Prime Time Soap Operas on Indian Television PDF Download

Author: Shoma Munshi
Publisher: Routledge
ISBN: 0415553776
Category : Performing Arts
Languages : en
Pages : 365

View

Book Description
This book focuses on âe~urban family soapsâe(tm) on television and analyses them as an important resource for anthropological insights into contemporary social issues and practices. It studies the âe~popularâe(tm) and âe~everydayâe(tm) while also concentrating on the middle class.

Author: Shoma Munshi
Publisher: Taylor & Francis
ISBN: 1000052249
Category : Social Science
Languages : en
Pages : 301

View

Book Description
This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary India through the television, this volume analyzes the production of soaps within India’s cultural fabric. It deconstructs themes and issues surrounding the "everyday" and the "middle class" through the fiction of the "popular". In its second edition, this still remains the only book to examine prime time soap operas on Indian television. Without in any way changing the central arguments of the first edition, it adds an essential introductory chapter tracking the tectonic shifts in the Indian "mediascape" over the past decade – including how the explosion of regional language channels and an era of multiple screens have changed soap viewing forever. Meticulously researched and persuasively argued, the book traces how prime time soaps in India still grab the maximum eyeballs and remain the biggest earners for TV channels. The book will be of interest to students of anthropology and sociology, media and cultural studies, visual culture studies, gender and family studies, and also Asian studies in general. It is also an important resource for media producers, both in content production and television channels, as well as for the general reader.

Author: Shoma Munshi
Publisher: Penguin UK
ISBN: 8184757557
Category : Performing Arts
Languages : en
Pages : 276

View

Book Description
What do the TV shows we’re watching tell us about ourselves? Television is the single most powerful and dynamic agent of change in India today. It is also the country’s most popular and accessible form of entertainment. Remote Control examines three kinds of programming—24x7 news, soap operas and reality shows—that have changed Indian television forever, and analyzes how these three genres, while drawing on different sources, are hybridized, indigenized and manage to ultimately project a distinctively Indian identity. Shoma Munshi’s book shows us how everyday reality in India in the twenty-first century shapes television; and how television, in turn, shapes us.

Author: K. Moti Gokulsing
Publisher: Stylus Publishing, LLC.
ISBN: 9781858563213
Category : Performing Arts
Languages : en
Pages : 156

View

Book Description
At least one third of India's billion inhabitants regularly watch Indian soap operas, which have displaced popular cinema as the prime entertainment genre. And in the Indian diaspora on every Continent, Indian soap operas are a feature of life -- a source of pleasure, discussion and shared identity. This book characterizes the forms of these soap operas and relates how they have evolved. It explores how they have contributed to shaping the identity of modern India. Initially developed by the national telecast service, Doordoshan, specifically to convey messages about women's role, contraception and other family issues. Doordoshan also engaged viewers with serializations of the two great epics, the Ramayana and the Mahabarata. But with the onset of cable TV, soap operas became primarily entertainment driven and progressively more sensational. The book traces the impact of these different strands of soap operas and considers their impact on India's dominant concerns: the search for national unity, identity, the changing role of women, and the ideology of consumerism. "Soft Soaping India" is the first book to study Indian televised soap operas in all its forms and will be essential reading for students of the media and sociologists interested in India and its diaspora. It will also be relevant to Women's Studies.

Author: M. Stewart
Publisher: Springer
ISBN: 1137319852
Category : Performing Arts
Languages : en
Pages : 224

View

Book Description
Melodrama in Contemporary Film and Television debates the ways in which melodrama expresses and gives meaning to: trauma and pathos; memory and historical re-visioning; home and borders; gendered and queer relations; the family and psychic identities; the national and emerging public cultures; and morality and ethics.

Author: Shashini Gamage
Publisher: Springer Nature
ISBN: 303070632X
Category : Social Science
Languages : en
Pages : 148

View

Book Description
This book is a transnational ethnographic study of Sri Lankan women’s television soap opera cultures in Australia and Sri Lanka. Both Sri Lankan migrant women’s soap opera clubs in Melbourne, Australia, and female friendship groups watching soap operas in Colombo, Sri Lanka, are examined. Conducted in the sociopolitical backdrop of post-civil war Sri Lanka, this study examines how nationalist ideologies of womanhood shape meanings in Sri Lankan television soap operas that predominantly cater to female audiences. How women interpret, resist, deconstruct, and reconstruct good-bad binaries of women’s bodies, freedoms, and rights as represented in the soap operas are mapped, providing an ethnographic examination of how nationalist meanings translate into cultural capital in spaces of television production and reception, in national and diasporic everyday lives.

Author: Francis P. Barclay
Publisher: Taylor & Francis
ISBN: 1000997022
Category : Social Science
Languages : en
Pages : 233

View

Book Description
Perhaps, male-mindedness seems to have adapted to changing-contemporary circumstances to become more covert and conspiratorial. Sexist suggestions—through objectification and substantiated subordination—for instance, may have been explicit in Indian media a decade earlier. But in the contemporary times of online social media and vociferous feminism, such openness of unfairness against women in the media will, more often than not, be met with strife and unpalatable backlash—fearing which blatant prejudice is prudently steered clear of. It is, hence, understandable that patriarchy, to sustain itself as a culture, has adapted to become more benevolent in an increasingly hostile environment. To identify such sly and stealthy sexism embedded in media content, one may need a reconfigured grasp of contemporary feminist issues and an altered nuance for isolation and identification of discriminatory depictions. This book exposes redefined and hidden sexism that predominates the popular visual culture of India—particularly investigating mass and new media representations that are a prime part of and have a domineering effect on the ensemble of popular visual culture—and characterises contemporary feminist movements. It binds a collection of contemporary Indian case studies of sexism and feminism encompassing communication media such as print, cinema, television, Web series and social media. There is a lack of book titles that study media sexism in the present times, and the proposed book aims to explore an unexplored area that is of social and scholarly importance. This book highlights the duality of media platforms: while media is a critical tool associated with fourth-wave feminism, they still remain to be a deterrent to the development of women engendering inherent and age-old patriarchal notions. This book will be an eye-opener to the general readers about benevolent sexism and train them to identify sexism hidden in seemingly pro-women media representations.

Author: Hyesu Park
Publisher: Rutgers University Press
ISBN: 1978804148
Category : Social Science
Languages : en
Pages : 251

View

Book Description
Media Culture in Transnational Asia: Convergences and Divergences examines contemporary media use within Asia, where over half of the world’s population resides. The book addresses media use and practices by looking at the transnational exchanges of ideas, narratives, images, techniques, and values and how they influence media consumption and production throughout Asia, including Sri Lanka, Bangladesh, South Korea, Singapore, Vietnam, Afghanistan, Iran and many others. The book’s contributors are especially interested in investigating media and their intersections with narrative, medium, technologies, and culture through the lenses that are particularly Asian by turning to Asian sociopolitical and cultural milieus as the meaningful interpretive framework to understand media. This timely and cutting-edge research is essential reading for those interested in transnational and global media studies.

Author: Ananth Mahadevan
Publisher: Embassy Books
ISBN: 9389995094
Category : Performing Arts
Languages : en
Pages : 264

View

Book Description
In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the founding fathers of television serials, to today's consumerism driven shows, he has tasted them all. The book reads like an autobiography yet covers virtually every major player who was responsible for the nostalgia that Indian television now evokes. It incorporates exclusive moments with many celebrities and award winning directors. Join the actors on their sets as they perform for television and learn about the stories that made the shows come to life. Covering artistes and makers who impacted our world, such as Amitabh Bachchan, Hrishikesh Mukherjee, Sai Paranjpye, Basu Chatterjee, Kundan Shah, Ravi Chopra, Ramesh Sippy , Farooque Shaikh, Aziz Mirza, Gulzar and Govind Nihalani. The book is in all probability, the first ever story of Indian television. Besides taking one down memory lane, this could be a throwback for all those connected with the medium, past and present. It gives you a feeling of travelling through time and watching history being made – behind the scenes. "The book reads like an autobiography, but covers every major player who was responsible for the nostalgia that Indian television now evokes." - Hema Malini

Author: Shawn Shimpach
Publisher: Routledge
ISBN: 1351755153
Category : Performing Arts
Languages : en
Pages : 578

View

Book Description
Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective. In this volume, editor Shawn Shimpach has brought together an essential guide to understanding television in the world today, how it works and what it means – perfect for students, scholars, and anyone else interested in television, global media studies, and beyond.