Author: Andrew Nyongesa
Publisher: Taylor & Francis
ISBN: 100385480X
Category : Literary Criticism
Languages : en
Pages : 101
Book Description
This book likens writers’ incessant focus on racism, negative ethnicity, patriarchy and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the underlying cause of the disease seethes in the blood. In the same way, persons who consistently blame their reckless conduct and shabbiness miss the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematise gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematisation and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society.
Postmodern Reading of Contemporary East African Fiction
Author: Andrew Nyongesa
Publisher: Taylor & Francis
ISBN: 100385480X
Category : Literary Criticism
Languages : en
Pages : 101
Book Description
This book likens writers’ incessant focus on racism, negative ethnicity, patriarchy and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the underlying cause of the disease seethes in the blood. In the same way, persons who consistently blame their reckless conduct and shabbiness miss the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematise gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematisation and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society.
Publisher: Taylor & Francis
ISBN: 100385480X
Category : Literary Criticism
Languages : en
Pages : 101
Book Description
This book likens writers’ incessant focus on racism, negative ethnicity, patriarchy and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the underlying cause of the disease seethes in the blood. In the same way, persons who consistently blame their reckless conduct and shabbiness miss the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematise gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematisation and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society.
Postmodern Reading of Contemporary East African Fiction
Author: Andrew Wafula Nyongesa
Publisher:
ISBN: 9781032577623
Category : East African literature
Languages : en
Pages : 0
Book Description
"This book likens writers' incessant focus on racism, negative ethnicity, patriarchy, and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the the underlying cause of the disease seethes in the blood. In the same way, the person who consistently blames their reckless conduct and shabbiness misses the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematize gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematization and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society"--
Publisher:
ISBN: 9781032577623
Category : East African literature
Languages : en
Pages : 0
Book Description
"This book likens writers' incessant focus on racism, negative ethnicity, patriarchy, and social stratification in societies to a naïve physician who prescribes analgesics to treat symptoms while the the underlying cause of the disease seethes in the blood. In the same way, the person who consistently blames their reckless conduct and shabbiness misses the point if they do not transform the actual cause of the problem: the mind. While most literary scholars problematize gender disparities, racial and political othering, oppression, environment degradation, education matters, poor parenting and governance, they tend to disregard the root cause: modernism. This book finds a gap in this grey area to address the authentic cause of the symptoms that most literary writers and scholars treat. Pertinent modernist tenets such as bureaucracy, the nation state, systematization and rationality, and dualism are at the heart of racism, corruption and other aforementioned symptoms. It is the contention of this study that postmodernism offers a comprehensive understanding of modernism to mitigate its effects on society"--
Africa Writes Back to Self
Author: Evan M. Mwangi
Publisher: State University of New York Press
ISBN: 1438426976
Category : Literary Criticism
Languages : en
Pages : 363
Book Description
The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
Publisher: State University of New York Press
ISBN: 1438426976
Category : Literary Criticism
Languages : en
Pages : 363
Book Description
The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
A Comparative Reading of Pan-Africanism and Afropolitanism
Author: Andrew Nyongesa
Publisher: Taylor & Francis
ISBN: 1040154069
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
This book is response to the recent surge of formidable voices that consistently demean and attempt to reverse the gains of pan-Africanism. Besides questioning its relevance, these voices supplant essential tenets of pan-Africanism – Blackness, the narrative of Return, sanctity of the ancestral homeland, exposition of evils of colonialism and African Literature – with new postulations. These new suppositions deny race, accentuate onward migration and diminish the ancestral homeland to any ordinary city to globetrot. These voices liken any reminiscence of colonial evils to Afro-pessimism, pronounce African Literature dead on arrival and proceed to ‘substitute’ pan-Africanism through studies, which neglect pioneer and contemporary literary works, cultural productions, folklore, conversations on social media (blogs, Facebook, WhatsApp) and questionnaires to gauge their influence among Black peoples themselves. This study adopts a design that interrogates literary works, data from questionnaires and social media to determine the relevance and influence of pan-Africanism and the new paradigm.
Publisher: Taylor & Francis
ISBN: 1040154069
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
This book is response to the recent surge of formidable voices that consistently demean and attempt to reverse the gains of pan-Africanism. Besides questioning its relevance, these voices supplant essential tenets of pan-Africanism – Blackness, the narrative of Return, sanctity of the ancestral homeland, exposition of evils of colonialism and African Literature – with new postulations. These new suppositions deny race, accentuate onward migration and diminish the ancestral homeland to any ordinary city to globetrot. These voices liken any reminiscence of colonial evils to Afro-pessimism, pronounce African Literature dead on arrival and proceed to ‘substitute’ pan-Africanism through studies, which neglect pioneer and contemporary literary works, cultural productions, folklore, conversations on social media (blogs, Facebook, WhatsApp) and questionnaires to gauge their influence among Black peoples themselves. This study adopts a design that interrogates literary works, data from questionnaires and social media to determine the relevance and influence of pan-Africanism and the new paradigm.
Progressive Intertextual Practice In Modern And Contemporary Literature
Author: Katherine Ebury
Publisher: Taylor & Francis
ISBN: 1040024599
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce’s Ulysses alongside the recent contemporary literature by authors such as Siri Husvedt and Maggie O’Farrell, as well as theoretical interventions. This volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume, and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles.
Publisher: Taylor & Francis
ISBN: 1040024599
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce’s Ulysses alongside the recent contemporary literature by authors such as Siri Husvedt and Maggie O’Farrell, as well as theoretical interventions. This volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume, and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles.
The Politics of Modern Indian Language Literature
Author: MK Raghavendra
Publisher: Taylor & Francis
ISBN: 1040017622
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
Publisher: Taylor & Francis
ISBN: 1040017622
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
Unorthodox Minds in Contemporary Fiction
Author: Grzegorz Maziarczyk
Publisher: Taylor & Francis
ISBN: 1040120180
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Unorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models. The opening essay discusses the complex relationships between such innovative concepts of the mind and experimental techniques for presenting mentality. The chapters which follow focus on (dis)embodied and/or extended mind, virtuality of avatar minds, intermental thought of reader communities, the capability of artificial intelligence (and humans) for genuine selfless love, the interplay between technology and affect in posthuman consciousness. The books under discussion include Murmur by Will Eaves, The Unfortunates by B.S. Johnson, The Satanic Verses by Salman Rushdie, H(A)PPY by Nicola Barker and Machines Like Me by Ian McEwan. A piece of conceptual fiction by Steve Tomasula, one of the most innovative American novelists of our times, exploring the human mind’s alleged power to transcend its biological limits, complements these scholarly inquiries.
Publisher: Taylor & Francis
ISBN: 1040120180
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Unorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models. The opening essay discusses the complex relationships between such innovative concepts of the mind and experimental techniques for presenting mentality. The chapters which follow focus on (dis)embodied and/or extended mind, virtuality of avatar minds, intermental thought of reader communities, the capability of artificial intelligence (and humans) for genuine selfless love, the interplay between technology and affect in posthuman consciousness. The books under discussion include Murmur by Will Eaves, The Unfortunates by B.S. Johnson, The Satanic Verses by Salman Rushdie, H(A)PPY by Nicola Barker and Machines Like Me by Ian McEwan. A piece of conceptual fiction by Steve Tomasula, one of the most innovative American novelists of our times, exploring the human mind’s alleged power to transcend its biological limits, complements these scholarly inquiries.
Modern Tibetan Literature and Social Change
Author: Lauran R. Hartley
Publisher: Duke University Press
ISBN: 0822381435
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
Modern Tibetan Literature and Social Change is the first systematic and detailed overview of modern Tibetan literature, which has burgeoned only in the last thirty years. This comprehensive collection brings together fourteen pioneering scholars in the nascent field of Tibetan literary studies, including authors who are active in the Tibetan literary world itself. These scholars examine the literary output of Tibetan authors writing in Tibetan, Chinese, and English, both in Tibet and in the Tibetan diaspora. The contributors explore the circumstances that led to the development of modern Tibetan literature, its continuities and breaks with classical Tibetan literary forms, and the ways that writers use forms such as magical realism, satire, and humor to negotiate literary freedom within the People’s Republic of China. They provide crucial information about Tibetan writers’ lives in China and abroad, the social and political contexts in which they write, and the literary merits of their oeuvre. Along with deep social, cultural, and political analysis, this wealth of information clarifies the complex circumstances that Tibetan writers face in the PRC and the diaspora. The contributors consider not only poetry, short stories, and novels but also other forms of cultural production—such as literary magazines, films, and Web sites—that provide a public forum in the Tibetan areas of the PRC, where censorship and restrictions on public gatherings remain the norm. Modern Tibetan Literature and Social Change includes a previously unavailable list of modern Tibetan works translated into Western languages and a comprehensive English-language index of names, subjects, and terms. Contributors: Pema Bhum, Howard Y. F. Choy, Yangdon Dhondup, Lauran R. Hartley, Hortsang Jigme, Matthew T. Kapstein, Nancy G. Lin, Lara Maconi, Françoise Robin, Patricia Schiaffini-Vedani, Ronald D. Schwartz, Tsering Shakya, Sangye Gyatso (aka Gangzhün), Steven J. Venturino, Riika Virtanen
Publisher: Duke University Press
ISBN: 0822381435
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
Modern Tibetan Literature and Social Change is the first systematic and detailed overview of modern Tibetan literature, which has burgeoned only in the last thirty years. This comprehensive collection brings together fourteen pioneering scholars in the nascent field of Tibetan literary studies, including authors who are active in the Tibetan literary world itself. These scholars examine the literary output of Tibetan authors writing in Tibetan, Chinese, and English, both in Tibet and in the Tibetan diaspora. The contributors explore the circumstances that led to the development of modern Tibetan literature, its continuities and breaks with classical Tibetan literary forms, and the ways that writers use forms such as magical realism, satire, and humor to negotiate literary freedom within the People’s Republic of China. They provide crucial information about Tibetan writers’ lives in China and abroad, the social and political contexts in which they write, and the literary merits of their oeuvre. Along with deep social, cultural, and political analysis, this wealth of information clarifies the complex circumstances that Tibetan writers face in the PRC and the diaspora. The contributors consider not only poetry, short stories, and novels but also other forms of cultural production—such as literary magazines, films, and Web sites—that provide a public forum in the Tibetan areas of the PRC, where censorship and restrictions on public gatherings remain the norm. Modern Tibetan Literature and Social Change includes a previously unavailable list of modern Tibetan works translated into Western languages and a comprehensive English-language index of names, subjects, and terms. Contributors: Pema Bhum, Howard Y. F. Choy, Yangdon Dhondup, Lauran R. Hartley, Hortsang Jigme, Matthew T. Kapstein, Nancy G. Lin, Lara Maconi, Françoise Robin, Patricia Schiaffini-Vedani, Ronald D. Schwartz, Tsering Shakya, Sangye Gyatso (aka Gangzhün), Steven J. Venturino, Riika Virtanen
The Oxford History of Western Art
Author: Martin Kemp
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Neo-Victorian Literature and Culture
Author: Nadine Boehm-Schnitker
Publisher: Routledge
ISBN: 1134614691
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.
Publisher: Routledge
ISBN: 1134614691
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.