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Author: Mark A. Reid Publisher: SUNY Press ISBN: 9780791433010 Category : Social Science Languages : en Pages : 166
Book Description
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties.
Author: Mark A. Reid Publisher: SUNY Press ISBN: 9780791433010 Category : Social Science Languages : en Pages : 166
Book Description
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties.
Author: Mark A. Reid Publisher: State University of New York Press ISBN: 1438417055 Category : Social Science Languages : en Pages : 164
Book Description
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties. Reid explains how artists such as filmmakers Julie Dash, Spike Lee, and Marlon Riggs, photographers Rotimi Fani-Kayode and Gordon Parks, novelists John A. Williams and Ayi Kwei Armah, playwright Adrienne Kennedy, and poet Bob Kaufman portray the fears of people in the grips of social and psychological change. In each chapter, he explores how an important social issue—black feminism, interracial intimacy, biracial and homosexual identity, and black erotica, for example—is presented in film, literature, and photography. Throughout the book Reid's analysis is driven by a postNegritude understanding of race and cultural identity as a socially acquired and unfixed process rather than a biological fact. By showing how visual and literary artists challenge hegemonies of power through the creative imagination, he challenges monolithic and fixed notions of race, ethnicity, sexuality, gender, religion, and cultural identity.
Author: Babacar Camara Publisher: Lexington Books ISBN: 9780739110560 Category : Language Arts & Disciplines Languages : en Pages : 152
Book Description
This book sheds a radical light on the issue of race, showing that social and racist discourses are ideological and political mystifications masking exploitation. It deals with substantive issues that have the potential to enhance our understanding how Marxist theory can be qu...
Author: Craig Svonkin Publisher: Bloomsbury Publishing ISBN: 1350062510 Category : Literary Criticism Languages : en Pages : 549
Book Description
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
Author: Bernth Lindfors Publisher: James Currey Publishers ISBN: 9780852555750 Category : Literary Collections Languages : en Pages : 500
Book Description
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
Author: Winston Napier Publisher: NYU Press ISBN: 081475810X Category : Literary Criticism Languages : en Pages : 745
Book Description
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR
Author: Douglas Kellner Publisher: Routledge ISBN: 0429534442 Category : Antiques & Collectibles Languages : en Pages : 254
Book Description
In this thorough update of one of the classic texts of media and cultural studies, Douglas Kellner argues that media culture is now the dominant form of culture that socializes us and provides and plays major roles in the economy, polity, and social and cultural life. The book includes a series of lively studies that both illuminate contemporary culture and society, while providing methods of analysis, interpretation, and critique to engage contemporary U.S. culture. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Studies cover a wide range of topics including: Reagan and Rambo; horror and youth films; women’s films, the TV series Orange is the New Black and Hulu’s TV series based on Margaret Atwood’s The Handmaid’s Tale; the films of Spike Lee and African American culture; Latino films and cinematic narratives on migration; female pop icons Madonna, Beyoncé, and Lady Gaga; fashion and celebrity; television news, documentary films, and the recent work of Michael Moore; fantasy and science fiction, with focus on the cinematic version of Lord of the Rings, Philip K. Dick and the Blade Runner films, and the work of David Cronenberg. Situating the works of media culture in their social context, within political struggles, and the system of cultural production and reception, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book.
Author: Wheeler Winston Dixon Publisher: State University of New York Press ISBN: 0791492958 Category : Performing Arts Languages : en Pages : 278
Book Description
Covering over 100 feature films in critical depth and detail, this reader provides an excellent introduction to American genre filmmaking since 1990. These previously unpublished essays by prominent film scholars each address a different film genre—from science fiction to romance to '90s noir—as well as the ways in which genre filmmaking as a whole has been changed by the new technologies and market forces that are shaping the future of cinema. One of the peculiar aspects of recent American genre filmmaking is its apparent facelessness, its desire to subsume itself into the larger framework of genre cinema, and not to identify each film as a unique exemplar. What this book argues, among other things, is that the implicit message in contemporary genre films is rarely that which is signified by a film's external or even internal narrative structure. What drives the thematic and structural concerns of recent genre cinema is the recovery of initial investment, made all the more pressing by the fact that each film released theatrically now represents an investment of many millions of dollars. For better or worse, American genre cinema dominates the globe. The Hollywood genre film has become one of America's most prolific and profitable social exports. These contemporary genre films all seek to further the values of their nation of origin as they journey through the world on film, videotape, DVDs, and television; it is the pervasive influence, and numerous subjects, of these films that are analyzed here. Contributors include Heather Addison, Chuck Berg, Ton Conley, David M. Desser, Wheeler Winston Dixon, Marc Miller, Catherine Preston, Stephen Prince, David Sanjek, Mark A. Reid, John Tibbets, Jim Welsh, and Ron Wilson.
Author: John Charles Hawley Publisher: Bloomsbury Publishing USA ISBN: 031301664X Category : Literary Criticism Languages : en Pages : 521
Book Description
The collapse of empires has resulted in a remarkable flourishing of indigenous cultures in former colonies. The end of the colonial era has also witnessed a renaissance of creativity in the postcolonial world as modern writers embrace their heritage. The experience of postcoloniality has also drawn the attention of academics from various disciplines and has given rise to a growing body of scholarship. This reference work overviews the present state of postcolonial studies and offers a refreshingly polyphonic treatment of the effects of globalization on literary studies in the 21st century. The volume includes more than 150 alphabetically arranged entries on postcolonial studies around the world. Entries on individual authors provide brief biographical details but primarily examine the author's handling of postcolonial themes. So too, entries on theoreticians offer background information and summarize the person's contributions to critical thought. Entries on national literatures explore the history of postcoloniality and the ways in which writers have broadly engaged their legacy, while those on important topics discuss the theoretical origin and current ramifications of key concepts in postcolonial studies. Cross-references and cited works for further reading are included, while a comprehensive bibliography concludes the volume.
Author: Linda G. Tucker Publisher: Univ. Press of Mississippi ISBN: 1604731516 Category : Social Science Languages : en Pages : 191
Book Description
Lockstep and Dance: Images of Black Men in Popular Culture examines popular culture's reliance on long-standing stereotypes of black men as animalistic, hypersexual, dangerous criminals, whose bodies, dress, actions, attitudes, and language both repel and attract white audiences. Author Linda G. Tucker studies this trope in the images of well-known African American men in four cultural venues: contemporary literature, black-focused films, sports commentary, and rap music. Through rigorous analysis, the book argues that American popular culture's representations of black men preserve racial hierarchies that imprison blacks both intellectually and physically. Of equal importance are the ways in which black men battle against, respond to, and become implicated in the production and circulation of these images. Tucker cites examples ranging from Michael Jordan's underwear commercials and the popular Barbershop movies to the career of rapper Tupac Shakur and John Edgar Wideman's memoir Brothers and Keepers. Lockstep and Dance tracks the continuity between historical images of African American men, the peculiar constitution of whites' anxieties about black men, and black men's tolerance of and resistance to the reproduction of such images. The legacy of these stereotypes is still apparent in contemporary advertising, film, music, and professional basketball. Lockstep and Dance argues persuasively that these cultural images reinforce the idea of black men as prisoners of American justice and of their own minds but also shows how black men struggle against this imprisonment.
Author: Mark A. Reid
Author: Mark A. Reid
Author: Mark A. Reid
Author: Babacar Camara
Author: Craig Svonkin
Author: Bernth Lindfors
Author: Winston Napier
Author: Douglas Kellner
Author: Wheeler Winston Dixon
Author: John Charles Hawley
Author: Linda G. Tucker