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Author: Michel Draguet Publisher: Getty Publications ISBN: 089236730X Category : Symbolism (Art movement) Languages : en Pages : 116
Book Description
"The book places this painting in the historical context of Khnopff's times and social milieu and traces the advent of Symbolism as a literary and artistic movement. An analysis of the portrait itself is supported by an array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a taking-off point for a broader discussion of Symbolist art."--BOOK JACKET.
Author: Michel Draguet Publisher: Getty Publications ISBN: 089236730X Category : Symbolism (Art movement) Languages : en Pages : 116
Book Description
"The book places this painting in the historical context of Khnopff's times and social milieu and traces the advent of Symbolism as a literary and artistic movement. An analysis of the portrait itself is supported by an array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a taking-off point for a broader discussion of Symbolist art."--BOOK JACKET.
Author: Michel Draguet Publisher: J. Paul Getty Museum ISBN: Category : Art Languages : en Pages : 116
Book Description
"The book places this painting in the historical context of Khnopff's times and social milieu and traces the advent of Symbolism as a literary and artistic movement. An analysis of the portrait itself is supported by an array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a taking-off point for a broader discussion of Symbolist art."--BOOK JACKET.
Author: Shearer West Publisher: Oxford University Press, USA ISBN: 0192842587 Category : Art Languages : en Pages : 257
Book Description
This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.
Author: J. Paul Getty Museum Publisher: Getty Publications ISBN: 9780892367108 Category : Art Languages : en Pages : 132
Book Description
Painting in France ranges from recently accessioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rowen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh, Fernand Khnopff's Jeanne Kefer, and Cezanne's Still Life with Apples."--BOOK JACKET.
Author: Claire Moran Publisher: Bloomsbury Publishing USA ISBN: 1501341715 Category : Architecture Languages : en Pages : 352
Book Description
Domestic Space in France and Belgium offers a new addition to the growing body of work in Interior Studies. Focused on late 19th and early 20th-century France and Belgium, it addresses an overlooked area of modernity: the domestic sphere and its conception and representation in art, literature and material culture. Scholars from the US, UK, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and modern homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, art and architecture, how modernity was expressed through domestic life at the turn of the century in France and Belgium.
Author: Michelle Facos Publisher: Routledge ISBN: 1351540092 Category : Art Languages : en Pages : 441
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Author: Davide Gasparotto Publisher: Getty Publications ISBN: 1606065793 Category : Art Languages : en Pages : 148
Book Description
This lavishly illustrated coffee-table book features more than one hundred paintings from the J. Paul Getty Museum’s extraordinary collection “I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure.” —J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892–1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cézanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum’s famed, daylight-suffused galleries. Vibrant full-color illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.
Author: Donald A. Rosenthal Publisher: Rowman & Littlefield ISBN: 1538180006 Category : Art Languages : en Pages : 213
Book Description
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.
Author: Publisher: BRILL ISBN: 9004459987 Category : Literary Criticism Languages : en Pages : 469
Book Description
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.