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Author: Elizabeth M. Harris Publisher: David R. Godine Publisher ISBN: 9781567922684 Category : History Languages : en Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
Author: Elizabeth M. Harris Publisher: David R. Godine Publisher ISBN: 9781567922684 Category : History Languages : en Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
Author: Vincent van Gogh Publisher: Metropolitan Museum of Art ISBN: 1588391655 Category : Art Languages : en Pages : 394
Book Description
Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.
Author: Hala Auji Publisher: BRILL ISBN: 9004314350 Category : Art Languages : en Pages : 171
Book Description
During the nineteenth century, the American Mission Press in Beirut printed religious and secular publications written by foreign missionaries and Syrian scholars such as Nāṣīf al-Yāzijī and Buṭrus al-Bustānī, of later nahḍa fame. In a region where presses were still not prevalent, letterpress-printed and lithographed works circulated within a larger network that was dominated by manuscript production. In this book, Hala Auji analyzes the American Press publications as important visual and material objects that provide unique insights into an era of changing societal concerns and shifting intellectual attitudes of Syria’s Muslim and Christian populations. Contending that printed books are worthy of close visual scrutiny, this study highlights an important place for print culture during a time of an emerging Arab modernity.
Author: Jonathan Senchyne Publisher: Studies in Print Culture and t ISBN: 9781625344731 Category : History Languages : en Pages : 0
Book Description
The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
Author: Harold E. Sterne Publisher: ISBN: 9780712306638 Category : Printing presses Languages : en Pages : 258
Book Description
This work provides more than 480 contemporary woodcuts and engravings illustrating the printing presses of the 19th century, often taken from manufacturer's catalogues and advertisements. A final chapter contains illustrations of supplementary printing equipment of the period. The presses include the One Dollar Printing Press - for the boys who simply wish to print cards, the Union Rotary Press - powerful and rapid, yet readily understood and run even by a lad of ten, and Geo W. Hunt's Superior Job Printing Press, whose automatic brayer and ink throw-off are in themselves a sufficient recommendation to ensure its popularity amongst intelligent printers. The illustrations and descriptions illuminate the advances in print technology over the century, and together form a comprehensive resource for any print or publishing historian, or collector of industrial equipment.
Author: Mikihiro Moriyama Publisher: NUS Press ISBN: 9789971693220 Category : History Languages : en Pages : 310
Book Description
Sundanese books have been printed since 1850 up to the present. This article tries to draw a configuration of printing books in Sundanese for about 100 years in the Dutch colonial and Japanese occupation period. Printing and publishing books in Sundanese was initiated by the Dutch colonial government for the sake of management of their colony. This article discuss three aspects in print culture in Sundanese: (1) the role of government printing house and private publishers; (2) the cultural relationship between manuscript and printed books, and; (3) the changes after the emergence of printed books. Print culture in the Sundanese-speaking community was born and has developed. Its facets have changed from time to time. We notice more than 2200 Sundanese books were published up to the second decade of the 21st century when the technological innovation has proceeded in an enormous pace. However, the importance of Sundanese publication has not diminished in terms of nurturing educated citizens in this digital-oriented society and supporting cultural identity.
Author: Patricia Mainardi Publisher: Yale University Press ISBN: 0300223781 Category : Design Languages : en Pages : 305
Book Description
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
Author: Gordon Fraser Publisher: University of Pennsylvania Press ISBN: 0812297903 Category : History Languages : en Pages : 231
Book Description
The United States has been a space power since its founding, Gordon Fraser writes. The white stars on its flag reveal the dream of continental elites that the former colonies might constitute a "new constellation" in the firmament of nations. The streets and avenues of its capital city were mapped in reference to celestial observations. And as the nineteenth century unfolded, all efforts to colonize the North American continent depended upon the science of surveying, or mapping with reference to celestial movement. Through its built environment, cultural mythology, and exercise of military power, the United States has always treated the cosmos as a territory available for exploitation. In Star Territory Fraser explores how from its beginning, agents of the state, including President John Adams, Admiral Charles Henry Davis, and astronomer Maria Mitchell, participated in large-scale efforts to map the nation onto cosmic space. Through almanacs, maps, and star charts, practical information and exceptionalist mythologies were transmitted to the nation's soldiers, scientists, and citizens. This is, however, only one part of the story Fraser tells. From the country's first Black surveyors, seamen, and publishers to the elected officials of the Cherokee Nation and Hawaiian resistance leaders, other actors established alternative cosmic communities. These Black and indigenous astronomers, prophets, and printers offered ways of understanding the heavens that broke from the work of the U.S. officials for whom the universe was merely measurable and exploitable. Today, NASA administrators advocate public-private partnerships for the development of space commerce while the military seeks to control strategic regions above the atmosphere. If observers imagine that these developments are the direct offshoots of a mid-twentieth-century space race, Fraser brilliantly demonstrates otherwise. The United States' efforts to exploit the cosmos, as well as the resistance to these efforts, have a history that starts nearly two centuries before the Gemini and Apollo missions of the 1960s.
Author: Elizabeth M. Harris
Author: Elizabeth M. Harris
Author: Vincent van Gogh
Author: Hala Auji
Author: Jonathan Senchyne
Author: Harold E. Sterne
Author: Millard Van Marter Atwood
Author: Theodore Low De Vinne
Author: Mikihiro Moriyama
Author: Patricia Mainardi
Author: Gordon Fraser