Author:
Publisher:
ISBN: 9782357331679
Category :
Languages : fr
Pages : 95
Book Description
Pour un art pauvre
The Studio
Mémoires
L'art d'être pauvre
The Aesthetics of Enchantment in the Fine Arts
Author: M. Kronegger
Publisher: Springer Science & Business Media
ISBN: 9401732345
Category : Philosophy
Languages : en
Pages : 342
Book Description
Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'.
Publisher: Springer Science & Business Media
ISBN: 9401732345
Category : Philosophy
Languages : en
Pages : 342
Book Description
Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'.
La Guerre Des Paysans
Author: Alexandre Weill (originally Abraham)
Publisher:
ISBN:
Category : Peasants' war, 1524-1525
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category : Peasants' war, 1524-1525
Languages : en
Pages : 338
Book Description
What the Body Cost
Author: Jane Blocker
Publisher: U of Minnesota Press
ISBN: 9780816643196
Category : Art
Languages : en
Pages : 190
Book Description
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body.Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found.Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999).
Publisher: U of Minnesota Press
ISBN: 9780816643196
Category : Art
Languages : en
Pages : 190
Book Description
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body.Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found.Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999).
L' art de la Correspondance ou modéles de lettres
The art of Anatole France
Author: Dushan Bresky
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111718085
Category : Language Arts & Disciplines
Languages : en
Pages : 268
Book Description
No detailed description available for "The art of Anatole France".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111718085
Category : Language Arts & Disciplines
Languages : en
Pages : 268
Book Description
No detailed description available for "The art of Anatole France".