Problèmes des genres littéraires PDF Download

Author:
Publisher:
ISBN:
Category : Literary style
Languages : en
Pages : 536

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Author: Dan Ben-Amos
Publisher: University of Texas Press
ISBN: 0292735103
Category : Social Science
Languages : en
Pages : 356

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Book Description
The essays in Folklore Genres represent development in folklore genre studies, diverging into literary, ethnographic, and taxonomic questions. The study as a whole is concerned with the concept of genre and with the history of genre theory. A selective bibliography provides a guide to analytical and theoretical works on the topic. The literary-oriented articles conceive of folklore forms, not as the antecedents of literary genres, but as complex, symbolically rich expressions. The ethnographically oriented articles, as well as those dealing with classification problems, reveal dimensions of folklore that are often obscured from the student reading the folklore text alone. It has long been known that the written page is but a pale reproduction of the spoken word, that a tale hardly reflects the telling. The essays in this collection lead to an understanding of the forms of oral literature as multidimensional symbols of communication and to an understanding of folklore genres as systematically related conceptual categories in culture. What kinship terms are to social structure, genre terms are to folklore. Since genres constitute recognized modes of folklore speaking, their terminology and taxonomy can play a major role in the study of culture and society. The essays were originally published in Genre (1969–1971); introduction, bibliography, and index have been added to this edition.

Author: Bernard Bray
Publisher: Springer Science & Business Media
ISBN: 9401035709
Category : History
Languages : en
Pages : 469

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De Leyde, duquel aucune revelation, dans le domaine de l'information historique, n'etait a attendre, pour ne s'attacher qu'au premier groupe, a celui qui couvre la periode 1649-1658. Car ces dix annees-Ia corres pondent a la seconde moitie, et meme davantage (dix annees sur dix huit) de la longue et fächeuse lacune que presente le {laquo}manuscrit Sainte-Beuve{raquo}. Soixante-dix-sept lettres, pour la plupart assez etendues, regulierement reparties sur une periode de dix ans, representent un contenu informatif non negligeable. Et leur valeur s'accroit si l'on songe qu'elles sont presque tout ce qui subsiste, et qui soit actuellement connu, d'une production epistolaire perdue qui dut atteindre, en dix-huit ans (1641-1658), quelque deux mille unites. Pourtant leur interet historique n'est pas l'unique raison quijustifie leur publication, et on va voir que sur ces autographes de Leyde peut enfin s'appuyer une veritable etude litteraire du style epistolaire de Chapelain. Le {laquo}manuscrit Sainte-Beuve{raquo} a fait l'objet d'une edition, qui a malheureusement du rester partielle: elle a ete etablie par Ph. Tamizey de Larroque, qui a publie son precieux recueil sous les auspices du Ministere de l'Instruction publique 4.

Author: International Comparative Literature Association. Congress
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 552

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Author: Susan Stewart
Publisher: Oxford University Press, USA
ISBN: 0195066170
Category : Law and literature
Languages : en
Pages : 366

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From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.

Author: Peter Swirski
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773529926
Category : Literary Criticism
Languages : en
Pages : 233

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'From Lowbrow to Nobrow' vindicates popular fiction as an art form that expresses and reflects the aesthetic and social values of its readers.

Author: Thomas O. Beebee
Publisher: Penn State Press
ISBN: 0271042095
Category : Literary Criticism
Languages : en
Pages : 313

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In a series of comparative essays on a range of texts embracing both high and popular culture from the early modern era to the contemporary period, The Ideology of Genre counters both formalists and advocates of the &"death of genre,&" arguing instead for the inevitability of genre as discursive mediation. At the same time, Beebee demonstrates that genres are inherently unstable because they are produced intertextually, by a system of differences without positive terms. In short, genre is the way texts get used. To deny that genres exist is to deny, in a sense, the possibility of reading; if genres exist, on the other hand, then they exist not as essences but as differences, and thus those places within and between texts where genres &"collide&" reveal the connections between generic status, interpretive strategy, ideology, and the use-value of language.

Author: Alexandre Duquaire
Publisher: Peeters Publishers
ISBN: 9789042917040
Category : History
Languages : fr
Pages : 204

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The relationship between the literature and the anthropology of the eighteenth century is studied here on a double level: on the one hand that of literary production, with analysis of novels, collective works or autobiographies, and on the other hand that of poetical theory and the paratext, with the study of titles and forewords of novels and travel journals. These different studies converge in the fundamental idea that literature functions as a thought experience that allows us to transgress the borders of knowledge of man. French text.

Author: Clavier
Publisher: BRILL
ISBN: 9004266542
Category : Religion
Languages : en
Pages : 440

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Book Description
Preliminary Material /Henri Clavier -- Introduction Générale /Henri Clavier -- Introduction /Henri Clavier -- Quelques survivances archaïques dans les courants de la pensée biblique /Henri Clavier -- Le courant mystique et la pensée mystique. /Henri Clavier -- Le eourant prophétique dans la pensée biblique /Henri Clavier -- Le courant cultuel et la pensée biblique /Henri Clavier -- Introduction /Henri Clavier -- y A-t-il unité de pensée dans la Bible juive? /Henri Clavier -- Y A-t-il unité de pensée dsns le Nouveau Testament? /Henri Clavier -- Comment y aurait-il unité de pensée d'un Testament A L'autre ? /Henri Clavier -- L'unité au but et l'unité au centre /Henri Clavier -- Conclusion /Henri Clavier -- Index des citations bibliques /Henri Clavier -- Index des noms de lieux /Henri Clavier -- Index des noms de personnes /Henri Clavier -- Index des noms d'auteurs /Henri Clavier -- Table analytique /Henri Clavier.

Author:
Publisher: BRILL
ISBN: 9004488871
Category : Literary Criticism
Languages : en
Pages : 586

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Book Description
This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.