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Author: Amy C. Smith Publisher: BRILL ISBN: 9004194177 Category : Art Languages : en Pages : 281
Book Description
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
Author: Amy C. Smith Publisher: BRILL ISBN: 9004194177 Category : Art Languages : en Pages : 281
Book Description
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
Author: Emily Clifford Publisher: Taylor & Francis ISBN: 1000912671 Category : History Languages : en Pages : 416
Book Description
This book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind? European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world. The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.
Author: William A. P. Childs Publisher: Princeton University Press ISBN: 1400890519 Category : Art Languages : en Pages : 592
Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: Daniela Dueck Publisher: Routledge ISBN: 1000225046 Category : Education Languages : en Pages : 199
Book Description
This study is devoted to the channels through which geographic knowledge circulated in classical societies outside of textual transmission. It explores understanding of geography among the non-elites, as opposed to scholarly and scientific geography solely in written form which was the province of a very small number of learned people. It deals with non-literary knowledge of geography, geography not derived from texts, as it was available to people, educated or not, who did not read geographic works. This main issue is composed of two central questions: how, if at all, was geographic data available outside of textual transmission and in contexts in which there was no need to write or read? And what could the public know of geography? In general, three groups of sources are relevant to this quest: oral communications preserved in writing; public non-textual performances; and visual artefacts and monuments. All of these are examined as potential sources for the aural and visual geographic knowledge of Greco-Roman publics. This volume will be of interest to anyone working on geography in the ancient world and to those studying non-elite culture.
Author: Donald Sells Publisher: Bloomsbury Publishing ISBN: 1350060534 Category : Literary Collections Languages : en Pages : 304
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Author: Amy C. Smith
Author: Amy C. Smith
Author: H. F. Mussche
Author: Amy Claire Smith
Author: Amy Claire Smith
Author: Amy C. Smith
Author: Emily Clifford
Author: William A. P. Childs
Author: Daniela Dueck
Author: Kristen Seaman
Author: Donald Sells