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Author: Michael Thurston Publisher: Univ of North Carolina Press ISBN: 0807875007 Category : Poetry Languages : en Pages : 283
Book Description
Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.
Author: Michael Thurston Publisher: Univ of North Carolina Press ISBN: 0807875007 Category : Poetry Languages : en Pages : 283
Book Description
Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.
Author: Roderick Beaton Publisher: Routledge ISBN: 1317170296 Category : Literary Criticism Languages : en Pages : 300
Book Description
'It is no great matter, supposing that Italy could be liberated, who or what is sacrificed. It is a grand object - the very poetry of politics. Only think - a free Italy!!! Why, there has been nothing like it since the days of Augustus.' So wrote Lord Byron in his journal, in February 1821, only days before the outbreak of revolution in Greece, where three years later he would die in the service of the revolutionary cause. For a poet whose life and work are interlaced with action of multiple sorts, surprisingly little attention has been devoted to Byron's engagement with issues of politics. This volume brings together the work of eminent Byronists from seven European countries and the USA to re-assess the evidence. What did Byron mean by the 'poetry of politics'? Was he, in any sense, a 'political animal'? Can his final, fateful involvement in Greece be understood as the culmination of earlier, more deeply rooted quests? The first part of the book examines the implications of reading and writing as themselves political acts; the second interrogates the politics inherent or implied in Byron's poems and plays; the third follows the trajectory of his political engagement (or non-engagement), from his abortive early career in the British House of Lords, via the Peninsular War in Spain to his involvement in revolutionary politics abroad.
Author: Kevin M. Jones Publisher: Stanford University Press ISBN: 1503613879 Category : History Languages : en Pages : 368
Book Description
Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.
Author: Matthew Zapruder Publisher: HarperCollins ISBN: 0062343092 Category : Literary Criticism Languages : en Pages : 177
Book Description
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
Author: Aaron Tugendhaft Publisher: Routledge ISBN: 1351663771 Category : History Languages : en Pages : 168
Book Description
Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.
Author: David K. Schneider Publisher: ISBN: 9781604978391 Category : History Languages : en Pages : 249
Book Description
"This is the best study of a single Chinese poet I have seen in decades. And the best study of Du Fu known to me. David Schneider goes beyond previous works in revealing what might be called the source of Du Fu's gravitas. What is especially refreshing is that the author, while making use of well-selected modern authorities to cast light on Du Fu's poetry, is equally careful never to embrace their "theories" fully, with the ancillary danger of anachronism which taints so much contemporary "humanities" scholarship. The combination of empathy and critical thinking here is exemplary. The author writes eloquently and clearly, and is a very fine translator indeed, and gives us some of the very finest translations of Du Fu we now possess." - Jonathan Chaves, George Washington University
Author: John Lithgow Publisher: Chronicle Books ISBN: 1797209485 Category : Humor Languages : en Pages : 113
Book Description
Following the success of his New York Times bestseller Dumpty, award-winning actor, author, and illustrator John Lithgow presents a brand-new collection of satirical poems chronicling the despotic age of Donald Trump. Trumpty Dumpty Wanted a Crown is darker and more hard-hitting than ever. Lithgow writes and draws with wit and fury as he takes readers through another year of the shocking events involving Trump and his administration. His uproarious poems and illustrations encompass Trump's impeachment, the COVID-19 pandemic, the Black Lives Matter protests, and much more. Lithgow targets Mitch McConnell, Mike Pompeo, Bill Barr, Jared Kushner, Elaine Chao, and many others, but also includes a few heroes of the moment, including Anthony Fauci, Nancy Pelosi, Adam Schiff, and even Barack Obama. The book arrives at a time when it's needed most. With all-new poems and never-before-seen line drawings, Lithgow will once again make readers laugh and pause to remember some of the most defining moments in recent history—skewering the reign of King Dumpty one stanza at a time. Digital audio edition read by the author.
Author: Angela M. Leonard Publisher: Rowman & Littlefield ISBN: 9780739122846 Category : Biography & Autobiography Languages : en Pages : 378
Book Description
Political Poetry as Discourse examines the works of the political poets John Greenleaf Whittier and Ebenezer Elliott, drawing comparisons to contemporary hip hoppers who take their words from local newspapers and other discursive sources that they read, hear, and observe. Local presses and news vehicles stand as cultural material forms that supply poets with words, particularly words that congeal into patterns of language, allowing the creation of a poetic discourse. As readers of these poets apply techniques and theories of discourse analysis, they reveal how poets borrow, lift, hijack, or resituate words from one or more different genres to use as tools of political change. Leonard engages with the critical toolboxes of content analysis, semiosis, and deconstruction to demonstrate how to critically investigate and interrogate the images, sounds and words not just of politically engaged poets, but also of any disseminator of culture and news. Moving beyond theory into praxis, this book becomes a model of its own transgressive premise by thinking, analyzing, writing, and teaching against the grain. Its focus on language as unbounded discourse makes this book a relevant and insightful demonstration in democratic pedagogy and in teaching for transformation.
Author: Michael Thurston
Author: Michael Thurston
Author: Tyler Hoffman
Author: Roderick Beaton
Author: Kevin M. Jones
Author: Matthew Zapruder
Author: Aaron Tugendhaft
Author: David K. Schneider
Author: John Lithgow
Author: Philippe Lacoue-Labarthe
Author: Angela M. Leonard