Author: Andrew J Welburn
Publisher: Springer
ISBN: 1349182788
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Power and Self-Consciousness in the Poetry of Shelley
Author: Andrew J Welburn
Publisher: Springer
ISBN: 1349182788
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Publisher: Springer
ISBN: 1349182788
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Poetics of Self and Form in Keats and Shelley
Author: Mark Sandy
Publisher: Routledge
ISBN: 1351910663
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets.
Publisher: Routledge
ISBN: 1351910663
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets.
Shelley's Process
Author: Jerrold E. Hogle
Publisher: Oxford University Press
ISBN: 019536371X
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.
Publisher: Oxford University Press
ISBN: 019536371X
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.
Shelley’s Visions of Death
Author: Andrew Lacey
Publisher: Springer Nature
ISBN: 3031495403
Category :
Languages : en
Pages : 202
Book Description
Publisher: Springer Nature
ISBN: 3031495403
Category :
Languages : en
Pages : 202
Book Description
Evaluating Shelley
Author: Clark T Clark
Publisher: Edinburgh University Press
ISBN: 1474465765
Category : POETRY
Languages : en
Pages : 320
Book Description
Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a previously undervalued work. Contributions from leading academics such as Marilyn Butler, Stuart Curran and Donald Reiman, mix with new ideas from up and coming scholars to expand our knowledge and understanding of this problematic poet.
Publisher: Edinburgh University Press
ISBN: 1474465765
Category : POETRY
Languages : en
Pages : 320
Book Description
Even in his own day, Shelley's value as a poet and a thinker was hotly debated. This book argues that Shelley was both ahead of and in tune with his time and ours. Featuring close readings of the key texts, the book includes a reassessment of a previously undervalued work. Contributions from leading academics such as Marilyn Butler, Stuart Curran and Donald Reiman, mix with new ideas from up and coming scholars to expand our knowledge and understanding of this problematic poet.
A Defence of Poetry
Author: Percy Bysshe Shelley
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Silence, Sublimity, and Suppression in the Romantic Period
Author: Fiona L. Price
Publisher: Lewiston, N.Y. : E. Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This collection of essays by researchers on both sides of the Atlantic is centered on a single theme capable of two main interpretations. First, it is concerned with the role of silence, the sublime and the transcendental. Secondly, it investigates silence as exclusion, suppression and censorship. Offering fresh readings of a wide variety of literary works, from Shelley to Eliza Fenwick.
Publisher: Lewiston, N.Y. : E. Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This collection of essays by researchers on both sides of the Atlantic is centered on a single theme capable of two main interpretations. First, it is concerned with the role of silence, the sublime and the transcendental. Secondly, it investigates silence as exclusion, suppression and censorship. Offering fresh readings of a wide variety of literary works, from Shelley to Eliza Fenwick.
Shelley's Poetry Of Involvement
Author: Roland A Duerksen
Publisher: Springer
ISBN: 1349196312
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Publisher: Springer
ISBN: 1349196312
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Shelley’s Poetics of Reticence
Author: Merrilees Roberts
Publisher: Routledge
ISBN: 1000071375
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual ‘will’. This work takes a different approach, suggesting that Shelley’s insecurities stemmed from anxieties about the nature of aesthetic self-representation. Shame is an appropriate affective marker of such anxiety because it occurs at the cusp between internal and external self-evaluation. Shelley’s reticent poetics transfers an affective sense of shame to the reader and provokes interpretive responsibility. Paying attention to the affective contours of texts, this book presents new readings of Shelley’s major works. These interpretations show that awakening the reader’s ethical discretion creates a constructive dynamic which challenges influential deconstructive readings of the unfinished nature of Shelley’s work and thought.
Publisher: Routledge
ISBN: 1000071375
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual ‘will’. This work takes a different approach, suggesting that Shelley’s insecurities stemmed from anxieties about the nature of aesthetic self-representation. Shame is an appropriate affective marker of such anxiety because it occurs at the cusp between internal and external self-evaluation. Shelley’s reticent poetics transfers an affective sense of shame to the reader and provokes interpretive responsibility. Paying attention to the affective contours of texts, this book presents new readings of Shelley’s major works. These interpretations show that awakening the reader’s ethical discretion creates a constructive dynamic which challenges influential deconstructive readings of the unfinished nature of Shelley’s work and thought.