Practical Authorship PDF Download

Author: James Knapp Reeve
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 168

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Author: Stephen Partridge
Publisher: University of Toronto Press
ISBN: 0802099343
Category : History
Languages : en
Pages : 321

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Book Description
Incorporating several kinds of scholarship on medieval authorship, the essays examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.

Author: Amar A Sholapurkar
Publisher: JP Medical Ltd
ISBN: 9350253461
Category : Medical
Languages : en
Pages : 473

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Book Description
Publish and Flourish provides concise, comprehensive advice on how to write a scientific paper. Beginning with a basic introduction, this reference guides professionals step by step through the core skills necessary for the preparation of an original research paper, review articles and case reports. The principles can be applied to all disciplines of health sciences and this text offers practical advice with illustrated examples to help medical writers achieve publication in good journals.

Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 450

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Author: David Schultz
Publisher: Springer Science & Business Media
ISBN: 1935704036
Category : Science
Languages : en
Pages : 422

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Book Description
Mary Grace Soccio. My writing could not please this kindhearted woman, no matter how hard I tried. Although Gifed and Talented seventh-grade math posed no problem for me, the same was not true for Mrs. Soccio’s English class. I was frustrated that my frst assignment only netted me a C. I worked harder, making re- sion afer revision, a concept I had never really put much faith in before. At last, I produced an essay that seemed the apex of what I was capable of wr- ing. Although the topic of that essay is now lost to my memory, the grade I received was not: a B?. “Te best I could do was a B??” Te realization sank in that maybe I was not such a good writer. In those days, my youthful hubris did not understand abouc t apacity bui- ing. In other words, being challenged would result in my intellectual growth— an academic restatement of Nietzsche’s “What does not destroy me, makes me stronger.” Consequently, I asked to be withdrawn from Gifed and Talented English in the eighth grade.

Author: Laurel Richardson
Publisher: SAGE
ISBN: 9780803935228
Category : Language Arts & Disciplines
Languages : en
Pages : 112

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Book Description
An exploration of strategies for writing up the same research in different ways - preparing the writer for approaching and addressing diverse audiences.

Author:
Publisher:
ISBN:
Category : Authors and publishers
Languages : en
Pages : 664

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Book Description

Author: Frederick C. Bursch
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 498

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Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 830

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Book Description

Author: Ben Ristow
Publisher: Bloomsbury Publishing
ISBN: 1350120693
Category : Language Arts & Disciplines
Languages : en
Pages : 232

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Book Description
Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word. For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.