influence of science on literature. This collection of essays focuses specifically on what poets in the twentieth and twenty-first centuries have made of modern scientific developments. In these twelve essays, leading experts on modern poetry, literature, and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the two cultures can and have come together in the work of poets from Britain, Ireland, America, and Australia.
Author: Menotti Lerro Publisher: Cambridge Scholars Publishing ISBN: 1443874841 Category : Language Arts & Disciplines Languages : en Pages : 235
Book Description
The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one’s own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one’s own community.
Author: Michael Cavanagh
Author: Michael Cavanagh
Author: John Wain
Author: Susan B. Rosenbaum
Author: Harriet Semmes Alexander
Author: John Dennison
Author: Fran Brearton
Author: Christopher Laverty
Author: S. N. Prasad
Author: John Holmes
Author: Menotti Lerro