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Author: Susan Bracken Publisher: Cambridge Scholars Publishing ISBN: 1527551318 Category : Language Arts & Disciplines Languages : en Pages : 240
Book Description
Collecting is an obsession that goes back to the mists of history. While spare time and spare cash seem an absolute necessity for this kind of activity, every collector has his or her own approach to the formation of a collection. The way in which one’s treasures are displayed is another important instance in which one collector differs from another. Glass cases, niches, trays, cupboards, or drawers have been adopted; sometimes cards offer information on the subject, its age and provenance; an overall theme may have prompted the choice of the actual objects displayed together; security reasons suggest one room over another. While some collectors keep their treasures as close as possible—in their bedroom, throughout their living quarters, or in a locked up closet nearby—others may find that they want to be able to show off their collection without being disturbed by visitors in the rooms in which they actually spend most of their time. Certainly, our notions of private and public have changed considerably over the centuries and this has had an impact on questions of display and on the separation of particular parts of the house from other less accessible ones, in particular in great houses that allow for the establishment of a museum. The museum, in such cases, is quite separate from the living quarters, for example situated on the ground floor off the main hall. Not all displays were so defined; there were many forms of exhibition just as there were many forms of collections. The aims and ambitions of the collector are often discussed in terms of the display of their collections; in part because we believe that analysing how a collection was shown and how it was received are key contributors to our understanding the role and purpose of the collection. In lieu of any other documentation, inventories, sales catalogues and wills remain essential tools for the historian of collecting, both in terms of what was owned and where it was housed. This volume, the second in a series of four, presents ten articles that explore the connection between collections and their display in, near, or separate from the princely apartment within a time frame that runs from the sixteenth century to the early nineteenth and within a geographical area that includes courts on the Italian peninsula, in England, France, The Netherlands and Germany.
Author: Susan Bracken Publisher: Cambridge Scholars Publishing ISBN: 1527551318 Category : Language Arts & Disciplines Languages : en Pages : 240
Book Description
Collecting is an obsession that goes back to the mists of history. While spare time and spare cash seem an absolute necessity for this kind of activity, every collector has his or her own approach to the formation of a collection. The way in which one’s treasures are displayed is another important instance in which one collector differs from another. Glass cases, niches, trays, cupboards, or drawers have been adopted; sometimes cards offer information on the subject, its age and provenance; an overall theme may have prompted the choice of the actual objects displayed together; security reasons suggest one room over another. While some collectors keep their treasures as close as possible—in their bedroom, throughout their living quarters, or in a locked up closet nearby—others may find that they want to be able to show off their collection without being disturbed by visitors in the rooms in which they actually spend most of their time. Certainly, our notions of private and public have changed considerably over the centuries and this has had an impact on questions of display and on the separation of particular parts of the house from other less accessible ones, in particular in great houses that allow for the establishment of a museum. The museum, in such cases, is quite separate from the living quarters, for example situated on the ground floor off the main hall. Not all displays were so defined; there were many forms of exhibition just as there were many forms of collections. The aims and ambitions of the collector are often discussed in terms of the display of their collections; in part because we believe that analysing how a collection was shown and how it was received are key contributors to our understanding the role and purpose of the collection. In lieu of any other documentation, inventories, sales catalogues and wills remain essential tools for the historian of collecting, both in terms of what was owned and where it was housed. This volume, the second in a series of four, presents ten articles that explore the connection between collections and their display in, near, or separate from the princely apartment within a time frame that runs from the sixteenth century to the early nineteenth and within a geographical area that includes courts on the Italian peninsula, in England, France, The Netherlands and Germany.
Author: Malcolm Vale Publisher: Oxford University Press ISBN: 0198205295 Category : Art Languages : en Pages : 474
Book Description
In this fascinating new book, Malcolm Vale sets out to recapture the splendour of the court culture of western Europe in the thirteenth and fourteenth centuries. Exploring the century or so between the death of St Louis and the rise of Burgundian power in the Low Countries, he illuminates a period in the history of princes and court life previously overshadowed by that of the courts of the dukes of Burgundy. Taking in subjects as diverse as art patronage and gambling, hunting anddevotional religion, Malcolm Vale rediscovers a richness and abundance of artistic, literary, and musical life. He shows how, despite the pressures of political fragmentation, unrest, and a nascent awareness of national identity, a common culture emerged in English, French, and Dutch courtsocieties at this time. The result is a ground-breaking re-evaluation of the nature and role of the court in European history and a celebration of a forgotten age.
Author: Martin Gosman Publisher: BRILL ISBN: 9789004135727 Category : Social Science Languages : en Pages : 418
Book Description
The essays in this volume discuss princely courts north of the Alps and Pyrenees between 1450-1650 as focal points for products of medieval and renaissance culture such as literature, music, political ideology, social and governmental structures, the fine arts and devotional practice.
Author: Publisher: BRILL ISBN: 9004253521 Category : History Languages : en Pages : 399
Book Description
This book contains thirteen essays on European princes and princely culture between 1450 and 1650. Many products of medieval and renaissance culture – literature, music, political ideology, social and governmental structures, the fine arts, and even forms of devotional practice – found their best expression in the context of the courts of greater and lesser princes. This volume, the first of two concentrating on the late Middle Ages and the Early Modern Era, has essays on selected courts north of the Alps and the Pyrenees: the court of Burgundy under the Valois dukes, that of France under Catherine de Médicis and of Henry IV, that of Scotland under Jameses III, IV, V, VI and of Mary, Queen of Scots, that of Margaret of Austria at Mechelen, of Scandinavia, of Heidelberg under Frederick the Victorious and Philip the Upright, and that of Maximilian I. Contributors include: Gayle K. Brunelle, Dagmar Eichberger, Annette Finley-Croswhite, Martin Gosman, Margriet Hoogvliet, Michael Lynch, Alasdair A. MacDonald, Olaf Mörke, Jan-Dirk Müller, Rita Schlusemann, Alan Swanson, Arjo Vanderjagt, and Janet Hadley Williams.
Author: Géza von Habsburg Publisher: Vendome Press ISBN: Category : Antiques & Collectibles Languages : en Pages : 232
Book Description
The princely treasures examined in this book survive from the Renaissance tradition of hoarding wealth not merely for reasons of war and defense but also for the love of collecting beautiful, "marvelous," or rare things. In this all-color book the reader will encounter some of the most fascinating personalities of medieval-Renaissance/Baroque Europe, as well as some of the brightest stars of the European decorative arts: the sculptors Benvenuto Cellini, Adriaen de Vries, and Balthasar Permoser, the silversmiths Wenzel Jamnitzer and Johann Melchior Dinglinger, the Saracchi and Miseroni lapidarists of Milan, the painter Pol and Jean de Limbourg, Jan Vermeyen, and Guiseppe Arcimboldo, the enamalist Pierre Courteys, and the ceramist Bernard Palissy, among scores of others.
Author: Gordon Fyfe Publisher: A&C Black ISBN: 0567151980 Category : Art Languages : en Pages : 224
Book Description
Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.
Author: Frank Lorenz Müller Publisher: Springer ISBN: 1137592060 Category : History Languages : en Pages : 325
Book Description
This volume brings together a fascinating selection of studies exploring the soft power tools used by heirs to the throne in order to enhance the communication of monarchies with their audiences during the nineteenth-century. How we perceive royals and their dynasties today – as families, as celebrities, as charitable figureheads of society or as superfluous relics of a bygone age – has deep roots in the monarchical cultures of nineteenth-century Europe. By focusing on the role played by heirs to the throne, this volume offers an original perspective on the ability of monarchies to persuade sceptical audiences, nourish positive emotions and thereby strengthen the position of each dynasty within its respective nation. Using examples from Britain, Italy, Spain, the Netherlands, Austria, Greece, Sweden, Norway and Prussia, an international team of experts analyzes and explains the development of the very soft power tools which are still being used by Ruling Houses today.
Author: E. Peacocke Publisher: Springer ISBN: 1137471441 Category : Literary Criticism Languages : en Pages : 157
Book Description
Romanticism and the Museum argues that museums were integral to Britain's understanding of itself as a nation in the wake of the French Revolution. It features Wordsworth, Scott, Edgeworth, and literary periodicals featuring Byron and Horace Smith.
Author: Wendy Wall Publisher: Cornell University Press ISBN: 9780801480478 Category : History Languages : en Pages : 396
Book Description
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Author: Susan Broomhall Publisher: Routledge ISBN: 1317266366 Category : History Languages : en Pages : 442
Book Description
Dynastic Colonialism analyses how women and men employed objects in particular places across the world during the early modern period in order to achieve the remarkable expansion of the House of Orange-Nassau. Susan Broomhall and Jacqueline Van Gent explore how the House emerged as a leading force during a period in which the Dutch accrued one of the greatest seaborne empires. Using the concept of dynastic colonialism, they explore strategic behaviours undertaken on behalf of the House of Orange-Nassau, through material culture in a variety of sites of interpretation from palaces and gardens to prints and teapots, in Europe and beyond. Using over 140 carefully selected images, the authors consider a wide range of visual, material and textual sources including portraits, glassware, tiles, letters, architecture and global spaces in order to rethink dynastic power and identity in gendered terms. Through the House of Orange-Nassau, Broomhall and Van Gent demonstrate how dynasties could assert status and power by enacting a range of colonising strategies. Dynastic Colonialism offers an exciting new interpretation of the complex story of the House of Orange-Nassau‘s rise to power in the early modern period through material means that will make fascinating reading for students and scholars of early modern European history, material culture, and gender. This book is highly illustrated throughout. The print edition features the images in black and white, whereas the eBook edition contains the illustrations in colour.
Author: Susan Bracken
Author: Susan Bracken
Author: Malcolm Vale
Author: Martin Gosman
Author: 
Author: Géza von Habsburg
Author: Gordon Fyfe
Author: Frank Lorenz Müller
Author: E. Peacocke
Author: Wendy Wall
Author: Susan Broomhall