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Author: Ellen Noonan Publisher: Univ of North Carolina Press ISBN: 0807837164 Category : Performing Arts Languages : en Pages : 441
Book Description
Examines the opera Porgy and Bess's long history of invention and reinvention as a barometer of 20th-century American expectations about race, culture and the struggle for equality.
Author: Ellen Noonan Publisher: Univ of North Carolina Press ISBN: 0807837164 Category : Performing Arts Languages : en Pages : 441
Book Description
Examines the opera Porgy and Bess's long history of invention and reinvention as a barometer of 20th-century American expectations about race, culture and the struggle for equality.
Author: Ellen Weiss Publisher: Random House Books for Young Readers ISBN: 0375861130 Category : Juvenile Fiction Languages : en Pages : 50
Book Description
Porky is messy. . . morning, noon, and night. Bess is perfect in every way imaginable—from her well-appointed cupboard to the figure eights she skates at the local pond. But somehow these two unlikely friends complement one another like tea and toast. So when Porky finds himself in a pickle—he can’t finish writing his poem and the secret ingredient from his favorite recipe is missing—who is there to lend a hand? Bess, of course! The everyday adventures of these two very different friends will delight newly independent readers who are ready for some funny, episodic storytelling.
Author: Jascha Heifitz Publisher: Hal Leonard Corporation ISBN: 1476857172 Category : Music Languages : en Pages : 52
Book Description
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.
Author: Joseph Horowitz Publisher: National Geographic Books ISBN: 0393881245 Category : Music Languages : en Pages : 0
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: Laurence Maslon Publisher: Applause Theatre & Cinema ISBN: 9781423491033 Category : Music Languages : en Pages : 0
Book Description
(Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season.
Author: Howard Pollack Publisher: Univ of California Press ISBN: 0520933141 Category : Music Languages : en Pages : 938
Book Description
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
Author: Ellen Noonan
Author: Ellen Noonan
Author: Ellen Weiss
Author: DuBose Heyward
Author: Jascha Heifitz![Porgy Et Bess [Grabación Sonora] PDF](https://books.google.com/books/content/images/frontcover/Uo_EvgEACAAJ?fife=w80-h100)
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Author: Joseph Horowitz
Author: DuBose Heyward
Author: James M. Hutchisson
Author: Laurence Maslon
Author: Howard Pollack