Author: Keith Waters Publisher: Oxford University Press ISBN: 019060459X Category : Music Languages : en Pages : 240
Book Description
Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, and Chick Corea broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The book develops analytical pathways through a number of compositions, including "El Gaucho," "Penelope," "Pinocchio," "Face of the Deep" (Shorter); "King Cobra," "Dolphin Dance," "Jessica" (Hancock); "Windows," "Inner Space," "Song of the Wind" (Corea); as well as "We Speak" (Little); "Punjab" (Henderson); "Beyond All Limits" (Shaw). These case studies offer ways to understand their harmonic syntax, melodic and formal designs, and general principles of harmonic substitution. By locating points of contact among these postbop techniques-and by describing their evolution from previous tonal jazz practices-the book illustrates the syntactic changes that emerged during the 1960s.
Author: Keith Waters Publisher: Oxford University Press, USA ISBN: 0190604573 Category : Music Languages : en Pages : 193
Book Description
Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, and Chick Corea broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The book develops analytical pathways through a number of compositions, including "El Gaucho," "Penelope," "Pinocchio," "Face of the Deep" (Shorter); "King Cobra," "Dolphin Dance," "Jessica" (Hancock); "Windows," "Inner Space," "Song of the Wind" (Corea); as well as "We Speak" (Little); "Punjab" (Henderson); "Beyond All Limits" (Shaw). These case studies offer ways to understand their harmonic syntax, melodic and formal designs, and general principles of harmonic substitution. By locating points of contact among these postbop techniques-and by describing their evolution from previous tonal jazz practices-the book illustrates the syntactic changes that emerged during the 1960s.
Author: Keith Waters Publisher: Oxford University Press ISBN: 0190604581 Category : Music Languages : en Pages : 240
Book Description
Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, and Chick Corea broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The book develops analytical pathways through a number of compositions, including "El Gaucho," "Penelope," "Pinocchio," "Face of the Deep" (Shorter); "King Cobra," "Dolphin Dance," "Jessica" (Hancock); "Windows," "Inner Space," "Song of the Wind" (Corea); as well as "We Speak" (Little); "Punjab" (Henderson); "Beyond All Limits" (Shaw). These case studies offer ways to understand their harmonic syntax, melodic and formal designs, and general principles of harmonic substitution. By locating points of contact among these postbop techniques-and by describing their evolution from previous tonal jazz practices-the book illustrates the syntactic changes that emerged during the 1960s.
Author: Keith Waters Publisher: ISBN: 9780190604608 Category : MUSIC Languages : en Pages :
Book Description
Postbop Jazz in the 1960s shows innovations in postbop composition of the 1960s at the hands of jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, among others. The book develops analytical pathways through a number of compositions, many of them well-known jazz compositions.
Author: Keith Waters Publisher: Oxford University Press ISBN: 0199830169 Category : Music Languages : en Pages : 321
Book Description
The "Second Quintet" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels.
Author: Jeff Schwartz Publisher: State University of New York Press ISBN: 1438490321 Category : Music Languages : en Pages : 208
Book Description
In the late 1950s, free jazz broke all the rules, liberating musicians both to create completely spontaneous and unplanned performances and to develop unique personal musical systems. This genre emerged alongside the radical changes of the 1960s, particularly the Civil Rights, Black Arts, and Black Power movements. Free Jazz is a new and accessible introduction to this exciting, controversial, and often misunderstood music, drawing on extensive research, close listening, and the author’s experience as a performer. More than a catalog of artists and albums, the book explores the conceptual areas they opened: freedom, spirituality, energy, experimentalism, and self-determination. These are discussed in relation to both the political and artistic currents of the times and to specific musical techniques, explained in language clear to ordinary readers but also useful for musicians.
Author: Alyn Shipton Publisher: Bloomsbury Academic ISBN: 9780826473806 Category : Social Science Languages : en Pages : 965
Book Description
In this major update of the acclaimed and award-winning jazz history, Alyn Shipton challenges many of the assumptions that surround the birth and growth of jazz music. Shipton also re-evaluates the transition from swing to be-bop, asking just how political this supposed modern jazz revolution actually was. He makes the case for jazz as a truly international music from its earliest days, charting significant developments outside the USA from the 1920s onwards. All the great names in jazz history are here, from Louis Armstrong to Miles Davis and from Sidney Bechet to Charlie Parker and John Coltrane. But unlike those historians who call a halt with the death of Coltrane in 1967, Shipton continues the story with the major trends in jazz over the last 40 years: free jazz, jazz rock, world music influences, and the re-emergence of the popular jazz singer. This new edition brings the book completely up-to-date, including such names as John Medeski, Diana Krall, Django Bates, and Matthias Ruegg. There are also impor¬tant new sections on Latin Jazz and the repertory movement.
Author: David Ake Publisher: Univ of California Press ISBN: 0520951352 Category : Music Languages : en Pages : 312
Book Description
What is jazz? What is gained—and what is lost—when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today. More than just a history of jazz and its performers, this collections seeks out those people and pieces missing from the established narratives to explore what they can tell us about the way jazz has been defined and its history has been told.
Author: Dale Chapman Publisher: Univ of California Press ISBN: 0520279379 Category : Business & Economics Languages : en Pages : 296
Book Description
Introduction : banks, bonds, and blues -- "Controlled freedom" : jazz, risk, and political economy -- "Homecoming" : Dexter Gordon and the 1970s fiscal crisis in New York City -- Selling the songbook: the political economy of Verve Records (1956-1990) -- Bronfman's bauble: the corporate history of the Verve Music Group (1990-2005) -- Jazz and the right to the city : jazz venues and the legacy of urban redevelopment in California -- "The Yoshi's effect" : jazz, speculative urbanism, and urban redevelopment in contemporary San Francisco
Author: Keith Waters
Author: Keith Waters
Author: Keith Waters
Author: Keith Waters
Author: Frank Kofsky
Author: Keith Waters
Author: Jeff Schwartz
Author: Alyn Shipton
Author: David Ake
Author: Dale Chapman