Positions and Presuppositions in Science Fiction PDF Download

Author: Darko Suvin
Publisher: Springer
ISBN: 1349081795
Category : Fiction
Languages : en
Pages : 241

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Author: Darko Suvin
Publisher: Basingstoke [England] : Macmillan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256

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Author: Stefan Weihampel
Publisher: Diplomica Verlag
ISBN: 3836660067
Category : Language Arts & Disciplines
Languages : en
Pages : 113

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In "The role of Science Fiction in selected works of Isaac Asimov and Kurt Vonnegut" the author elaborates upon important similarities and differences between the use of science fiction motives in selected works of Isaac Asimov and Kurt Vonnegut. The analysis includes Asimov's Foundation and Robots and Empire and Vonnegut's Sirens of Titan and Galapagos.

Author: Tony Burns
Publisher: Lexington Books
ISBN: 0739144871
Category : Literary Criticism
Languages : en
Pages : 332

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Ursula K. Le Guin's The Dispossessed is of interest to political theorists partly because of its association with anarchism and partly because it is thought to represent a turning point in the history of utopian/dystopian political thought and literature and of science fiction. Published in 1974, it marked a revival of utopianism after decades of dystopian writing. According to this widely accepted view The Dispossessed represents a new kind of literary utopia, which Tom Moylan calls a 'critical utopia.' The present work challenges this reading of The Dispossessed and its place in the histories of utopian/dystopian literature and science fiction. It explores the difference between traditional literary utopia and novels and suggests that The Dispossessed is not a literary utopia but a novel about utopianism in politics. Le Guin's concerns have more to do with those of the novelists of the 19th century writing in the tradition of European Realism than they do with the science fiction or utopian literature. It also claims that her theory of the novel has an affinity with the ancient Greek tragedy. This implies that there is a conservatism in Le Guin's work as a creative writer, or as a novelist, which fits uneasily with her personal commitment to anarchism.

Author: Istvan Csicsery-Ronay
Publisher: Wesleyan University Press
ISBN: 0819571520
Category : Literary Criticism
Languages : en
Pages : 337

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This major critical work from one of the preeminent voices in science fiction scholarship reframes the genre as a way of understanding today’s world. As the application of technoscience increasingly transforms every aspect of life, science fiction has become an essential mode of imagining the horizons of possibility. Though the broad scope of science fiction may vary in artistic quality and sophistication, it shares a desire to imagine a collective future for the human species and the world. A strikingly high proportion of today’s films, commercial art, popular music, video games, and non-genre fiction are what Csicsery-Ronay calls “science fictional” —stimulating science-fictional habits of mind. We no longer treat science fiction as merely a genre-engine producing formulaic effects, but as a mode of awareness, which frames experiences as if they were aspects of science fiction. The Seven Beauties of Science Fiction describes science fiction as a constellation of seven diverse cognitive attractions that are particularly formative of science-fictionality. These are the “seven beauties” of the title: fictive neology, fictive novums, future history, imaginary science, the science-fictional sublime, the science-fictional grotesque, and the Technologiade, or the epic of technoscience’s development into a global regime.

Author: John H. Cartwright
Publisher: Bloomsbury Publishing USA
ISBN: 1851094636
Category : Literary Criticism
Languages : en
Pages : 494

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A survey of the interaction between science and Anglo-American literature from the late medieval period to the 20th century, examining how authors, thinkers, and philosophers have viewed science in literary texts, and used science as a window to the future. Spanning six centuries, this survey of the interplay between science and literature in the West begins with Chaucer's Treatise on the Astrolabe and includes commentary on key trends in contemporary literature. Beginning with the birth of science fiction, the authors examine the works of H. G. Wells and Jules Verne as well as Mary Shelley's Frankenstein within the context of a wider analysis of the impact of major historical developments like the Renaissance, the scientific revolution, the Enlightenment, and Romanticism. The book balances readings of literature with explanations of the impact of key scientific ideas. Focusing primarily on British and American literature, the book also takes an informed but accessible approach to the history of science, with seminal scientific works discussed in a critical rather than overly theoretical manner.

Author: Jeff Prucher
Publisher:
ISBN: 0195305671
Category :
Languages : en
Pages : 376

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Author: Patrick Parrinder
Publisher: Duke University Press
ISBN: 9780822327738
Category : Fiction
Languages : en
Pages : 324

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A definite look at the state of science fiction studies today that surveys the field from Hugo Gernsbach to the present.

Author: Michael Pinsky
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639245
Category : Fiction
Languages : en
Pages : 224

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To prepare for the Other: this is the mission of ethics. 'Future Present: Ethics and/as Science Fiction' fuses contemporary philosophy from Heidegger, Derrida, Levinas, and others with cultural texts preoccupied with the future arrival of an Other: science fiction. We peer through the lens of science fiction with the help of H.G. Wells, Walt Disney, 'Star Trek', David Cronenberg, Philip K. Dick, and many others, in search of a theory of ethics that leaves open the possibility of the Other and encourages empathy, which is necessary for survival in our multicultural world.

Author: Jason Zenor
Publisher: Lexington Books
ISBN: 0739183907
Category : Language Arts & Disciplines
Languages : en
Pages : 201

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Book Description
The popularity of cable news, satire, documentaries, and political blogs suggest that people are often absorbing and dissecting direct political messages from informational media. But entertainment media also discusses the important political issues of our time, though not as overtly. Nonetheless, consumers still learn, debate, and form opinions on important political issues through their relationship with entertainment media. While many scholarly books examine these political messages found in popular culture, very few examine how actual audiences read these messages. Parasocial Politics explores how consumers form complex relationships with media texts and characters, and how these readings exist in the nexus between real and fictional worlds. This collection of empirical studies uses various methodologies, including surveys, experiments, focus groups, and mixed methods, to analyze how actual consumers interpret the texts and the overt and covert political messages encoded in popular culture.