PONS Kurzgeschichten: The Skye's the Limit PDF Download

Author: Dominic Butler
Publisher: PONS
ISBN: 3120501131
Category : Foreign Language Study
Languages : de
Pages : 86

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Book Description
Englisch lernen mit spannenden Kurzgeschichten Sie lieben England und alles, was dazugehört? Dann tauchen Sie ins Land ein und frischen Sie ganz nebenbei Ihre Englischkenntnisse auf! Mit 20 abwechslungsreichen Kurzgeschichten von der Isle of Skye bis nach Wimbledon erweitern Sie spielend Ihre Lesekompetenz. Wortangaben auf jeder Seite helfen Ihnen dabei. Für Fortgeschrittene (B1 – B2)

Author: Dominic Butler
Publisher: PONS
ISBN: 3120501042
Category : Foreign Language Study
Languages : de
Pages : 93

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Book Description
Englisch lernen mit mörderischen Kurzgeschichten Sie lesen gerne Krimis und möchten etwas für Ihr Englisch tun? Mit diesen spannenden Kriminalgeschichten frischen Sie Ihr Englisch auf. Die verwendete Sprache passt genau zu Ihrem Lernniveau, so dass Ihnen das Lesen ganz leicht fällt. Schwierigere Wörter sind in den Fußnoten übersetzt. Für Fortgeschrittene (B1).

Author: Dominic Butler
Publisher: PONS
ISBN: 3120501034
Category : Foreign Language Study
Languages : de
Pages : 95

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Book Description
Englisch lernen mit mörderischen Kurzgeschichten Sie lesen gerne Krimis und möchten etwas für Ihr Englisch tun? Mit diesen spannenden Kriminalgeschichten frischen Sie Ihr Englisch auf. Die verwendete Sprache passt genau zu Ihrem Lernniveau, so dass Ihnen das Lesen ganz leicht fällt. Schwierigere Wörter sind in den Fußnoten übersetzt. Für Anfänger (A1) bis Wiedereinsteiger (A2).

Author: Dominic Butler
Publisher: PONS
ISBN: 3120501026
Category : Foreign Language Study
Languages : de
Pages : 88

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Book Description
Englisch lernen mit mörderischen Kurzgeschichten Sie lesen gerne Krimis und möchten etwas für Ihr Englisch tun? Mit diesen 14 spannenden Kurzkrimis tauchen Sie noch tiefer in die Sprache ein und erweitern Ihren Wortschatz. Die verwendete Sprache passt genau zu Ihrem Lernniveau, so dass sie die richtige Mischung aus neuen und bekannten Elementen bietet. Schwierigere Wörter sind in den Fußnoten übersetzt. Für Fortgeschrittene (B1-B2).

Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110558602
Category : Religion
Languages : en
Pages : 322

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Book Description
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

Author: Dominic Butler
Publisher: Independently Published
ISBN: 9781791925963
Category :
Languages : en
Pages : 290

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This book details the lives of the men who fought and died on the beaches of normandy, the banks of the Maas and into Bremen itself. The history of the 1st Battalion South Lancashire Regiment from landing on Sword Beach on D-Day is often overlooked, and this is an attempt to right that wrong. There are numerous stories from the men themselves, gathered together for the first time, as well as a chronological narrative to give context to the immense challenges and sacrifices these men had to make.

Author: Sophia Blanche Lyon Fahs
Publisher:
ISBN:
Category :
Languages : en
Pages : 352

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Author: S.J. van der Linde
Publisher: Sidestone Press
ISBN: 9088901066
Category : Social Science
Languages : en
Pages : 430

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Book Description
What are European archaeologists doing abroad? What have they been doing there for the past three to four centuries? Are they doing things differently nowadays? To address these questions, this book explores the scope, impact and ethics of European archaeological policies and practices in the Mediterranean area, the Near East, sub-Saharan Africa, Asia and Latin America. Acknowledging that international and transcultural projects have a range of different stakeholders, the first part of this book aims to identify some of the values and motivations behind different European archaeologies abroad. This is done by providing thorough historical overviews on a range of European countries, including France, Spain, Germany, Belgium, the Netherlands and Poland. But how are these values translated, through socio-political, theoretical and administrative frameworks, unto local circumstances in host countries? And how are these archaeological activities received locally? The second part of this book attempts to answer these questions through a range of historical and contemporary case studies, in Africa, in Asia, in South America, in the Near East and in Europe. The third part of the book offers several critical reflections on European values, motivations and collaboration projects, as perceived by archaeological heritage professionals based in, and/or working in Senegal, Sudan, Somaliland, Colombia, and the Near East. This collection of historical overviews, contemporary case studies and critical reflections focuses on the challenging relationships between archaeological practices and policies, including the requirements and wishes of archaeologists, of local communities and of other stakeholders in Europe and in the host countries. In addition to researchers and students, this book should be of interest to practicing archaeologists, heritage professionals and policy makers the world over, as they seek to reach better informed decisions regarding archaeological projects and international collaboration. This publication was produced in the framework of the ACE project – “Archaeology in Contemporary Europe. Professional Practices and Public Outreach”, with the support of the Culture 2007-2013 programme of the European Commission.

Author: Norbert Bachleitner
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110641976
Category : Literary Criticism
Languages : en
Pages : 486

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Book Description
The three concepts mentioned in the title of this volume imply the contact between two or more literary phenomena; they are based on similarities that are related to a form of ‘travelling’ and imitation or adaptation of entire texts, genres, forms or contents. Transfer comprises all sorts of ‘travelling’, with translation as a major instrument of transferring literature across linguistic and cultural barriers. Transfer aims at the process of communication, starting with the source product and its cultural context and then highlighting the mediation by certain agents and institutions to end up with inclusion in the target culture. Reception lays its focus on the receiving culture, especially on critcism, reading, and interpretation. Translation, therefore, forms a major factor in reception with the general aim of reception studies being to reveal the wide spectrum of interpretations each text offers. Moreover, translations are the prime instrument in the distribution of literature across linguistic and cultural borders; thus, they pave the way for gaining prestige in the world of literature. The thirty-eight papers included in this volume and dedicated to research in this area were previously read at the ICLA conference 2016 in Vienna. They are ample proof that the field remains at the center of interest in Comparative Literature.

Author: Gerald Bast
Publisher: Springer
ISBN: 3319939556
Category : Business & Economics
Languages : en
Pages : 159

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This book explores―at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies―the current and future role of museums for art and society. Given the dynamic developments in art and society, museums need to change in order to remain (and in some ways, regain) relevance. This relevance is in the sense of a power to influence. Additionally museums have challenges that arise in the production of art through the use of permanent and rapidly changing technologies. This book examines how museums deal with the increasing importance of performance art and social interactive art, artistic disciplines which refuse to use classical or digital artistic media in their artistic processes. The book also observes how museums are adapting in the digital age. It addresses such questions as, “How to keep museums in contact with recipients of art in a world in which the patterns of communication and perception have changed dramatically,” and also “Can the art museum, as a real place, be a counterpart in a virtualized and digitalized society or will museums need to virtualize and even globalize themselves virtually?” Chapters also cover topics such as the merits of digital technologies in museums and how visitors perceive these changes and innovations. When you go back to the etymological origin, the Mouseion of Alexandria, it was a place where – supported by the knowledge stored there – art and science were developed: a place of interdisciplinary research and networking, as you would call it today. The word from the Ancient Hellenic language for museum (ΜΟΥΣΕΙΟΝ) means the “house of the muses”: where the arts and sciences find their berth and cradle. With the “Wunderkammer,” the museum was re-invented as a place for amazing for purpose of representation of dynastic power, followed by the establishment of museums as a demonstration of bourgeois self-consciousness. In the twentieth century, the ideal of the museum as an institution for education received a strong boost, before the museum as a tourism infrastructure became more and more the institutional, economic and political role-model. This book is interested in discovering what is next for museums and how these developments will affect art and society. Each of the chapters are written by academics in the field, but also by curators and directors of major museums and art institutions.