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Author: Bernard Clay Publisher: Ohio University Press ISBN: 173522426X Category : Poetry Languages : en Pages : 136
Book Description
Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.
Author: Bernard Clay Publisher: Ohio University Press ISBN: 173522426X Category : Poetry Languages : en Pages : 136
Book Description
Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.
Author: Adam Clay Publisher: Milkweed Editions ISBN: 1571319727 Category : Poetry Languages : en Pages : 76
Book Description
“The more I sit with these poems, the more they resonate with me and with universal patterns and themes—existential inquiries, loneliness, spiritual doubts.” —Green Mountains Review To Make Room for the Sea reckons with the notion that nothing in this world is permanent. Led by an introspective speaker, these poems examine a landscape that resists full focus, and conclude that “it’s easier to love what we don’t know.” “I hold this leaf I think / you should see, but I can’t quite / say why,” Adam Clay writes, as he navigates a variety of both personal and ecological fixations: disembodied bullfrog croaks, the growth of his child, a computer’s dreaded blue screen of death. The observations in To Make Room for the Sea convey both grief for the Anthropocene and hope for the future. The poems read like field notes from someone who knows the world and hopes to know it differently. On the precipice of great change and restructured perspective, Clay’s poems linger in “the second between taking in a vision and processing it,” in the moment when the world is less a familiar system and more a palette of colors and potential. To Make Room for the Sea delights as much as it mourns. It looks forward as much as it reflects. Deft and hopeful, the poems in this collection gently encourage us to take another look at a world “only some strange god might have thought up / in a drunken stumble.” “That’s the magic of this book—the way Adam Clay, line after line, enacts the mind on the page.” —Maggie Smith “Draws from an impressive repertoire of forms to tease out complex questions regarding time, epistemology, and memory.” —Publishers Weekly
Author: Soyoung Lee Publisher: Metropolitan Museum of Art ISBN: 1588394212 Category : Ceramics Languages : en Pages : 178
Book Description
Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. Elements from the Buncheong idiom were later revived in Japan, where its spare yet sensual aesthetic was much admired and where descendants of Korean potters lived and worked. This innovative study features 60 masterpieces from the renowned Leeum, Samsung Museum of Art in Seoul, as well as objects from The Metropolitan Museum of Art, and presents current scholarship on Buncheong's history, manufacture, use, and overall significance. The book illustrates why this historical art form continues to resonate with Korean and Japanese ceramists working today and with contemporary viewers worldwide.
Author: Nora Naranjo-Morse Publisher: University of Arizona Press ISBN: 9780816512812 Category : Poetry Languages : en Pages : 134
Book Description
A noted sculptor turns her talents to poetry in a collection that explores the satisfactions and complications of being a Pueblo Indian woman in the late twentieth century
Author: Patrick Kavanagh Publisher: Penguin UK ISBN: 0241339367 Category : Poetry Languages : en Pages : 63
Book Description
'I have lived in important places, times When great events were decided . . .' By turns comical, grouchy and exalted, and including his tragic masterpiece 'The Great Hunger', some of the key poems by the writer who transformed Anglo-Irish verse. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
Author: John P. McNamee Publisher: Rowman & Littlefield ISBN: 9781556128127 Category : Literary Criticism Languages : en Pages : 94
Book Description
John McNamee captures through his poetry the heroism, irony, tragedy and beauty that is hidden even among the shambles of the desolate urban neighborhoods in which he ministers.
Author: Jon Clay Publisher: A&C Black ISBN: 1441180028 Category : Literary Criticism Languages : en Pages : 221
Book Description
Focussing on the significance of sensation, this study develops a Deleuzian poetics of reading, through an examination of contemporary innovative poetry.
Author: Adam Clay Publisher: Milkweed Editions ISBN: 1571318607 Category : Poetry Languages : en Pages : 97
Book Description
“At the edge of the world, you’ll want to have this book. The final lines of Adam Clay’s poem, ‘Scientific Method,’ have been haunting me for weeks.” —Iowa Press-Citizen The distilled, haunting, and subtly complex poems in Adam Clay’s A Hotel Lobby at the Edge of the World often arrive at that moment when solitude slips into separation, when a person suddenly realizes he can barely see the place he set out from however long ago. He now sees he must find his connection back to the present, socially entangled world in which he lives. For Clay, reverie can be a siren’s song, luring him to that space in which prisoners will begin “to interrogate themselves.” Clay pays attention to the poet’s return to the world of his daily life, tracking the subtly shifting tenors of thought that occur as the landscape around him changes. Clay is fully aware of the difficulties of Thoreau’s “border life,” and his poems live somewhere between those of James Wright and John Ashbery: They seek wholeness, all the while acknowledging that “a fragment is as complete as thought can be.” In the end, what we encounter most in these poems is a generous gentleness—an attention to the world so careful it’s as if the mind is “washing each grain of sand.” “Poems that are in turn clear and strange, and always warmly memorable.” —Bob Hicok “These poems engage fully the natural world . . . even as they understand the individual’s exclusion from it.” —Publishers Weekly