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Author: Liz Rideal Publisher: ISBN: Category : Art Languages : en Pages : 116
Book Description
Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters, including William Hogarth, Thomas Gainsborough, Angelica Kauffmann, and more.
Author: Liz Rideal Publisher: ISBN: Category : Art Languages : en Pages : 116
Book Description
Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters, including William Hogarth, Thomas Gainsborough, Angelica Kauffmann, and more.
Author: Harriet Rohmer Publisher: Children's Book Press ISBN: 9780892391493 Category : Art Languages : en Pages : 44
Book Description
Fourteen artists and picture book illustrators present self-portraits and brief descriptions that explore their varied ethnic origins, their work, and their feelings about themselves.
Author: Cate Coulacos Prato Publisher: Penguin ISBN: 162033237X Category : Crafts & Hobbies Languages : en Pages : 128
Book Description
Featuring artwork from a wide range of contributors, this resource explores creative self-portraits through fun and easy exercises and essays that instruct and inspire artists working in all media. Examples of collage, fiber arts, and mixed-media artwork offer visual inspiration while essays throughout the book act as a guide to personal and artistic self-discovery. Step-by-step techniques and creative prompts are used to direct artists through different approaches to creating self-portraits while exercises utilizing collage, drawing, photography, and stitching will jump-start the creative process and get ideas flowing on paper and fabric, encouraging artists to express themselves in new ways.
Author: Frederic Tuten Publisher: W. W. Norton & Company ISBN: 0393079058 Category : Fiction Languages : en Pages : 249
Book Description
Inspired by the stories the author read to his possibly illiterate Sicilian grandmother as a child, these nested narratives are told by couples traveling through hallucinatory, romantic landscapes. As the traveler in "Self Portrait with Sicily" rides a train through the Bronx, boundaries between worlds, geography, and generations blur, transporting him through Sicily and the rural landscape of his Nonna. On a honeymoon in Spain, the narrator of "Self Portrait with Bullfight" decides that "forbearance" is the key to a lasting marriage and proceeds to try the patience of his new bride with a long-winded tale of the "frisson of rivalry" between two youths vying for the attentions of a Gypsy woman. In "Self Portrait with Cheese," an allegory about a family of bears that flees the circus only to languish, bored, in their freedom, offers a convoluted fable about the needs of artists. Tuten's (The Green Hour) polished stories of beauty, longing, and loss are relatable, yet strange enough that they constantly pique--Publisher's Weekly.
Author: Frances Borzello Publisher: National Geographic Books ISBN: 0500239460 Category : Art Languages : en Pages : 0
Book Description
The first chronicle of the whole story of female self portraiture through the centuries—a key work in the study of women’s art For centuries, women’s self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vigée-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries. Frances Borzello’s spirited text, now fully revised, and the intensity of the accompanying self-portraits are set off to full advantage in this new edition, now in reading-book format.
Author: Barbara Rucci Publisher: Quarry Books ISBN: 1631593250 Category : Juvenile Nonfiction Languages : en Pages : 176
Book Description
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
Author: Jennifer Higgie Publisher: Simon and Schuster ISBN: 1643138049 Category : Art Languages : en Pages : 336
Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: David Dawson Publisher: ISBN: 9781912520060 Category : Painting, British Languages : en Pages : 0
Book Description
In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them "revealing, telling, believable ... really shameless." It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice.
Author: Vivian Maier Publisher: powerHouse Books ISBN: 1576876624 Category : Art Languages : en Pages : 122
Book Description
The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.
Author: H. Perry Chapman Publisher: ISBN: 9780691002965 Category : Art Languages : en Pages : 189
Book Description
H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. Prevailing scholarship has tried to discredit the idea that the self-portraits stemmed from any particular inner need, but Chapman counters by presenting fascinating evidence that they represent a conscious and progressive quest for individual identity in a truly modern sense. "H. Perry Chapman, in my view, gives us the Rembrandt we need in the 1990s. . . . [Her] sensitivity to questions of style and expression, combined with original research, leads to a conclusion . . . that `Rembrandt's lifelong preoccupation with self-portraiture can be seen as a necessary process of identity formation or self-definition'--in short, autobiography."--Walter Liedtke, The Journal of Art "Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued. . . . The publication of this book is cause for gratitude and joy."--Thomas D'Evelyn, Christian Science Monitor
Author: Liz Rideal
Author: Liz Rideal
Author: Harriet Rohmer
Author: Cate Coulacos Prato
Author: Frederic Tuten
Author: Frances Borzello
Author: Barbara Rucci
Author: Jennifer Higgie
Author: David Dawson
Author: Vivian Maier
Author: H. Perry Chapman