Author: Museo de Arte Moderno (BUENOS AIRES)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Primera Exposición Internacional de Arte Moderno, etc. [With illustrations, including reproductions.] Span., Eng., & Fr
Author: Museo de Arte Moderno (BUENOS AIRES)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Primera exposicion internacional de arte moderno
Author: Museo de Arte Moderno de la Ciudad de Buenos Aires
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
Primera exposicion international de arte moderno
Exhibition
Author: Institute of Contemporary Art (Boston, Mass.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 58
Book Description
Primera exposición de arte moderno
Avant-Garde, Internationalism, and Politics
Author: Andrea Giunta
Publisher: Duke University Press
ISBN: 082238969X
Category : Art
Languages : en
Pages : 445
Book Description
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Publisher: Duke University Press
ISBN: 082238969X
Category : Art
Languages : en
Pages : 445
Book Description
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Arte moderno
Author: Pablo Cruz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
Book Description
An extended and representative selection of the collection of 20th century art that MALI has been collecting since its foundation in 1954. The selected works offer a new reading of the 20th century modernist art and includes the history of decorative arts and photography. The edition also includes an illustrated chronology and essays by prominent curators and researchers. The publication begins with a large essay comprising the critical discussions and artistic production of this period, which is complemented with an illustrated chronology presenting the milestones of institutional development in the art field, placed in the context of some crucial moments of the political, social, and cultural history of the 20th century. The catalog is organized in a chronological and thematic order of the work of each artist and of the artistic movements.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
Book Description
An extended and representative selection of the collection of 20th century art that MALI has been collecting since its foundation in 1954. The selected works offer a new reading of the 20th century modernist art and includes the history of decorative arts and photography. The edition also includes an illustrated chronology and essays by prominent curators and researchers. The publication begins with a large essay comprising the critical discussions and artistic production of this period, which is complemented with an illustrated chronology presenting the milestones of institutional development in the art field, placed in the context of some crucial moments of the political, social, and cultural history of the 20th century. The catalog is organized in a chronological and thematic order of the work of each artist and of the artistic movements.
Primera Exposición Internacional de Pintura Contemporánea, Punta Del Este. [A Catalogue. With Reproductions.].
Author: Museo de Arte Moderno (PUNTA DEL ESTE)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
New Art of Argentina
Author: Walker Art Center
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Picasso, 1a. Exposición de la sociedad de arte moderno
Author: Sociedad de arte moderno
Publisher:
ISBN:
Category :
Languages : es
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 72
Book Description