Primitive Art Masterworks PDF Download

Author: Museum of Primitive Art (New York, N.Y.)
Publisher: New York : The Federation
ISBN:
Category : Art
Languages : en
Pages : 102

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Author: American Folk Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440

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Book Description
A celebration of the symbols of liberty, ingenuity, and refuge within American folk art from colonial days to the present is culled from the collection of the American Folk Art Museum.

Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536

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Author: Sally Milner
Publisher:
ISBN: 9781863512763
Category : Crafts & Hobbies
Languages : en
Pages : 156

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Book Description
They're all made from wood and glass. Yet in the hands of international artisans, these traditional crafts are transformed into interesting and marvelous objects. Pore through projects featuring découpage on ceramics or glass. Consider making medieval folk art or painted icons. Maybe painted furniture hits a chord with you, or woodturned bowls, wooden clocks, or gilded flowers. From all parts of the earth, and from all periods of history, these artists find inspiration in sources that excite the imagination, and you will too, once you see these projects in all their impressive photographic splendor.

Author: Carmella Padilla
Publisher: Museum of New Mexico Press
ISBN: 9780989199209
Category : Art
Languages : en
Pages : 0

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Book Description
This book invites readers to understand and invest in the living legacy of folk art as a way to participate in the human story of the handmade -- and to make a meaningful impact on lives world-wide. The Work of Art by Carmella Padilla (Available July, 2013) examines the role of folk artists in the twenty-first century, recognising their power as creative and socially responsible champions for global change, connection, and cultural sustainability. Through interviews with folk artists from Mali to Madagascar to Cuba, Peru, Afghanistan, Uzbekistan, and beyond, Padilla introduces us to individuals and communities who are using their handmade traditions to overcome poverty, gender inequity, environmental degradation, ethnic conflict, and limited opportunities for political, educational, and social advancement.

Author: Sally Price
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178

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Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.

Author: Gerard C. Wertkin
Publisher: Routledge
ISBN: 1135956154
Category : Reference
Languages : en
Pages : 724

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Book Description
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

Author: Olga Sicilia
Publisher: Universal-Publishers
ISBN: 1599427117
Category : Art
Languages : en
Pages : 124

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Book Description
This work focuses on contemporary Zimbabwean Stone Sculpture - widely known until the early 1990s as "Shona Sculpture" - from the perspective of a critical anthropological analysis of cultural identity and representation. The analysis frames the inception of this art movement within the colonial socio-historical circumstances of its genesis, where discourse about the producers of this art form ("Shona discourse") was created. Drawing from the social context of inequality and racial (spatial) segregation, and from the concepts of the "primitive" in art and anthropology, the author aims to show how "Shona discourse" entails a primitivist construction of the Other (i.e., the sculptors' cultural identity) that is directly linked to modernist primitivism. "Shona discourse," as a temporalising discourse, situates the producers of so-called "Shona sculpture" in an extra-ordinary time, the time of "primitive" myth, magic and cosmology, constituting in this sense a good example of "allochronic" discourse. Originating within the colonial politics and ideology of the 1960s, and contested by younger generations of sculptors from the 1990s onwards, this discourse was, paradoxically, appropriated by the cultural politics of "indigenisation" during the early period of the post-independence Zimbabwean State as part of its national identity and heritage.

Author: Simon During
Publisher: Psychology Press
ISBN: 0415137543
Category : Culture
Languages : en
Pages : 625

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Book Description
The Cultural Studies Readeris essential reading for any student wanting to know how cultural studies developed, where it is now, and its future directions.

Author: Kristin G. Congdon
Publisher: Bloomsbury Publishing USA
ISBN: 0313349371
Category : Architecture
Languages : en
Pages : 789

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Book Description
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.