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Pontormo and Rosso Fiorentino

Pontormo and Rosso Fiorentino PDF Author: Carlo Falciani
Publisher:
ISBN: 9788874612161
Category : Art
Languages : en
Pages : 0

Book Description
In 1956, Palazzo Strozzi hosted the exhibition 'Pontormo and Early Florentine Mannerism', in which Pontormo's work was displayed alongside that of Rosso Fiorentino, Beccafumi and other adepts of the new and unconventional trend in painting. Almost sixty years later, Palazzo Strozzi has decided to hold an exhibition devoted to only two of that movement's leading lights, Pontormo and Rosso Fiordentino. In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.

Pontormo and Rosso Fiorentino

Pontormo and Rosso Fiorentino PDF Author: Carlo Falciani
Publisher:
ISBN: 9788874612161
Category : Art
Languages : en
Pages : 0

Book Description
In 1956, Palazzo Strozzi hosted the exhibition 'Pontormo and Early Florentine Mannerism', in which Pontormo's work was displayed alongside that of Rosso Fiorentino, Beccafumi and other adepts of the new and unconventional trend in painting. Almost sixty years later, Palazzo Strozzi has decided to hold an exhibition devoted to only two of that movement's leading lights, Pontormo and Rosso Fiordentino. In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.

Pontormo

Pontormo PDF Author: Jacopo da Pontormo
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 166

Book Description
Jacopo Carrucci (1494-1557), named Pontormo after his birthplace, was the main representative of Florentine Mannerism, the seventy-five-year period that links the High Renaissance and early Baroque eras. Following the success of Abrams' Pontormo Drawings, Pontormo Paintings and Frescoes presents in large format an overview of the artist's important works, most of which have been newly photographed for this volume. Influenced by Raphael's late works, Durer's graphics, and Michelangelo's monumental figural style, Pontormo's quest for new forms of expression resulted in some of his most spectacular and brilliantly executed paintings. His highly individual paintings are visions rather than representations of reality; his compositions often include exaggerated forms and unnatural colors. Salvatore S. Nigro, Professor of Italian Literature at the University of Catania, Sicily, has selected over seventy examples of Pontormo's paintings and frescoes. The book includes such masterpieces as the portrait of Cosimo I de Medici, the fresco cycle in the Santissima Annunziata, and the Deposition in Santa Felicita. Each work is presented in a full-page color reproduction, some with details, and is accompanied by a brief commentary. The introduction by Professor Nigro places Pontormo's work within the context of developments in art and literature, and is followed by biographical and bibliographical notes. This volume is particularly important to scholars and connoisseurs of sixteenth-century Italian art; together, the illustrations and text offer a fresh look at this Florentine master and will serve as a record for many years to come.

Pontormo, Rosso Fiorentino

Pontormo, Rosso Fiorentino PDF Author: Elisabetta Marchetti Letta
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 84

Book Description


Rosso in Italy

Rosso in Italy PDF Author: David Franklin
Publisher:
ISBN: 9780300058932
Category : Art
Languages : en
Pages : 326

Book Description
Rosso Fiorentino was one of the most original painters and draftsmen of the entire Renaissance period and a crucial figure among the so-called Mannerists. This book focuses on Rosso's life and works until about 1530, when he abandoned Italy for France and the court of Francis I and finally received the recognition he deserved. Illustrated with some of the most powerful works of the Renaissance, this book provides a new basis for the assessment of Rosso and opens up fresh perspectives for the study of sixteenth-century painting and design.

Miraculous Encounters

Miraculous Encounters PDF Author: Bruce Edelstein
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164

Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.

Pontormo and Rosso Fiorentino in Florence and Tuscany

Pontormo and Rosso Fiorentino in Florence and Tuscany PDF Author: Ludovica Sebregondi
Publisher:
ISBN: 9788863940664
Category : Travel
Languages : en
Pages : 104

Book Description


Painting in Renaissance Florence, 1500-1550

Painting in Renaissance Florence, 1500-1550 PDF Author: David Franklin
Publisher: Yale University Press
ISBN: 0300083998
Category : Art
Languages : en
Pages : 292

Book Description
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.

Pontormo

Pontormo PDF Author: Elizabeth Cropper
Publisher: Getty Publications
ISBN: 0892363665
Category : Art
Languages : en
Pages : 140

Book Description
Pontormo's Halberdier has long been controversial. How did scholars come to identify the sitter as Duke Cosimo de' Medici and why is this open to doubt? Who was Francesco Guardi? What was the siege of Florence, and could Pontormo have made this compelling portrait during that time of deprivation and political tumult? In a fascinating piece of historical detective work, Elizabeth Cropper investigates these questions and uncovers new evidence for interpretation. She also analyzes the portrait's relationship to other works by Pontormo, explores the importance for Pontormo of Donatello, Michelangelo, and Andrea del Sarto, and looks into Bronzino's connection with the portrait.

Raphael and the Redefinition of Art in Renaissance Italy

Raphael and the Redefinition of Art in Renaissance Italy PDF Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317

Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.

Seen from Behind

Seen from Behind PDF Author: Patricia Lee Rubin
Publisher:
ISBN: 9780300236552
Category : Art, Renaissance
Languages : en
Pages : 0

Book Description
This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.