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Author: Alois Riegl Publisher: Princeton University Press ISBN: 0691656584 Category : Art Languages : en Pages : 441
Book Description
Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Alois Riegl Publisher: Princeton University Press ISBN: 0691656584 Category : Art Languages : en Pages : 441
Book Description
Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Alois Riegl Publisher: ISBN: 9780691040875 Category : Design Languages : en Pages : 406
Book Description
Written at the height of the arts and crafts movement in fin-de-sicle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continuity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invested in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity."--From the preface by Henri Zerner
Author: John M. Murry Publisher: Theclassics.Us ISBN: 9781230279053 Category : Languages : en Pages : 42
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ... Ill POETRY AND PROSE In my last lecture I tried to expand a conception which I put forward in my first. I will repeat the original phrase, not because 1 attach any particular value to the wording, but because it is central to this discussion of style. I said originally that ' the test of a true individuality of style is that we should feel it to be inevitable; in it we should be able to catch the reference back to a whole mode of experience that is consistent with itself. If this reference is perceptible to us, it will be accompanied by a conviction that the peculiarity of style was necessary, and that the originating emotion of which we are sensible demanded this method of expression and this alone.' In my last lecture I did what I could to bring this somewhat abstract conception down to earth. To-day I propose to examine, more or less in the light of this notion, the familiar distinction between prose and poetry, and to see whether we can gain from this examination any further indications for a more complete and detailed anatomy of style. It is fairly obvious that this conception of style presupposes that there is no essential difference between prose and poetry. Whether the expression of the comprehensive and self-consistent mode of experience is achieved in the form of prose or verse will depend upon circumstances which are in the main accidental. Indeed, I think that the fashion of the age is perhaps the most important factor. As the Elizabethan age was the age of the drama, the nineteenth century has been the age of the novel. At a certain level of general culture, with certain combinations of economic and social conditions (which it would be well worth while to explore), certain artistic and literary forms impose themselves. These...
Author: Edward R. Watkins Publisher: Guilford Publications ISBN: 1462525105 Category : Psychology Languages : en Pages : 377
Book Description
From a leading clinician-researcher, this book presents an empirically tested approach for helping clients with severe and chronic depression by directly tackling negative rumination. Rumination-focused cognitive-behavioral therapy (RFCBT) combines carefully adapted elements of CBT with imagery, visualization, and compassion-based techniques. The book provides everything needed to implement this 12-session approach, including numerous sample dialogues, a chapter-length case example, reflections and learning exercises for therapists, and 10 reproducible client handouts. Purchasers get access to a Web page where they can download and print the reproducible materials in a convenient 8 1/2" x 11" size.
Author: Helen Sword Publisher: Harvard University Press ISBN: 0674069137 Category : Language Arts & Disciplines Languages : en Pages : 160
Book Description
Elegant data and ideas deserve elegant expression, argues Helen Sword in this lively guide to academic writing. For scholars frustrated with disciplinary conventions, and for specialists who want to write for a larger audience but are unsure where to begin, here are imaginative, practical, witty pointers that show how to make articles and books a pleasure to read—and to write. Dispelling the myth that you cannot get published without writing wordy, impersonal prose, Sword shows how much journal editors and readers welcome work that avoids excessive jargon and abstraction. Sword’s analysis of more than a thousand peer-reviewed articles across a wide range of fields documents a startling gap between how academics typically describe good writing and the turgid prose they regularly produce. Stylish Academic Writing showcases a range of scholars from the sciences, humanities, and social sciences who write with vividness and panache. Individual chapters take up specific elements of style, such as titles and headings, chapter openings, and structure, and close with examples of transferable techniques that any writer can master.
Author: Herb Sutter Publisher: Addison-Wesley Professional ISBN: 9780201760422 Category : Computers Languages : en Pages : 325
Book Description
Software "style" is about finding the perfect balance between overhead and functionality... elegance and maintainability... flexibility and excess. In Exceptional C++ Style , legendary C++ guru Herb Sutter presents 40 new programming scenarios designed to analyze not only the what but the why and help you find just the right balance in your software. Organized around practical problems and solutions, this book offers new insight into crucial C++ details and interrelationships, and new strategies for today's key C++ programming techniques--including generic programming, STL, exception safety, and more. You'll find answers to questions like: What can you learn about library design from the STL itself? How do you avoid making templated code needlessly non-generic? Why shouldn't you specialize function templates? What should you do instead? How does exception safety go beyond try and catch statements? Should you use exception specifications, or not? When and how should you "leak" the private parts of a class? How do you make classes safer for versioning? What's the real memory cost of using standard containers? How can using const really optimize your code? How does writing inline affect performance? When does code that looks wrong actually compile and run perfectly, and why should you care? What's wrong with the design of std::string? Exceptional C++ Style will help you design, architect, and code with style--and achieve greater robustness and performance in all your C++ software.
Author: Jeremy Richardson Publisher: Springer ISBN: 3319900293 Category : Political Science Languages : en Pages : 83
Book Description
This book revisits and re-defines the policy style concept and explores the long-standing debate in British political science concerning how best to characterise the British policy style. The book highlights several trends that suggest that the British policy style has shifted towards the impositional end of the policy style spectrum, bringing it more in line with the traditional Westminster model of governing. However, these changes also reflect a more frenetic policy style which might increase the number of policy blunders and failures in British Government unless means are found to access and manage the specialist expertise that interest groups possess.
Author: Alois Riegl
Author: Alois Riegl
Author: Alois Riegl
Author: John M. Murry
Author: John Middleton Murry
Author: Heinrich Wolfflin
Author: Edward R. Watkins
Author: Donald Kirk David
Author: Helen Sword
Author: Herb Sutter
Author: Jeremy Richardson