Author: Martin J. Manning
Publisher: Bloomsbury Publishing USA
ISBN: 1598842285
Category : History
Languages : en
Pages : 1020
Book Description
This fascinating compilation of reference entries documents the unique relationship between mass media, propaganda, and the U.S. military, a relationship that began in the period before the American Revolution and continues to this day—sometimes cooperative, sometimes combative, and always complex. The Encyclopedia of Media and Propaganda in Wartime America brings together a group of distinguished scholars to explore how war has been reported and interpreted by the media in the United States and what effects those reports and interpretations have had on the people at home and on the battlefield. Covering press–U.S. military relationships from the early North American colonial wars to the present wars in Iraq and Afghanistan, this two-volume encyclopedia focuses on the ways in which government and military leaders have used the media to support their actions and the ways in which the media has been used by other forces with different views and agendas. The volumes highlight major events and important military, political, and cultural players, offering fresh perspectives on all of America's conflicts. Bringing these wars together in one source allows readers to see how media affected the conflicts individually, but also understand how the use of the various forms of media (print, radio, television, film, and electronic) have developed and changed over the years.
Posters of World War II
Author: Peter Darman
Publisher: Pen and Sword
ISBN: 9781473817319
Category : History
Languages : en
Pages : 224
Book Description
Over 200 exciting full-colour posters from World War II, each one accompanied by a caption describing its origins, design and purpose. The posters cover a wide range of topics, such as recruitment, security, finance, food and hygiene. Contains posters sourced from European and U.S. archives, both Axis and Allied, and shows how posters played a vital function in disseminating information to the civilian population.
Publisher: Pen and Sword
ISBN: 9781473817319
Category : History
Languages : en
Pages : 224
Book Description
Over 200 exciting full-colour posters from World War II, each one accompanied by a caption describing its origins, design and purpose. The posters cover a wide range of topics, such as recruitment, security, finance, food and hygiene. Contains posters sourced from European and U.S. archives, both Axis and Allied, and shows how posters played a vital function in disseminating information to the civilian population.
World War II Posters
Author: David Pollack
Publisher: Schiffer Military History
ISBN: 9780764352461
Category : Antiques & Collectibles
Languages : en
Pages : 352
Book Description
This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.
Publisher: Schiffer Military History
ISBN: 9780764352461
Category : Antiques & Collectibles
Languages : en
Pages : 352
Book Description
This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.
Posters and Propaganda in Wartime
Author: Daniel James
Publisher:
ISBN:
Category : Propaganda
Languages : en
Pages : 48
Book Description
During the two world wars of the 20th century, the British government used posters to influence people on a massive scale. This text tells the story of these weapons of mass persuasion.
Publisher:
ISBN:
Category : Propaganda
Languages : en
Pages : 48
Book Description
During the two world wars of the 20th century, the British government used posters to influence people on a massive scale. This text tells the story of these weapons of mass persuasion.
War Posters
Author: James Aulich
Publisher: National Geographic Books
ISBN: 0500288968
Category : History
Languages : en
Pages : 0
Book Description
"A lush catalog… exquisitely conceived and rendered."—The New York Times This essential publication features a wide selection of the most eye-catching and iconic examples from the internationally renowned poster collection at the Imperial War Museum in London. More than 300 superb full-color illustrations of hard-hitting propaganda and groundbreaking graphic art encompass unforgettable images such as Alfred Leete’s “Your Country Needs You” as well as documentary photographs and additional material drawn from the world of advertising. Through these posters, James Aulich, an international expert on posters and graphic design, examines the social, political, ethnic, and cultural aspirations of America, Britain, Northern Ireland, Germany, France, the Netherlands, Belgium, Russia, Austria, Hungary, and the Czech Republic. Covering topics as diverse as advertising in World War I, the Bolshevik Revolution, the Spanish Civil War, Germany and Occupied Europe in World War II, anti-nuclear campaigns, and Vietnam, the book is a comprehensive and invaluable resource for anyone interested in graphic design or modern history.
Publisher: National Geographic Books
ISBN: 0500288968
Category : History
Languages : en
Pages : 0
Book Description
"A lush catalog… exquisitely conceived and rendered."—The New York Times This essential publication features a wide selection of the most eye-catching and iconic examples from the internationally renowned poster collection at the Imperial War Museum in London. More than 300 superb full-color illustrations of hard-hitting propaganda and groundbreaking graphic art encompass unforgettable images such as Alfred Leete’s “Your Country Needs You” as well as documentary photographs and additional material drawn from the world of advertising. Through these posters, James Aulich, an international expert on posters and graphic design, examines the social, political, ethnic, and cultural aspirations of America, Britain, Northern Ireland, Germany, France, the Netherlands, Belgium, Russia, Austria, Hungary, and the Czech Republic. Covering topics as diverse as advertising in World War I, the Bolshevik Revolution, the Spanish Civil War, Germany and Occupied Europe in World War II, anti-nuclear campaigns, and Vietnam, the book is a comprehensive and invaluable resource for anyone interested in graphic design or modern history.
Make Do and Mend
Author: Great Britain. Ministry of Information
Publisher: Imperial War Museums
ISBN: 9781904897644
Category : Clothing and dress
Languages : en
Pages : 0
Book Description
"First published by the Ministry of Information in 1943"--T.p. verso.
Publisher: Imperial War Museums
ISBN: 9781904897644
Category : Clothing and dress
Languages : en
Pages : 0
Book Description
"First published by the Ministry of Information in 1943"--T.p. verso.
World War I posters
Encyclopedia of Media and Propaganda in Wartime America [2 volumes]
Author: Martin J. Manning
Publisher: Bloomsbury Publishing USA
ISBN: 1598842285
Category : History
Languages : en
Pages : 1020
Book Description
This fascinating compilation of reference entries documents the unique relationship between mass media, propaganda, and the U.S. military, a relationship that began in the period before the American Revolution and continues to this day—sometimes cooperative, sometimes combative, and always complex. The Encyclopedia of Media and Propaganda in Wartime America brings together a group of distinguished scholars to explore how war has been reported and interpreted by the media in the United States and what effects those reports and interpretations have had on the people at home and on the battlefield. Covering press–U.S. military relationships from the early North American colonial wars to the present wars in Iraq and Afghanistan, this two-volume encyclopedia focuses on the ways in which government and military leaders have used the media to support their actions and the ways in which the media has been used by other forces with different views and agendas. The volumes highlight major events and important military, political, and cultural players, offering fresh perspectives on all of America's conflicts. Bringing these wars together in one source allows readers to see how media affected the conflicts individually, but also understand how the use of the various forms of media (print, radio, television, film, and electronic) have developed and changed over the years.
Publisher: Bloomsbury Publishing USA
ISBN: 1598842285
Category : History
Languages : en
Pages : 1020
Book Description
This fascinating compilation of reference entries documents the unique relationship between mass media, propaganda, and the U.S. military, a relationship that began in the period before the American Revolution and continues to this day—sometimes cooperative, sometimes combative, and always complex. The Encyclopedia of Media and Propaganda in Wartime America brings together a group of distinguished scholars to explore how war has been reported and interpreted by the media in the United States and what effects those reports and interpretations have had on the people at home and on the battlefield. Covering press–U.S. military relationships from the early North American colonial wars to the present wars in Iraq and Afghanistan, this two-volume encyclopedia focuses on the ways in which government and military leaders have used the media to support their actions and the ways in which the media has been used by other forces with different views and agendas. The volumes highlight major events and important military, political, and cultural players, offering fresh perspectives on all of America's conflicts. Bringing these wars together in one source allows readers to see how media affected the conflicts individually, but also understand how the use of the various forms of media (print, radio, television, film, and electronic) have developed and changed over the years.
Picture This
Author: Pearl James
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
The Art of War: Volume 4 - the Americans (a Collection of 135 American World War Two Propaganda Posters)
Author: Artemis Design
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
'THE ART OF WAR: VOLUME 4' IS A COLLECTION OF 135 AMERICAN WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
'THE ART OF WAR: VOLUME 4' IS A COLLECTION OF 135 AMERICAN WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.
The Posters that Won the War
Author: Derek Nelson
Publisher: Crestline
ISBN: 0785832440
Category : Antiques & Collectibles
Languages : en
Pages : 163
Book Description
The production, recruiting and War Bond posters of World War II were America's "weapons on the wall." Millions of posters of hundreds of unique designs cascaded off the presses and onto the American landscape, raising hopes in the dark days after Pearl Harbor and convincing folks on the home front that their efforts were the key to victory. Encouraging the people of America to do their part to aid in the war efforts as well as take care of themselves, these War Bond posters were a beacon during World War II. Posters That Won the War expertly preserve the most important posters of the World War II era. Inside Posters That Won the War, find beautiful prints of the posters of World War II. Through times of emotional and physical struggle in postwar America, artists did their best to engage a sense of safety and lovingness for their fellow Americans. The result was a beautiful array of posters that will remain priceless always. These "Weapons on the wall" are a crucial piece of American history that will never be forgotten. If you are searching for a gift for the history buff in your life, or an addition for your own library, Posters That Won the War will delight them for years.
Publisher: Crestline
ISBN: 0785832440
Category : Antiques & Collectibles
Languages : en
Pages : 163
Book Description
The production, recruiting and War Bond posters of World War II were America's "weapons on the wall." Millions of posters of hundreds of unique designs cascaded off the presses and onto the American landscape, raising hopes in the dark days after Pearl Harbor and convincing folks on the home front that their efforts were the key to victory. Encouraging the people of America to do their part to aid in the war efforts as well as take care of themselves, these War Bond posters were a beacon during World War II. Posters That Won the War expertly preserve the most important posters of the World War II era. Inside Posters That Won the War, find beautiful prints of the posters of World War II. Through times of emotional and physical struggle in postwar America, artists did their best to engage a sense of safety and lovingness for their fellow Americans. The result was a beautiful array of posters that will remain priceless always. These "Weapons on the wall" are a crucial piece of American history that will never be forgotten. If you are searching for a gift for the history buff in your life, or an addition for your own library, Posters That Won the War will delight them for years.