Author: DelaumosnePublisher:
ISBN:
Category : Delsarte system
Languages : fr
Pages : 222
Book Description
Pratique de l'art oratoire de Delsarte
Author: DelaumosnePublisher:
ISBN:
Category : Delsarte system
Languages : fr
Pages : 222
Book Description
Pratique de l'art oratoire de Delsarte
Author: DelaumosnePublisher: BoD – Books on Demand
ISBN: 3385052793
Category : Fiction
Languages : fr
Pages : 202
Book Description
Réimpression inchangée de l'édition originale de 1874.
Making Radio
Author: Shawn VanCourPublisher: Oxford University Press
ISBN: 0190497114
Category : Language Arts & Disciplines
Languages : en
Pages : 257
Book Description
Long before the network era, radio writers and programmers developed methods and performance styles that were grounded in emerging audio technologies. Making Radio reveals radio as the missing link in the history of modern sound culture.
The Cultivation of Body and Mind in Nineteenth-Century American Delsartism
Author: Nancy RuyterPublisher: Bloomsbury Publishing USA
ISBN: 0313003378
Category : Performing Arts
Languages : en
Pages : 190
Book Description
This study chronicles the American adaptation of the theory and practice of the French acting, singing, and aesthetics teacher, Francois Delsarte. Delsartism was introduced in the United States by Steele Mackaye, Delsarte's only American student. American Delsartism, with its emphasis on physical culture and expression, differed significantly from Delsarte's works in France. The system evolved from professional training for actors and orators to a means of physical culture and expression that became popular among middle and upper class American women and girls. It allowed nineteenth-century women to pay attention to their bodies, to explore their own physicality, and to perform in a socially acceptable venues. In its later manifestations, Delsartism influenced the innovative dance of such artists as Isadora Duncan, Ruth St. Denis, and Ted Shawn. Biographical information on the most notable figures in the development of American Delsartism is presented along with a discussion of the spread of Delsartism throughout the United States and to Germany. The Delsartean approach to training and expression is traced from Delsarte and Mackaye through the theory, teaching, and performance of Genevieve Stebbins, the most notable American proponent of the system. This work will appeal to scholars of dance history and of late nineteenth-century women's studies. Theater historians will appreciate the detailed account of the system as developed and taught by Steele Mackaye as training for actors. Although Delsartism has been acknowledged as relevant to the history of modern dance, scant information and research has previously been published which explores the movement in depth and discusses its importance to women's physical and cultural education in nineteenth-century America. Photographs illustrate the text and an extensive bibliography serves as a useful guide for further research.
Essays on François Delsarte
Author: Nancy Lee Chalfa RuyterPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Gymnastics, a Transatlantic Movement
Author: Gertrud PfisterPublisher: Routledge
ISBN: 1317965426
Category : Sports & Recreation
Languages : en
Pages : 201
Book Description
This book explores, analyses, and explains divergent ideologies and practices of gymnastics in selected European nations. It reconstructs the ex- and import processes from Europe to America and determines the processes, interrelationships and transformations of these "transatlantic movements" in their new home country. The book offers a more complete understanding of the role of gymnastics and expressive movements in cultural and ideological transmission over time and identifies the impact of these concepts on American physical education, sports systems and sports cultures. The main focus of the book lies in the two decades before and after World War I. This concentration on a specific historical epoch allows us to identify parallel, but also different developments of the various forms of gymnastics and of the transfer and implementation processes. The volume covers the transfer and impact of German Turnen, Czech Sokol and the Delsarte system in North America. In addition, it traces the influences of French gymnastics in South America and describes the tours of the world-renowned Danish gymnastic reformer Nils Bukh in both Americas. A focus will be the "import" of gymnastics, but also on the adaption processes of these different concepts and their integration into the American culture. This book was previously published as a special issue of the International Journal of the History of Sport.
Werner's Magazine
Author: Edgar S. WernerPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 232
Book Description
Genealogies of Music and Memory
Author: Mark EveristPublisher: Oxford University Press
ISBN: 0197546013
Category : Music
Languages : en
Pages :
Book Description
The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.
The Publisher
Author: Inhaling Spirit
Author: Anya P. FoxenPublisher: Oxford University Press
ISBN: 0190082755
Category : Religion
Languages : en
Pages : 337
Book Description
Recent scholarship has shown that modern postural yoga is the outcome of a complex process of transcultural exchange and syncretism. This book doubles down on those claims and digs even deeper, looking to uncover the disparate but entangled roots of modern yoga practice. Anya Foxen shows that some of what we call yoga, especially in North America and Europe, is genealogically only slightly related to pre-modern Indian yoga traditions. Rather, it is equally, if not more so, grounded in Hellenistic theories of the subtle body, Western esotericism and magic, pre-modern European medicine, and late-nineteenth-century women's wellness programs. The book begins by examining concepts arising out of Greek philosophy and religion, including Pythagoreanism, Stoicism, Neo-Platonism, Galenic medicine, theurgy, and other cultural currents that have traditionally been categorized as "Western esotericism," as well as the more recent examples which scholars of American traditions have labeled "metaphysical religion." Marshaling these under the umbrella category of "harmonialism," Foxen argues that they represent a history of practices that were gradually subsumed into the language of yoga. Orientalism and gender become important categories of analysis as this narrative moves into the nineteenth century. Women considerably outnumber men in all studies of yoga except those conducted in India, and modern anglophone yoga exhibits important continuities with women's physical culture, feminist reform, and white women's engagement with Orientalism. Foxen's study allows us to recontextualize the peculiarities of American yoga--its focus on aesthetic representation, its privileging of bodily posture and unsystematic incorporation of breathwork, and above all its overwhelmingly white female demographic. In this context it addresses the ongoing conversation about cultural appropriation within the yoga community.