Author: Roger ButlerPublisher:
ISBN: 9780642541154
Category :
Languages : en
Pages :
Book Description
Printed Images by Australian Artists, 1955-2005
Author: Roger ButlerPublisher:
ISBN: 9780642541154
Category :
Languages : en
Pages :
Book Description
Printed Images by Australian Artists 1885-1955
Author: Roger ButlerPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
The history of printmaking in Australia.
Printed Images in Colonial Australia 1801-1901
Author: Roger ButlerPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 324
Book Description
From 30 March to 3 June 2007 the Natiional Gallery of Australia will hold an exhibition titled The Story of Australian Printmaking 1801- 2005. The exhibition will feature works from 1801 to the present and will include illustrated books, posters, artists' prints and billboard sized political posters.
Print Quarterly
Author: The Bulletin
Author: The Prints of Margaret Preston
Author: Roger ButlerPublisher: University of Washington Press
ISBN: 9780642541857
Category :
Languages : en
Pages : 0
Book Description
This revised and enlarged edition of The Prints of Margaret Preston includes thirteen new works discovered since the original publication in 1987, and twenty-two works that are reproduced for the first time. Margaret Preston (1875-1963) is one of Australia's most celebrated modernists. In the 1920s and thirties she created exuberant decorative compositions which have remained among the most popular of all Australian artworks. Modern, cosmopolitan, and intensely colored, Preston's woodblock prints and paintings of still-life subjects and the Sydney metropolis captured a moment of extraordinary innovation in the history of Australian art. Preston was the country's first serious advocate of Aboriginal art; her early appropriation and promotion of Aboriginal imagery to the cause of modernism has contributed to her ongoing significance.
Modern Japanese Prints - Statler
Author: Oliver StatlerPublisher: Tuttle Publishing
ISBN: 1462909558
Category : Art
Languages : en
Pages : 355
Book Description
Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.
Studio
Author: John McDonaldPublisher: R. Ian Lloyd
ISBN: 9810574665
Category : Artists
Languages : en
Pages : 147
Book Description
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
Printed
Author: Roger ButlerPublisher:
ISBN: 9780642334930
Category : Printmakers
Languages : en
Pages : 432
Book Description
Printed: Images by Australian artists 1942-2020 traces the history of printmaking by Australian artists during an era of dramatic changes in Australian society and the visual arts. Arranged in three sections, it begins with the innovative wartime policy initiatives of the Commonwealth. Reconstruction Scheme which laid the groundwork for crucial development in the arts. In this period émigré artists and Australian artists returning home helped established printmaking societies, art galleries and publishers -- which underpinned the growing popularity of this most democratic of art forms. The second section explores the rise of political and social posters, which became one of the most dynamic forms of print practice in the 1970s and 1980s, and prints by Aboriginal and Torres Strait Islander artists which have been at the forefront of Australian art since the 1970s. The book's final section discusses the continuing responses by printmakers to key concerns of our time, focusing on the themes of land and identity.
Useless Beauty
Author: Ann EliasPublisher: Cambridge Scholars Publishing
ISBN: 144388457X
Category : Art
Languages : en
Pages : 332
Book Description
The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whether modern or conservative, the artists in this study shared an intellectual and emotional passion for flora. This was true for men as well as women, despite blossoms being a more traditionally feminine subject. Through spectacular reproductions of historical and contemporary artworks drawn from collections in Australia, the United States, Britain and New Zealand, Useless Beauty explores how flowers influenced the psyche, governed rituals, defined identity and brought a psychological dimension to the everyday. The peak years for flower-centricity in Australian art were between 1920 and 1940 when flowers were known as the apotheosis of useless beauty.