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Author: Constance Jordan Publisher: Cornell University Press ISBN: 1501721844 Category : Literary Criticism Languages : en Pages : 337
Book Description
Considering a wide range of Renaissance works of nonfiction, Jordan asserts that feminism as a mode of thought emerged as early as the fifteenth century in Italy, and that the main arguments for the social equality of the sexes were common in the sixteenth century. Renaissance feminism, she maintains, was a feature of a broadly revisionist movement that regarded the medieval model of creation as static and hierarchical and favored a model that was dynamic and relational. Jordan examines pro-woman arguments found in dozens of pan-European texts in the light of present-day notions of authority and subordination, particularly resistance theory, in an attempt to link gender issues to larger contemporary theoretical and institutional questions. Drawing on sources as varied as treatises on marriage and on education, defenses and histories of women, popular satires, moral dialogues, and romances, Renaissance Feminism illustrates the broad scope of feminist argument in early modern Europe, recovering prowoman arguments that had disappeared from the record of gender debates and transforming the ways in which early modern gender ideology has been understood. Renaissance scholars and feminist critics and historians in general will welcome this book, and medievalists and intellectual historians will also find it valuable reading.
Author: Constance Jordan Publisher: Cornell University Press ISBN: 1501721844 Category : Literary Criticism Languages : en Pages : 337
Book Description
Considering a wide range of Renaissance works of nonfiction, Jordan asserts that feminism as a mode of thought emerged as early as the fifteenth century in Italy, and that the main arguments for the social equality of the sexes were common in the sixteenth century. Renaissance feminism, she maintains, was a feature of a broadly revisionist movement that regarded the medieval model of creation as static and hierarchical and favored a model that was dynamic and relational. Jordan examines pro-woman arguments found in dozens of pan-European texts in the light of present-day notions of authority and subordination, particularly resistance theory, in an attempt to link gender issues to larger contemporary theoretical and institutional questions. Drawing on sources as varied as treatises on marriage and on education, defenses and histories of women, popular satires, moral dialogues, and romances, Renaissance Feminism illustrates the broad scope of feminist argument in early modern Europe, recovering prowoman arguments that had disappeared from the record of gender debates and transforming the ways in which early modern gender ideology has been understood. Renaissance scholars and feminist critics and historians in general will welcome this book, and medievalists and intellectual historians will also find it valuable reading.
Author: Susan Gaylard Publisher: Fordham Univ Press ISBN: 0823252175 Category : Literary Criticism Languages : en Pages : 429
Book Description
This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.
Author: Julie Crawford Publisher: Oxford University Press, USA ISBN: 0198712618 Category : Literary Criticism Languages : en Pages : 273
Book Description
Mediatrix examines the roles women played as patrons, dedicatees, and readers, as well writers, in the English Renaissance, and the relationship between these literary activities and religious and political activism.
Author: Harold Bloom Publisher: Infobase Publishing ISBN: 0791078957 Category : Italy Languages : en Pages : 429
Book Description
Four new titles in the series of comprehensive critical overviews of major literary movements in Western literary history The Renaissance was a turning point in the development of civilization. The great flowering of art, architecture, politics, and especially the study of literature began in Italy the late 14th century and spread throughout Europe and the Western world.
Author: Margaret Franklin Publisher: Routledge ISBN: 1351955152 Category : Art Languages : en Pages : 344
Book Description
In contrast to earlier scholars who have seen Boccaccio's Famous Women as incoherent and fractured, Franklin argues that the text offers a remarkably consistent, coherent and comprehensible treatise concerning the appropriate functioning of women in society. In this cross disciplinary study of a seminal work of literature and its broader cultural impact on Renaissance society, Franklin shows that, through both literature and the visual arts, Famous Women was used to promote social ideologies in both Renaissance Tuscany and the dynastic courts of northern Italy. Speaking equally to scholars in medieval and early modern literature, history, and art history, Franklin brings needed clarification to the text by demonstrating that the moral criteria Boccaccio used to judge the lives of legendary women - heroines and miscreants alike - were employed consistently to tackle the challenge that politically powerful women represented for the prevailing social order. Further, the author brings to light the significant influence of Boccaccio's text on the representation of classical heroines in Renaissance art. By examining several paintings created in the republics and principalities of Renaissance Italy, Franklin demonstrates that Famous Women was employed as a conceptual guide by patrons and artists to draw the teeth from the challenge of unconventionally powerful women by co-opting their stories into the service of contemporary Italian standards and mores.
Author: Margaret F. Rosenthal Publisher: University of Chicago Press ISBN: 022602749X Category : History Languages : en Pages : 433
Book Description
The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions. "A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
Author: Margaret W. Ferguson Publisher: University of Chicago Press ISBN: 9780226243146 Category : History Languages : en Pages : 464
Book Description
Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference. Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that "marginalized" historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.
Author: Maria Teresa Micaela Prendergast Publisher: Kent State University Press ISBN: 9780873386449 Category : Literary Criticism Languages : en Pages : 238
Book Description
Explores why some early modern writers put their masculine literary authority at risk by writing from the perspective of femininity and effeminacy. The text argues that such work promoted alternatives to the dominant patriarchal aesthetics by celebrating unruly female and effeminate male bodies.
Author: Patricia Berrahou Phillippy Publisher: Bucknell University Press ISBN: 9780838752630 Category : History Languages : en Pages : 276
Book Description
Bakhtin, are suitable tools for an examination of the Petrarchan lyric and its recantation, while at the same time, the nature and value of these critical concepts are interrogated.
Author: Constance Jordan
Author: Constance Jordan
Author: Susan Gaylard
Author: Julie Crawford
Author: Harold Bloom
Author: Margaret Franklin
Author: Margaret F. Rosenthal
Author: Margaret W. Ferguson
Author: Maria Teresa Micaela Prendergast
Author: Patricia Berrahou Phillippy
Author: Ita Mac Carthy