Author: Theresa Thau Heyman
Publisher: Harry N. Abrams
ISBN: 9780810982024
Category : Art
Languages : en
Pages : 0
Book Description
Contains 120 posters by popular American artists, such as Robert Rauschenberg, Georgia O'Keeffe, Rupert Garcia, Ben Shahn, Will Bradley and Norman Rockwell. Heyman draws conclusions about the position of posters in the overall history of visual communication.
Posters American Style
Author: Theresa Thau Heyman
Publisher: Harry N. Abrams
ISBN: 9780810982024
Category : Art
Languages : en
Pages : 0
Book Description
Contains 120 posters by popular American artists, such as Robert Rauschenberg, Georgia O'Keeffe, Rupert Garcia, Ben Shahn, Will Bradley and Norman Rockwell. Heyman draws conclusions about the position of posters in the overall history of visual communication.
Publisher: Harry N. Abrams
ISBN: 9780810982024
Category : Art
Languages : en
Pages : 0
Book Description
Contains 120 posters by popular American artists, such as Robert Rauschenberg, Georgia O'Keeffe, Rupert Garcia, Ben Shahn, Will Bradley and Norman Rockwell. Heyman draws conclusions about the position of posters in the overall history of visual communication.
Posters American Style
Author: Therese Thau Heyman
Publisher: ABRAMS
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 200
Book Description
Biographical entries on the artists, a concise guide to postermaking terms, a bibliography, and both subject and chronological indexes serve to make this volume an invaluable reference tool.
Publisher: ABRAMS
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 200
Book Description
Biographical entries on the artists, a concise guide to postermaking terms, a bibliography, and both subject and chronological indexes serve to make this volume an invaluable reference tool.
American Art Posters of the 1980's
Author: Bader Antart
Publisher: Koushik Das
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 201
Book Description
American Art Posters of 1980's by Bader Artist
Publisher: Koushik Das
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 201
Book Description
American Art Posters of 1980's by Bader Artist
Posters for a Green New Deal
Author: Creative Action Network
Publisher: Workman Publishing Company
ISBN: 152351146X
Category : Art
Languages : en
Pages : 113
Book Description
"The Green New Deal is the most exciting idea in American politics for decades––and as theses powerful posters make clear, it’s grabbed the attention not just of policy wonks but of artists who can translate these ideas into images that move us.”––Bill McKibben, bestselling author of Deep Economy Posters with a purpose. A clarion call for our time, the Green New Deal is a bold and far-reaching legislative plan to fight climate change, create millions of good-paying jobs, promote economic and racial equality, and so much more. In its ambition, it’s a vision that mirrors President Franklin D. Roosevelt’s New Deal, which helped pull the country out of the Great Depression. And just as WPA artists mustered support for the New Deal with their work, here are 50 powerful posters to champion the Green New Deal. The posters are original, colorful, and visually striking, with text on the back that explains each issue and how the Green New Deal seeks to address it. Perforated pages make them easy to tear out and hang or use as signs at marches and demonstrations, because it’s not just a book to flip through. Climate change affects everything: the air we breath, the water we drink, the food we eat, the places we call home, and the people we love. And the time to act on it is now.
Publisher: Workman Publishing Company
ISBN: 152351146X
Category : Art
Languages : en
Pages : 113
Book Description
"The Green New Deal is the most exciting idea in American politics for decades––and as theses powerful posters make clear, it’s grabbed the attention not just of policy wonks but of artists who can translate these ideas into images that move us.”––Bill McKibben, bestselling author of Deep Economy Posters with a purpose. A clarion call for our time, the Green New Deal is a bold and far-reaching legislative plan to fight climate change, create millions of good-paying jobs, promote economic and racial equality, and so much more. In its ambition, it’s a vision that mirrors President Franklin D. Roosevelt’s New Deal, which helped pull the country out of the Great Depression. And just as WPA artists mustered support for the New Deal with their work, here are 50 powerful posters to champion the Green New Deal. The posters are original, colorful, and visually striking, with text on the back that explains each issue and how the Green New Deal seeks to address it. Perforated pages make them easy to tear out and hang or use as signs at marches and demonstrations, because it’s not just a book to flip through. Climate change affects everything: the air we breath, the water we drink, the food we eat, the places we call home, and the people we love. And the time to act on it is now.
Posters for Change
Author: Princeton Architectural Press
Publisher: Chronicle Books
ISBN: 1616897333
Category : Art
Languages : en
Pages : 115
Book Description
The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
Publisher: Chronicle Books
ISBN: 1616897333
Category : Art
Languages : en
Pages : 115
Book Description
The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
Poster Man
Author: Seymour Chwast
Publisher:
ISBN: 9780764361227
Category :
Languages : en
Pages : 144
Book Description
This collection of over 140 curated posters by the revolutionary graphic artist Seymour Chwast provides context and insight into not only his five-decade career, but the poster genre itself. Since founding Push Pin Studios alongside Milton Glaser and Edward Sorel in the 1950s, Chwast's posters have been widely celebrated for their combination of subversive style and strong political satire. His caustic humor, graphic hand, and visual commentary cleverly synthesize in a way that is both wry and immediately understandable. Posters are arranged by type--Causes, Commerce, Information, Exhibits, and Lectures--rather than chronology, which, along with the large format, invites readers to engage thematically with the designs. Commentary on each poster makes this a valuable resource for students, educators, historians, and all who appreciate the unique ability of posters to subvert notions of popular culture, politics, and design at once. Essays by Shepard Fairey and Steven Heller contextualize Chwast's impact on 20th-century design.
Publisher:
ISBN: 9780764361227
Category :
Languages : en
Pages : 144
Book Description
This collection of over 140 curated posters by the revolutionary graphic artist Seymour Chwast provides context and insight into not only his five-decade career, but the poster genre itself. Since founding Push Pin Studios alongside Milton Glaser and Edward Sorel in the 1950s, Chwast's posters have been widely celebrated for their combination of subversive style and strong political satire. His caustic humor, graphic hand, and visual commentary cleverly synthesize in a way that is both wry and immediately understandable. Posters are arranged by type--Causes, Commerce, Information, Exhibits, and Lectures--rather than chronology, which, along with the large format, invites readers to engage thematically with the designs. Commentary on each poster makes this a valuable resource for students, educators, historians, and all who appreciate the unique ability of posters to subvert notions of popular culture, politics, and design at once. Essays by Shepard Fairey and Steven Heller contextualize Chwast's impact on 20th-century design.
The Modern Poster
Author: Arsène Alexandre
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 146
Book Description
All of Us or None
Author: Lincoln Cushing
Publisher: Heyday.ORIM
ISBN: 1597142700
Category : Antiques & Collectibles
Languages : en
Pages : 391
Book Description
A riveting survey of almost three hundred posters, revealing a history of Bay Area artists, activists, and movements from the 1960s to 2012. This catalog of political posters pays homage to an influential and populist art movement that has created some of the most enduring imagery of our time. In All of Us or None, author Lincoln Cushing examines key selections from a remarkable archive of over 24,000 posters amassed by free speech movement activist, author, and educator Michael Rossman over the course of thirty years. This inspiring collection of Bay Area posters illuminates the history of this ad-hoc and ephemeral art form, celebrating its unique capacity to infuse contemporary issues with the urgency and energy of the eternal fight for justice. Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women’s liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers—among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger—together raising their voices in opposition to the status quo. In spring of 2012, the Oakland Museum of California presented its first comprehensive exhibition of this recently acquired treasure; the show, along with this book, presented an unbroken narrative of passionate social justice printmaking from the mid-1960s to 2012. “This engaging catalogue surveys nearly 300 of the late Michael Rossman’s enormous collection of over 24,000 San Francisco Bay Area social justice posters . . . . With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka’s often quoted clenched fist, or the Black Panther Party’s panther symbol as rendered by Emory Douglas and others.” —Publishers Weekly “An extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.” —Paul Buhle, publisher of the SDS magazine Radical America and author of more than forty books on radical politics and culture
Publisher: Heyday.ORIM
ISBN: 1597142700
Category : Antiques & Collectibles
Languages : en
Pages : 391
Book Description
A riveting survey of almost three hundred posters, revealing a history of Bay Area artists, activists, and movements from the 1960s to 2012. This catalog of political posters pays homage to an influential and populist art movement that has created some of the most enduring imagery of our time. In All of Us or None, author Lincoln Cushing examines key selections from a remarkable archive of over 24,000 posters amassed by free speech movement activist, author, and educator Michael Rossman over the course of thirty years. This inspiring collection of Bay Area posters illuminates the history of this ad-hoc and ephemeral art form, celebrating its unique capacity to infuse contemporary issues with the urgency and energy of the eternal fight for justice. Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women’s liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers—among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger—together raising their voices in opposition to the status quo. In spring of 2012, the Oakland Museum of California presented its first comprehensive exhibition of this recently acquired treasure; the show, along with this book, presented an unbroken narrative of passionate social justice printmaking from the mid-1960s to 2012. “This engaging catalogue surveys nearly 300 of the late Michael Rossman’s enormous collection of over 24,000 San Francisco Bay Area social justice posters . . . . With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka’s often quoted clenched fist, or the Black Panther Party’s panther symbol as rendered by Emory Douglas and others.” —Publishers Weekly “An extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.” —Paul Buhle, publisher of the SDS magazine Radical America and author of more than forty books on radical politics and culture
Posters
Author: Elizabeth E. Guffey
Publisher: Reaktion Books
ISBN: 1780234112
Category : Art
Languages : en
Pages : 321
Book Description
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
Publisher: Reaktion Books
ISBN: 1780234112
Category : Art
Languages : en
Pages : 321
Book Description
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
Western Amerykański
Author: Kevin Mulroy
Publisher: University of Washington Press
ISBN: 9780295978123
Category : Art
Languages : en
Pages : 229
Book Description
"In postwar Poland, film poster artists employed the universally recognized symbols of the Western - horse, six-shooter, boots, tin-star badge, Stetson, saddle - to convey violence as a negative force. Unlike many other art forms, the film poster did not fall within the censor's domain because it was not expected to pose a threat to the social order. But messages were conveyed through subtle means of symbol and color. The Polish poster has been likened to the Trojan horse, with the artist smuggling messages onto the streets in the guise of ephemera."--BOOK JACKET. "The posters displayed so strikingly in this book, and discussed in three essays, are from the golden age of Polish poster-making, the mid-1940s to the 1970s."--BOOK JACKET.
Publisher: University of Washington Press
ISBN: 9780295978123
Category : Art
Languages : en
Pages : 229
Book Description
"In postwar Poland, film poster artists employed the universally recognized symbols of the Western - horse, six-shooter, boots, tin-star badge, Stetson, saddle - to convey violence as a negative force. Unlike many other art forms, the film poster did not fall within the censor's domain because it was not expected to pose a threat to the social order. But messages were conveyed through subtle means of symbol and color. The Polish poster has been likened to the Trojan horse, with the artist smuggling messages onto the streets in the guise of ephemera."--BOOK JACKET. "The posters displayed so strikingly in this book, and discussed in three essays, are from the golden age of Polish poster-making, the mid-1940s to the 1970s."--BOOK JACKET.