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Author: Clinton Adams Publisher: ISBN: Category : Art Languages : en Pages : 208
Book Description
Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century.
Author: Clinton Adams Publisher: ISBN: Category : Art Languages : en Pages : 208
Book Description
Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century.
Author: Lynn Barstis Williams Katz Publisher: ISBN: Category : Art Languages : en Pages : 488
Book Description
Provides a means of finding photographic reproductions and biographical/critical information on 1429 printmakers and their work. ...a useful, one-of-a-kind contribution to art reference literature.--WILSON LIBRARY BULLETIN ... A very useful work that will save research time.--CHOICE
Author: Trudy V. Hansen Publisher: ISBN: Category : Art Languages : en Pages : 296
Book Description
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
Author: Amy Scott Publisher: University of Oklahoma Press ISBN: 080615912X Category : Art Languages : en Pages : 249
Book Description
Best Art Book and Best of Show—2018 New Mexico–Arizona Book Award Born in San Diego in 1946 and raised in the American Southwest, painter Paul Pletka has created a body of work that owes much to the West of his childhood, and more to the West of his imagination. Infused with an operatic sense of theater and drama, his paintings conjure scenes from the cultures, history, and religions of the American West and Mexico—diffused, as Pletka writes, “through the lens of personal experiences, dreams, research, and ancestral memory.” In Paul Pletka: Imagined Wests, the first book on this major American artist in over thirty years, readers will encounter the full range of Pletka’s oeuvre through more than eighty color reproductions of his best-known and most influential works. Images of warriors and shamans are paired with depictions of George Armstrong Custer, Christian saints, and the lost gods of North and South America, their forms rendered in a distinctive style that mixes classical drawing and expressionist distortion with elements of surrealism and European symbolism. An artist statement and notes on selected paintings provide rare insight into Pletka’s creative process, and an introductory essay by art historian Amy Scott discusses how Pletka’s studies of indigenous cultures of the American West and Mexico, as well as art historical and critical influences, have informed his work. Complex, mysterious, and mesmerizing, Pletka’s paintings are designed to make it almost impossible to look away. In their boldly conceived subject matter, vivid color, and ethnographic detail, these works—and their creator—are true originals in the rich artistic landscape of the American West.
Author: Clinton Adams
Author: Clinton Adams
Author: Kathryn A. Flynn
Author: Marjorie Devon
Author: Catherine M. Cameron
Author: Lynn Barstis Williams Katz
Author: 
Author: Trudy V. Hansen
Author: Tamarind Institute
Author: Amy Scott
Author: Lee A. Ritscher