Poussin, Claude and Their World PDF Download

Author: École nationale supérieure des beaux-arts (France)
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 406

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392430
Category : Classicism in art
Languages : en
Pages : 434

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Book Description
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.

Author: Elizabeth Cropper
Publisher:
ISBN: 9780691050676
Category : Art
Languages : en
Pages : 374

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By investigating the important cultural figures who were close to the painter Nicolas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. The authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the poetry and mystery of ancient places, and his conception of his paintings as gifts rather than commercial objects. By looking into this rich background, they also show how Poussin introduced into his theory and practice of painting a new concept of the inherent expressiveness of form that was quite different from the then prevailing conventions for depicting the passions and affections. The first two chapters treat Vincenzo Giustiniani, the most sophisticated patron and art collector of his day, whose purpose and rationale for collecting ancient sculpture deeply influenced Poussin and the Flemish sculptor Francois Duquesnoy. Among other topics, the succeeding sections take up Poussin's deep readings of Montaigne and his friendships with the poet Giovanni Battista Marino, with artists such as Pietro Testa and Matteo Zaccolini, and with patrons and true friends, among them Cassiano dal Pozzo and Paul Fréart de Chantelou, for whom Poussin painted a special self-portrait, which the artist said stood for "The Love of Painting and Friendship."

Author: Christopher Allen
Publisher:
ISBN: 9780500203705
Category : Art
Languages : en
Pages : 224

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The 17th century has always been considered the golden age - the grand siècle - of French culture. The reigns of Louis XIII and Louis XIV witnessed an unprecedented flowering of literature and philosophy, of music, architecture and art. The poetic history painting of Poussin, the landscapes of Claude Lorrain, the portraits of Philippe de Champaigne, and the celebratory art of Le Brun at the court of Louis XIV at Versailles were among its greatest achievements. Yet the subject-matter and formal conventions most prized at the time can make it difficult for the modern viewer to appreciate the artists’ aims and to judge success or failure. Thanks to new research, it is now possible to set the major figures within the framework of the concerns and theoretical debates of the grand siècle itself. Christopher Allen, one of the few authorities on the subject outside the French-speaking world, brilliantly enables us to see beyond mere form to the meanings the artists intended us to enjoy.

Author: Margaretha Rossholm Lagerlöf
Publisher:
ISBN: 9780300047639
Category : Art
Languages : en
Pages : 247

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An examination of the landscape paintings of Carracci, Poussin and Lorrain from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism and metaphysics.

Author: Claude Levi-strauss
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 222

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The author turns his attention to aesthetics.

Author: William Young Ottley
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 556

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Author: Martin Sonnabend
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220928
Category : Art
Languages : en
Pages : 224

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Book Description
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.

Author: Claude Lévi-Strauss
Publisher: Columbia University Press
ISBN: 0231541260
Category : Social Science
Languages : en
Pages : 173

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Book Description
On Christmas Eve 1951, Santa Claus was hanged and then publicly burned outside of the Cathedral of Dijon in France. That same decade, ethnologists began to study the indigenous cultures of central New Guinea, and found men and women affectionately consuming the flesh of the ones they loved. "Everyone calls what is not their own custom barbarism," said Montaigne. In these essays, Claude Lévi-Strauss shows us behavior that is bizarre, shocking, and even revolting to outsiders but consistent with a people's culture and context. These essays relate meat eating to cannibalism, female circumcision to medically assisted reproduction, and mythic thought to scientific thought. They explore practices of incest and patriarchy, nature worship versus man-made material obsessions, the perceived threat of art in various cultures, and the innovations and limitations of secular thought. Lévi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom. Yet he also locates a pure and persistent ethics that connects the center of Western civilization to far-flung societies and forces a reckoning with outmoded ideas of morality and reason.

Author: Paul Zanker
Publisher: Oxford University Press, USA
ISBN: 0199228698
Category : Art
Languages : en
Pages : 442

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Book Description
"Provides a comprehensive introduction to this important genre, exploring such subjects as the role of the mythological images in everyday life of the time, the messages they convey about the Romans' view of themselves, and the reception of the sarcophagi in later European art and art history."--Publisher's website