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Author: Dominique Berthet Publisher: Editions L'Harmattan ISBN: 2336322153 Category : Art Languages : fr Pages : 176
Book Description
Qui est le critique d'art ? Quelle est son intention ? Quelle est sa méthode ? Quel type de discours produit-il ? Quelle est l'utilité de la critique ? Qu'advient-il de l'oeuvre ? Qu'attend le public du critique d'art ? Dominique Berthet s'interroge sur la relation particulière qu'entretient le critique d'art avec l'oeuvre.
Author: Dominique Berthet Publisher: Editions L'Harmattan ISBN: 2336322153 Category : Art Languages : fr Pages : 176
Book Description
Qui est le critique d'art ? Quelle est son intention ? Quelle est sa méthode ? Quel type de discours produit-il ? Quelle est l'utilité de la critique ? Qu'advient-il de l'oeuvre ? Qu'attend le public du critique d'art ? Dominique Berthet s'interroge sur la relation particulière qu'entretient le critique d'art avec l'oeuvre.
Author: J. Pedro Lorente Publisher: Mimesis International ISBN: 886977256X Category : Art Languages : en Pages : 193
Book Description
The art world has become a point of contention within a range of debates and yet, strangely enough, while art criticism has been discussed at length, very little is said about art critics. Following in the footsteps of Lionello Venturi’s History of Art Criticism, in the current volume Lorente provides an updated reassessment of the great art critics from the Enlightenment down to the turn of the millennium. Conceived as a didactic handbook with a recommended bibliography at the end of each chapter, this concise work tells the history of a profession in permanent crisis, while also paying homage to its most infl uential practitioners in different cultural contexts.
Author: Aline Caillet Publisher: Editions L'Harmattan ISBN: 229619852X Category : Art Languages : fr Pages : 145
Book Description
Si l'on en croit les historiens, les critiques d'art et les philosophes, l'art ne pourrait plus à l'âge contemporain assumer une fonction critique : intégration institutionnelle de l'art, récupération par le capitalisme des valeurs et postures alternatives prônées par l'art des années 60/70, fin des grands écrits... Ce constat de clôture constitue, bien au contraire, le nouveau point de départ à partir duquel un art critique doit être repensé.
Author: Patrick Greaney Publisher: U of Minnesota Press ISBN: 1452941246 Category : Art Languages : en Pages : 207
Book Description
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums—from concrete poetry and the artist’s book to performance, painting, and video art.
Author: René Agostini Publisher: Cambridge Scholars Publishing ISBN: 1443882313 Category : Art Languages : en Pages : 365
Book Description
The conviction that the development and promotion of the arts, humanities and culture through the study of literature and the aesthetic are the fundamental constituents of any progress in society is at the heart of this volume. The essays gathered here explore the role of the imagination and aesthetic awareness in an age when the corporatization of knowledge is in the process of transforming literary studies, and political commitment is in danger of disappearing behind a supposedly post-ideological late-capitalist consensus. The main focus of the volume is the mutual implication of aesthetics and ideology and the status and value of different types of art within the political arena. Challenging issues in contemporary aesthetics are examined within the wider framework of current debates on the disappearance of the real, the crisis in representation, and the use of new media. The wide range of examples collected here, stretching from experimental poetry in post-war Germany, political commitment in twentieth-century French theatre, and countercultural Rumanian theatre under Ceaușescu, to Neo-Victorian fiction, Verbatim theatre in the UK, and political theatre for the masses in Estonia, vouchsafe unique insights into the intersection of aesthetics and ideology and the practical consequences thereof. As such, the volume opens up a space for a meaningful engagement with authentic forms of art from inside and outside the Anglosphere, and, ultimately, uses these examples as a platform from which to imagine some form of “aesthethics”, representing an ideal union of aesthetics and ideology. This concept, first coined by the French philosopher Philippe Lacoue-Labarthe, will prove to be relevant both within the parameters of the examples discussed here, but also beyond, for the contributors to this volume are unanimous in refusing to believe that aesthetics and ideology can exist one without the other, and in recognizing the centrality of ethics in any discussion of these notions.
Author: Dominique Berthet
Author: Dominique Berthet
Author: J. Pedro Lorente
Author: Aline Caillet
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Author: André Richard
Author: Jean Paul Bouillon
Author: Patrick Greaney
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Author: René Agostini