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Author: Jim McGuire Publisher: Globe Pequot ISBN: 9781599211688 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
Expanded book version about "Nashville portraits," including the sixty photographs in the traveling exhibition and new materials: five additional photos, an essay by folklorist/historian WIlliam R. Ferris, and biographies and quotations to accompany the photographic project.
Author: Jim McGuire Publisher: Globe Pequot ISBN: 9781599211688 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
Expanded book version about "Nashville portraits," including the sixty photographs in the traveling exhibition and new materials: five additional photos, an essay by folklorist/historian WIlliam R. Ferris, and biographies and quotations to accompany the photographic project.
Author: Anthony Connolly Publisher: Crowood ISBN: 1847975046 Category : Art Languages : en Pages : 261
Book Description
Portrait painting is inherently difficult and requires a unique understanding of and sensitivity to the sitter. This practical book considers the historical context of portrait painting and its contemporary practice. Written by a professional portrait painter, it describes the intricacies of making a portrait not just for the technically minded but also for those who are interested in a painter's perspective on the role and importance of portraiture.Step-by-step demonstrations of portraits and self-portraits.Techniques that use colour to introduce subtleties and presence.Advice on catching a likeness and overcoming difficulties.Discussion about the significance of copying and photography.Insights into the artistic process of the portrait painter.Work of contemporary and distinguished painters.'What fascinates me most, much much more than anything else in painting, is the portrait, the modern portrait.' Vincent van Gogh. A practical guide that considers the historical context of portrait painting and its contemporary practice.Aimed at beginners and more experienced; untutored groups and individual artists of portrait painters.Gives step-by-step demonstrations of portraits and self-portraits.Covers use of colour to introduce subtleties and presence.Superbly illustrated with 180 colour illustrations.Anthony Connolly is a professional portrait painter and won the prestigious Prince of Wales Award for Portrait Drawing in 2004.
Author: Benjamin Hubbard Caldwell Publisher: Frist Center for Visual Arts ISBN: Category : Architecture Languages : en Pages : 384
Book Description
Surveying the history of aesthetic expressions from the earliest Native American populations to the most significant artists of our own times, the Art of Tennessee exhibit, running from September 13, 2003, through January 18, 2004, at the Frist Center for the Visual Arts in Nashville, includes approximately 250 of the most extraordinary examples of paintings, sculptures, furniture, quilts, pottery, silver, maps, and other forms of art created throughout Tennessee or that relate to Tennessee. Contributors to the exhibition catalog: Chase Rynd, Ben Caldwell, Robert Hicks, Mark Scala, Jefferson Chapman, Wendell Garrett, Ann Wells, Jonathan Fairbanks, Tracey Parks, Rick Warwick, Samuel Smith, Steven Rogers, Elizabeth Ramsey, Candace Adelson, Jim Hoobler, Estill Curtis Pennington, James Kelly, Marsha Mullin, Dan Pomeroy, Jack Becker, Celia Walker, John Wood, Michael Hall, Leslie King-Hammond, Susan Knowles, Amy Kirschke, and Lynn Ennis.
Author: Estill Curtis Pennington Publisher: University Press of Kentucky ISBN: 0813126126 Category : Social Science Languages : en Pages : 278
Book Description
Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
Author: Luana Luconi Winner Publisher: Penguin ISBN: 1440321167 Category : Art Languages : en Pages : 296
Book Description
Easy techniques for true-to-life portraits! If you think all portrait-painting books are the same, think again. This book will inspire you to approach your canvas with renewed (or newly discovered) enthusiasm and confidence. Using modern-day techniques, Luana Luconi Winner shows you how to capture not only a physical likeness, but also the personality and unique, natural expression of your subject. Her direct, relaxed teaching style takes the intimidation out of painting portraits, empowering artists of any skill level and medium to turn ordinary people into exceptional works of art. • Time-tested, easy-to-follow techniques for achieving accurate facial shapes and proportions. • 10 quick-reference color charts make it easy to mix skin tones and hair colors for a full range of complexions and ethnicities. • Mini-demonstrations show how to use a variety of mediums--graphite, charcoal, pastels, watercolor and oils--to create sketches and preliminary studies. • Tips on using a digital camera to generate reference material and troubleshoot your compositions. • Three start-to-finish painting demonstrations in oils and pastels illustrate the particulars of painting males and females, adults and children. Destined to become a classic in its own right, Painting Classic Portraits covers every step in the process--from selecting clothes, backgrounds and props that tell a story, to using design elements to stir emotion in your viewers. It's everything you need to know to create timeless portraits and great paintings.
Author: Suzanne Brooker Publisher: Watson-Guptill ISBN: 0823008355 Category : Art Languages : en Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Author: Jim McGuire
Author: Jim McGuire
Author: Michael Shane Neal
Author: Anthony Connolly
Author: Benjamin Hubbard Caldwell
Author: Estill Curtis Pennington
Author: Luana Luconi Winner
Author: Wes Siegrist
Author: Suzanne Brooker
Author: Donald M. Kartiganer
Author: Helen Van Wyk