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Author: Philippe Renard Publisher: RENAISSANCE DU LIVRE ISBN: 9782804608163 Category : Artists Languages : fr Pages : 204
Book Description
Si les noms et les accomplissements d'artistes illustres comme Hyacinthe Rigaud, Nicolas de Largillierre, Pierre Drevet, François Boucher, Jean-Marc Nattier, Jean-Baptiste Greuze, Jean-Honoré Fragonard, Carte et Jean-Baptiste Van Loo, Alexandre Roslin, Joseph Vernet, Jean-Antoine Houdon, Jean-Baptiste Pigalle ou Jean-Antoine Watteau sont connus et reconnus, leurs visages, le plus souvent, ne le sont pas. Pour la première fois dans un même ouvrage, les effigies de plus d'une centaine de maîtres français (et étrangers ayant exercé en France) de la peinture, de la sculpture et de la gravure du XVIIIe siècle sont réunies en une vaste galerie de portraits. Tout en retraçant l'histoire de la représentation du visage humain dans l'art au siècle des Lumières, l'auteur invite le lecteur à entrer plus avant dans l'intimité des artistes qui s'offrent au regard. Reflet d'une époque exubérante et raffinée, ces portraits et autoportraits restituent tout à la fois l'image de personnalités emblématiques du monde des arts et le charme vivace d'un siècle retrouvé
Author: Philippe Renard Publisher: RENAISSANCE DU LIVRE ISBN: 9782804608163 Category : Artists Languages : fr Pages : 204
Book Description
Si les noms et les accomplissements d'artistes illustres comme Hyacinthe Rigaud, Nicolas de Largillierre, Pierre Drevet, François Boucher, Jean-Marc Nattier, Jean-Baptiste Greuze, Jean-Honoré Fragonard, Carte et Jean-Baptiste Van Loo, Alexandre Roslin, Joseph Vernet, Jean-Antoine Houdon, Jean-Baptiste Pigalle ou Jean-Antoine Watteau sont connus et reconnus, leurs visages, le plus souvent, ne le sont pas. Pour la première fois dans un même ouvrage, les effigies de plus d'une centaine de maîtres français (et étrangers ayant exercé en France) de la peinture, de la sculpture et de la gravure du XVIIIe siècle sont réunies en une vaste galerie de portraits. Tout en retraçant l'histoire de la représentation du visage humain dans l'art au siècle des Lumières, l'auteur invite le lecteur à entrer plus avant dans l'intimité des artistes qui s'offrent au regard. Reflet d'une époque exubérante et raffinée, ces portraits et autoportraits restituent tout à la fois l'image de personnalités emblématiques du monde des arts et le charme vivace d'un siècle retrouvé
Author: Hannah Williams Publisher: Routledge ISBN: 1351577808 Category : Art Languages : en Pages : 496
Book Description
From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Acad?e Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, this engaging study uncovers the fascinating histories - official and unofficial - of that artistic community. Through an innovative approach to portraits - their values, functions, and lives as objects - this book explores two faces of the Acad?e. Official portraits grant us insider access to institutional hierarchies, ideologies, rituals, customs, and everyday experiences in the Acad?e's Louvre apartments. Unofficial portraits in turn reveal hidden histories of artists' personal relationships: family networks, intimate friendships, and bitter rivalries. Drawing on both art-historical and anthropological frames of analysis, this book offers insightful interpretations of portraits read through and against documentary evidence from the archives to create a rich story of people, places, and objects. Theoretically informed, rigorously researched, and historically grounded, this book sheds new light on the inner workings of the Acad?e. Its discoveries and compelling narrative make an invaluable and accessible contribution to our understanding of this pre-eminent European institution and the social lives of artists in early modern Paris.
Author: E. Joe Johnson Publisher: Cambridge Scholars Publishing ISBN: 1443843679 Category : Literary Criticism Languages : en Pages : 340
Book Description
This collection of essays was assembled to honor the memory of the late, eminent Voltaire scholar J. Patrick Lee. It includes seventeen essays by prominent scholars from the United States, Canada, the United Kingdom, and France on a variety of topics in French eighteenth-century studies. Essay titles include: “A New Genre: l’Opéra moral / Moral Opera in Eighteenth-Century France,” “Voltaire and the Uses of Censorship: The Example of the Lettres Philosophiques,” “Enlightenment Intertextuality: The Case of Heraldry in the Encyclopédie méthodique,” “Sex as Satire in Voltaire's Fiction,” “Violence, Levity, and the Dictionary in Old Regime France: Chaudon’s Dictionnaire anti-philosophique,” “L’abbé, l’amazone, le bon roi et les frelons,” “Greuze’s Self-Portraits: Figures of Artistic Identity,” “From Forest to Field: Sylvan Elegists of Eighteenth-Century France,” “The Falsification of Voltaire's Letters and the Public Persona of the Author: From the Lettres secrettes (1765) to the Commentaire historique (1776),” “The Baron de Saint-Castin, Bricaire de la Dixmerie, and Azakia (1765),” “John Law and the Rhetoric of Calculation,” “‘Le Roi des Bulgares’: Was Voltaire's Satire on Frederick the Great just too Opaque?” “Voltaire and the Voyage to Rome,” “Textual liaisons: Voltaire, Paméla and Don Quixote,” “Les petits livres du grand homme: polémique et combat philosophique chez Voltaire,” “Sentimental Horror: Enlightenment Tragedy and the Rise of the Genre Terrible,” “Voltaire and the Comic Genre: Polemics and Rhetoric.”
Author: Patricia Lee Rubin Publisher: Metropolitan Museum of Art ISBN: 1588394255 Category : Art, Italian Languages : en Pages : 434
Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author: Ewa Lajer-Burcharth Publisher: Princeton University Press ISBN: 0691170126 Category : Art Languages : en Pages : 312
Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Author: Philippe Renard
Author: Philippe Renard
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Author: Patricia Lee Rubin
Author: Musée de Brou (Bourg-en-Bresse)
Author: Ewa Lajer-Burcharth
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