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Author: Wylie Lenz Publisher: McFarland ISBN: 1476664226 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Wylie Lenz Publisher: McFarland ISBN: 1476664226 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Stephen Pimpare Publisher: The New Press ISBN: 1595586962 Category : History Languages : en Pages : 336
Book Description
In this compulsively readable social history, political scientist Stephen Pimpare vividly describes poverty from the perspective of poor and welfare-reliant Americans from the big city to the rural countryside. He focuses on how the poor have created community, secured shelter, and found food and illuminates their battles for dignity and respect. Through prodigious archival research and lucid analysis, Pimpare details the ways in which charity and aid for the poor have been inseparable, more often than not, from the scorn and disapproval of those who would help them. In the rich and often surprising historical testimonies he has collected from the poor in America, Pimpare overturns any simple conclusions about how the poor see themselves or what it feels like to be poor—and he shows clearly that the poor are all too often aware that charity comes with a price. It is that price that Pimpare eloquently questions in this book, reminding us through powerful anecdotes, some heart-wrenching and some surprisingly humorous, that poverty is not simply a moral failure.
Author: Wylie Lenz Publisher: McFarland ISBN: 1476639035 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Sieglinde Lemke Publisher: Springer ISBN: 1137597011 Category : Social Science Languages : en Pages : 176
Book Description
This book analyzes the discourse generated by pundits, politicians, and artists to examine how poverty and the income gap is framed through specific modes of representation. Set against the dichotomy of the structural narrative of poverty and the opportunity narrative, Lemke's modified concept of precarity reveals new insights into the American situation as well as into the textuality of contemporary demands for equity. Her acute study of a vast range of artistic and journalistic texts brings attention to a mode of representation that is itself precarious, both in the modern and etymological sense, denoting both insecurity and entreaty. With the keen eye of a cultural studies scholar her innovative book makes a necessary contribution to academic and popular critiques of the social effects of neoliberal capitalism.
Author: Eric Avila Publisher: Univ of California Press ISBN: 0520248112 Category : History Languages : en Pages : 328
Book Description
"In Popular Culture in the Age of White Flight, Eric Avila offers a unique argument about the restructuring of urban space in the two decades following World War II and the role played by new suburban spaces in dramatically transforming the political culture of the United States. Avila's work helps us see how and why the postwar suburb produced the political culture of 'balanced budget conservatism' that is now the dominant force in politics, how the eclipse of the New Deal since the 1970s represents not only a change of views but also an alteration of spaces."—George Lipsitz, author of The Possessive Investment in Whiteness
Author: Lane Crothers Publisher: Rowman & Littlefield ISBN: 9780742566835 Category : History Languages : en Pages : 262
Book Description
A third edition of this book is now available. Now in a fully revised and updated edition, this concise and insightful book explores the ways American popular products such as movies, music, television programs, fast food, sports, and even clothing styles have molded and continue to influence modern globalization. Lane Crothers offers a thoughtful examination of both the appeal of American products worldwide and the fear and rejection they induce in many people and nations around the world. Concluding with a projection of the future impact of American popular culture, this book makes a powerful argument for its central role in shaping global politics and economic development.
Author: Cara A. Finnegan Publisher: Smithsonian Institution Scholarly Press ISBN: Category : History Languages : en Pages : 296
Book Description
Working for the government's Farm Security Administration in the 1930s, photographers set out across the country to capture the human face of the Depression. Picturing Poverty examines how popular magazines used these images to construct complex and often contradictory messages about poverty. By striving to understand the original context of the photographs, Finnegan shines new light on the meanings of poverty, the Depression, and the various roles of the media.
Author: Diana Kendall Publisher: Rowman & Littlefield Publishers ISBN: 1442202254 Category : Social Science Languages : en Pages : 312
Book Description
Framing Class explores how the media, including television, film, and news, depict wealth and poverty in the United States. Fully updated and revised throughout, the second edition of this groundbreaking book now includes discussions of new media, updated media sources, and provocative new examples from movies and television, such as The Real Housewives series and media portrayals of the new poor and corporate executives in the recent recession. The book introduces the concepts of class and media framing to students and analyzes how the media portray various social classes, from the elite to the very poor. Its accessible writing and powerful examples make it an ideal text or supplement for courses in sociology, American studies, and communications.