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Author: ÖZKAN EROĞLU Publisher: TEKHNE YAYINLARI ISBN: 6256728769 Category : Art Languages : en Pages : 64
Book Description
In July, now four or five months ago, when I was busy making arrangements for an exhibition on Figure-Emancipation I happened to be in Paris where the artistic atmosphere caused me to decide to give a conference to be called “Point A: Giotto, Point B: Duchamp, Point C: ?” I don’t know how familiar you participants may be with these artists so I thought I should give you a few basic facts about them. Giotto, who lived in Florence during the years 1267 to 1337, was a fresco-painter whose talent was discovered by his master, Cimabue, when Giotto was a shepherd grazing the village flocks on the mountainside. Duchamp is a French painter-sculptor who lived between 1887-1968. In this talk, it is not the artistic qualities of these two painters that I wish to dwell on but the philosophy which shaped these. If we look at the years in which each was born, we see that there is a gap of 620 years between them. Here a fresco painter is contrasted with an artist of the ‘ready-made’. However radical Giotto’s paintings of Assisi or Padua may have seemed in his day, so in 1913 did Duchamp’s work called “A Bicycle Wheel”. Briefly, why did I say “Point A: Giotto, Point B: Duchamp, Point C:?” In order for the search for this talk to be the answer to this question and to stay in your minds, I’d first like to make this introduction.
Author: ÖZKAN EROĞLU Publisher: TEKHNE YAYINLARI ISBN: 6256728769 Category : Art Languages : en Pages : 64
Book Description
In July, now four or five months ago, when I was busy making arrangements for an exhibition on Figure-Emancipation I happened to be in Paris where the artistic atmosphere caused me to decide to give a conference to be called “Point A: Giotto, Point B: Duchamp, Point C: ?” I don’t know how familiar you participants may be with these artists so I thought I should give you a few basic facts about them. Giotto, who lived in Florence during the years 1267 to 1337, was a fresco-painter whose talent was discovered by his master, Cimabue, when Giotto was a shepherd grazing the village flocks on the mountainside. Duchamp is a French painter-sculptor who lived between 1887-1968. In this talk, it is not the artistic qualities of these two painters that I wish to dwell on but the philosophy which shaped these. If we look at the years in which each was born, we see that there is a gap of 620 years between them. Here a fresco painter is contrasted with an artist of the ‘ready-made’. However radical Giotto’s paintings of Assisi or Padua may have seemed in his day, so in 1913 did Duchamp’s work called “A Bicycle Wheel”. Briefly, why did I say “Point A: Giotto, Point B: Duchamp, Point C:?” In order for the search for this talk to be the answer to this question and to stay in your minds, I’d first like to make this introduction.
Author: ÖZKAN EROĞLU Publisher: TEKHNE YAYINLARI ISBN: 6256728750 Category : Art Languages : en Pages : 99
Book Description
Marcel Duchamp had made the museum fit into a bag. What about now? How would it be if we build the museum on a part of the human body, an arm, for instance? The answer would be: The works of avant-garde artists who have made a mark on art and history of art like Giotto, Bruegel, Giorgione, Michelangelo, Dürer, El Greco, Caravaggio, Goya, Turner, Monet, Cézanne, Matisse, Braque, Malevich, Kandinsky and Duchamp will be brought together as a part of a body (body art). We witness that a visual object, an art work, has been transformed into a human subject. And thus, this person, as both a work of art and a museum with a walking, sleeping, living brain, keeps his museum open to viewers except for sleeping hours without considering about sanctions as status, selective board or capital. It should be emphasized that the art critic in this project (2008-2009) focuses on the subject by acting with a curator’s conscience and by using all the opportunities of art. The work has to be unique and never intended before, not only in Turkey but also in the whole world in order to achieve its naturalness and originality. We activated this “Arm Museum” by setting off from this point of view and by dealing with the avant-garde artists, we chose works or a detail of a work of art highlighting the pioneering visual characteristics of these artists. First of all this museum is dynamic in every aspect. It serves everyone who is interested in the museum for twenty four hours and does only its work without discriminating citizen from villager, intellectual from ignorant, national from international, foreign language speaker from non-speaker.
Author: Hans Belting Publisher: Belknap Press ISBN: 9780674050044 Category : Art Languages : en Pages : 303
Book Description
In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?
Author: Eric Renner Publisher: CRC Press ISBN: 1136095349 Category : Photography Languages : en Pages : 272
Book Description
A respected guide for creatives, artists and photographers alike, Pinhole Photography is packed with all the information you need to understand and get underway with this wonderfully quirky, creative technique. Covering pinhole photography from its historical roots, pinhole expert Eric Renner, founder of pinholeresource.com, fully explores the theory and practical application of pinhole in this beautiful resource. Packed with inspiring images, instructional tips and information on a variety of pinhole cameras for beginner and advanced photographers, this classic text now offers a new chapter on digital imaging and more in depth how-to coverage for beginners, as well as revised exposure guides and optimal pinhole charts. With an expanded gallery of full-color photographs displaying the creative results of pinhole cameras, along with listings of workshops, pinhole photographer's websites, pinhole books and suppliers of pinhole equipment, this is the one guide you need to learn the craft and navigate the industry.
Author: Carol Strickland Publisher: Andrews McMeel Publishing ISBN: 9780740768729 Category : Art Languages : en Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author: Pepe Karmel Publisher: The Museum of Modern Art ISBN: 9780870700378 Category : Art Languages : en Pages : 288
Book Description
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
Author: Bohumil Hrabal Publisher: HMH ISBN: 0547545886 Category : Fiction Languages : en Pages : 83
Book Description
A fable about the power of books and knowledge, “finely balanced between pathos and comedy,” from one of Czechoslovakia’s most popular authors (Los Angeles Times). A New York Times Notable Book Haňtá has been compacting trash for thirty-five years. Every evening, he rescues books from the jaws of his hydraulic press, carries them home, and fills his house with them. Haňtá may be an idiot, as his boss calls him, but he is an idiot with a difference—the ability to quote the Talmud, Hegel, and Lao-Tzu. In this “irresistibly eccentric romp,” the author Milan Kundera has called “our very best writer today” celebrates the power and the indestructibility of the written word (The New York Times Book Review).
Author: The J. Paul Getty Museum Publisher: Getty Publications ISBN: 0892362286 Category : Art Languages : en Pages : 214
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
Author: ÖZKAN EROĞLU
Author: ÖZKAN EROĞLU
Author: ÖZKAN EROĞLU
Author: Hans Belting
Author: Eric Renner
Author: Carol Strickland
Author: Pepe Karmel
Author: Robert Storr
Author: Bohumil Hrabal
Author: The J. Paul Getty Museum
Author: Peter Murray