Post-Palaeolithic Filiform Rock Art in Western Europe

Post-Palaeolithic Filiform Rock Art in Western Europe PDF Author: Fernando Coimbra
Publisher: Archaeopress Publishing Ltd
ISBN: 1784913685
Category : Social Science
Languages : en
Pages : 97

Book Description
This session focuses on Filiform rock art which appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking.

Painted Caves

Painted Caves PDF Author: Andrew J. Lawson
Publisher: Oxford University Press
ISBN: 0199698228
Category : Art
Languages : en
Pages : 490

Book Description
Written from an archaeological perspective, Painted Caves is a beautifully illustrated introduction to the oldest art of Western Europe: the very ancient paintings found in caves. Lawson offers an up to date overview of the geographical distribution of the sites and their significance within the varied network of Palaeolithic art.

The Prehistoric Rock Art of Portugal

The Prehistoric Rock Art of Portugal PDF Author: George Nash
Publisher: Taylor & Francis
ISBN: 1000955338
Category : Art
Languages : en
Pages : 457

Book Description
The Prehistoric Rock Art of Portugal presents significant interpretive perspectives in Portuguese rock art research and offers an excellent representation of core rock art areas, along with current thinking and interpretations. The various chapters deliver a personal approach to the many issues, themes and approaches that are embedded within the rock art of the outpost of western Atlantic Europe. Ethnographical perspectives have often dominated the study of rock art but unlike other well-studied regions, the western Iberian Peninsula is absent of an ethnographical or ethno-historical past and therefore the production of rock art can only be archaeologically assessed. Thus, the work promotes interpretive perspectives on Portuguese rock art, illustrating the richness, chronology and context of these unique artistic expressions and explores the variability of rock art imagery and the diversity of landscapes and social contexts in which it was produced. Although focusing on Portuguese rock art the book includes a number of universal themes that will appeal to a broad range of scholars researching in archaeology and anthropology, history of art, as well as professionals engaged in rock art heritage and conservation.

Interpretation of prehistoric cave art in Europe

Interpretation of prehistoric cave art in Europe PDF Author: Difrine Madara
Publisher: GRIN Verlag
ISBN: 3346056201
Category : Social Science
Languages : en
Pages : 11

Book Description
Essay from the year 2019 in the subject Archaeology, grade: A, Kenyatta University, language: English, abstract: This essay offers a critical analysis of various explanations that have been suggested for the meaning of European Paleolithic rock art. Rock or cave art has been recorded in Europe, Americas, Africa, Australia and Asia. In Europe, some of the recorded forms of rock art date back some 36000 years ago. However, archaeological findings show that it is until 18000 years ago that the European rock art flourished. This period is linked to the end of the Last Glacial Maximum (22000-19000 years ago) as climatic conditions began to improve i.e. the most critical point of the Ice Age. Nonetheless, Upper Paleolithic rock art disappeared during the transition period between Paleolithic-Mesolithic (12000 years) as Ice Age environmental conditions faded. After over a century of research on cave art, there still exists no consensus on the meanings of these prehistoric arts. Currently, the widely accepted view on interpretation of the Upper Paleolithic art is that most cave images are manifestations of Shamanic rituals mediated through visionary experience of altered states of consciousness. However, the question on how and why art come it being in Upper Paleolithic during the Ice Age remains largely unanswered. Berghaus argued that there is no single answer to the question but rather several layers of answers highlighting the issues and relationships between art and rituals as well as behavioral, social and cognitive issues within the human evolutionary environment.

Late Prehistoric Fortifications in Europe: Defensive, Symbolic and Territorial Aspects from the Chalcolithic to the Iron Age

Late Prehistoric Fortifications in Europe: Defensive, Symbolic and Territorial Aspects from the Chalcolithic to the Iron Age PDF Author: Davide Delfino
Publisher: Archaeopress Publishing Ltd
ISBN: 1789692555
Category : Social Science
Languages : en
Pages : 256

Book Description
This book presents 19 papers from the International Colloquium ‘FortMetalAges’ (Portugal, 2017); they discuss different interpretive ideas for defensive structures whose construction had necessitated large investment, present new case studies, and conduct comparative analysis between different regions and periods (Chalcolithic to Iron Age).

Signalling and Performance: Ancient Rock Art in Britain and Ireland

Signalling and Performance: Ancient Rock Art in Britain and Ireland PDF Author: Aron Mazel
Publisher: Archaeopress Publishing Ltd
ISBN: 180327252X
Category : Art
Languages : en
Pages : 344

Book Description
This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

Anthropomorphic Images in Rock Art Paintings and Rock Carvings

Anthropomorphic Images in Rock Art Paintings and Rock Carvings PDF Author: Terence Meaden
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693586
Category : Social Science
Languages : en
Pages : 335

Book Description
In rock art, humanlike images appear widely throughout the ages. The artworks discussed in this book range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites, in which exists the possibility of recovering the meanings intended by the artists.

Prehistoric Rock Art

Prehistoric Rock Art PDF Author: Paul G. Bahn (archaeologist)
Publisher: Cambridge University Press
ISBN: 0521192781
Category : Art
Languages : en
Pages : 239

Book Description
Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006.

Palaeolithic Cave Art at Creswell Crags in European Context

Palaeolithic Cave Art at Creswell Crags in European Context PDF Author: Sergio Ripoll
Publisher: Oxford University Press
ISBN: 019929917X
Category : Art
Languages : en
Pages : 309

Book Description
This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the context of the Upper Palaeolithic era in Britain, as well as a number of studies of Palaeolithic cave art in Spain, Portugal, France, and Italy.

Public Images, Private Readings: Multi-Perspective Approaches to the Post-Palaeolithic Rock Art

Public Images, Private Readings: Multi-Perspective Approaches to the Post-Palaeolithic Rock Art PDF Author: Ramón Fábregas Valcarce
Publisher: Archaeopress Publishing Ltd
ISBN: 1784912905
Category : Social Science
Languages : en
Pages : 79

Book Description
A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places. The aim of the session A11e, held within the XVII World UISPP Congress, was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World.