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Author: John M. Rosenfield Publisher: ISBN: 9789004243255 Category : Art, Japanese Languages : en Pages : 0
Book Description
This volume vividly describes the efforts of the Japanese monk Shunjōbō Chōgen (1121-1206) to restore major buildings and works of art lost in the brutal civil conflicts of the 1180s. Chōgen is best known for his role in recasting the Great Buddha (Daibutsu) at Tōdaiji in Nara, reconstructing the South Great Gate (Nandaimon), and making the famous guardian statues there. This study concentrates on these and other works of art and architecture associated with Chōgen, situating them in the turbulent political and social climate of Japan and in the larger spiritual contexts of East Asian Buddhism.
Author: John M. Rosenfield Publisher: ISBN: 9789004243255 Category : Art, Japanese Languages : en Pages : 0
Book Description
This volume vividly describes the efforts of the Japanese monk Shunjōbō Chōgen (1121-1206) to restore major buildings and works of art lost in the brutal civil conflicts of the 1180s. Chōgen is best known for his role in recasting the Great Buddha (Daibutsu) at Tōdaiji in Nara, reconstructing the South Great Gate (Nandaimon), and making the famous guardian statues there. This study concentrates on these and other works of art and architecture associated with Chōgen, situating them in the turbulent political and social climate of Japan and in the larger spiritual contexts of East Asian Buddhism.
Author: Nancy Shatzman Steinhardt Publisher: Harvard University Press ISBN: 0674241010 Category : Architecture Languages : en Pages : 449
Book Description
An internationally acclaimed expert explains why Chinese-style architecture has remained so consistent for two thousand years, no matter where it is built. For the last two millennia, an overwhelming number of Chinese buildings have been elevated on platforms, supported by pillars, and covered by ceramic-tile roofs. Less obvious features, like the brackets connecting the pillars to roof frames, also have been remarkably constant. What makes the shared features more significant, however, is that they are present in Buddhist, Daoist, Confucian, and Islamic milieus; residential, funerary, and garden structures; in Japan, Korea, Mongolia, and elsewhere. How did Chinese-style architecture maintain such standardization for so long, even beyond ChinaÕs borders? Nancy Shatzman Steinhardt examines the essential features of Chinese architecture and its global transmission and translation from the predynastic age to the eighteenth century. Across myriad political, social, and cultural contexts within China and throughout East Asia, certain design and construction principles endured. Builders never abandoned perishable wood in favor of more permanent building materials, even though Chinese engineers knew how to make brick and stone structures in the last millennium BCE. Chinese architecture the world over is also distinctive in that it was invariably accomplished by anonymous craftsmen. And Chinese buildings held consistently to the plan of the four-sided enclosure, which both afforded privacy and differentiated sacred interior space from an exterior understood as the sphere of profane activity. Finally, Chinese-style buildings have always and everywhere been organized along straight lines. Taking note of these and other fascinating uniformities, The Borders of Chinese Architecture offers an accessible and authoritative overview of a tradition studiously preserved across time and space.
Author: John M. Rosenfield Publisher: Princeton University Press ISBN: 0691163979 Category : Art Languages : en Pages : 200
Book Description
In this beautifully illustrated book, eminent art historian John Rosenfield explores the life and art of the Japanese Buddhist monk Hozan Tankai (1629–1716). Through a close examination of sculptures, paintings, ritual implements, and primary documents, the book demonstrates how the Shingon prelate's artistic activities were central to his important place in the world of late-seventeenth-century Japanese Buddhism. At the same time, the book shows the richness of early modern Japanese Buddhist art, which has often been neglected and undervalued. Tankai was firmly committed to the spiritual disciplines of mountain Buddhism—seclusion, severe asceticism, meditation, and ritual. But in the 1680s, after being appointed head of a small, run-down temple on the slopes of Mount Ikoma, near Nara, he revealed that he was also a gifted artist and administrator. He embarked on an ambitious campaign of constructing temple halls and commissioning icons, and the Ikoma temple, soon renamed Hōzanji, became a vibrant center of popular Buddhism, as it remains today. He was a remarkably productive artist, and by the end of his life more than 150 works were associated with him. A major reconsideration of a key artistic and religious figure, Preserving the Dharma brings much-needed attention to an overlooked period of Japanese Buddhist art.
Author: Timon Screech Publisher: ISBN: Category : Art Languages : en Pages : 392
Book Description
The author introduces the reader not only to important artists and their work, but also to the intellectual issues and concepts surrounding the production and consumption of art in Japan during the Edo period.
Author: Jinhua Chen Publisher: Routledge ISBN: 1000542548 Category : Religion Languages : en Pages : 411
Book Description
The chapters in this book explore the transcultural, multi-ethnic, and cross-regional contexts and connections between the Buddhāvataṃsaka-sūtra, Mount Wutai and the veneration of Mañjuśrī that contributed to the establishment and successive transformations of the cult centered on Mount Wutai – and reduplications elsewhere. The contributions reflect on the literature, architecture, iconography, medicine, society, philosophy and several other aspects of the Wutai cult and its significant influence across several Asian cultures, such as Chinese, Japanese, Tibetan, Mongolian and Korean. This book is a significant new contribution to the study of the Wutai cult, and will be a great resource for academics, researchers, and advanced students of Religion, Philosophy, History, Architecture, Literature and Art. The chapters in this book were originally published in the journal Studies in Chinese Religions.
Author: William E. Deal Publisher: John Wiley & Sons ISBN: 111860833X Category : Religion Languages : en Pages : 322
Book Description
A Cultural History of Japanese Buddhism offers a comprehensive, nuanced, and chronological account of the evolution of Buddhist religion in Japan from the sixth century to the present day. Traces each period of Japanese history to reveal the complex and often controversial histories of Japanese Buddhists and their unfolding narratives Examines relevant social, political, and transcultural contexts, and places an emphasis on Japanese Buddhist discourses and material culture Addresses the increasing competition between Buddhist, Shinto, and Neo-Confucian world-views through to the mid-nineteenth century Informed by the most recent research, including the latest Japanese and Western scholarship Illustrates the richness and complexity of Japanese Buddhism as a lived religion, offering readers a glimpse into the development of this complex and often misunderstood tradition
Author: Nancy Steinhardt Publisher: Princeton University Press ISBN: 0691240167 Category : Architecture Languages : en Pages : 336
Book Description
A monumental illustrated survey of the architecture of thirteenth- and fourteenth-century China The Yuan dynasty endured for a century, leaving behind an architectural legacy without equal, from palaces, temples, and pagodas to pavilions, tombs, and stages. With a history enlivened by the likes of Khubilai Khan and Marco Polo, this spectacular empire spanned the breadth of China and far, far beyond, but its rulers were Mongols. Yuan presents the first comprehensive study in English of the architecture of China under Mongol rule. In this richly illustrated book, Nancy Shatzman Steinhardt looks at cities such as the legendary Shangdu—inspiration for Samuel Taylor Coleridge’s Xanadu—as well as the architecture the Mongols encountered on their routes of conquest. She examines the buildings and monuments of diverse faiths in China during the period, from Buddhist and Daoist to Confucian, Islamic, and Christian, as well as unusual structures such as observatories, archways, stone and metal buildings, and sarcophaguses. Steinhardt dispels long-standing views of the Mongols as destroyers of cities and architecture across Asia, showing how the khans and their families built more than they tore down. She demonstrates that the stipulations of the Chinese building system were powerful and resilient enough to guide the architecture that rose under Mongolian rule. Drawing on Steinhardt’s groundbreaking textual research in numerous languages as well as her pioneering fieldwork at sites across East Asia, Yuan will become the standard reference on this critical period of cultural and artistic exchange.
Author: John M. Rosenfield
Author: John M. Rosenfield
Author: Nancy Shatzman Steinhardt
Author: John M. Rosenfield
Author: Ive Covaci
Author: Timon Screech
Author: Jinhua Chen
Author: William E. Deal
Author: Sherman E. Lee
Author: Nancy Steinhardt
Author: Larry Silver