Poetry as Paragon of African Oral Construction. Adeyemi Daramola ́s Poem "Coronavirus Pandemic" PDF Download
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Author: Nnadube Ejiogu Publisher: ISBN: 9783346171313 Category : Languages : en Pages : 20
Book Description
Essay from the year 2020 in the subject Literature - Africa, grade: 2.5, University of Lagos, language: English, abstract: This paper aims to answer the question of how Adeymi Daramola ́s poem "Coronavirus Pandemic" serves as a paragon for African oral Construction on more general basis. Poetry continues to provide the place of mirroring the existential reality of the society. The exactitude in this is what animates the architecture of Adeyemi Daramola's "Coronavirus Pandemic." Admittedly, it has shamelessly but viciously become the metaphorical clog in the wheels of our global collective progress. This global issue is gradually serving as a raw material for literature, validating the truth that literature reflects the society. There is no gainsaying that there is a symbiotic relationship between the pair so that what affects one, quite naturally, impinges on the other. Without doubt, the situation has served as a tool in the construction of Adeyemi Daramola's "Coronavirus Pandemic." Daramola, through his poem, lends his voice to the numerous voices that have registered their concern on the influx of the virus and its consequential effect. The poet reaches into the vast repository of oral literature in providing an African interpretation of a Western-named global pandemic experience. He aesthetically weaves traditional nuances into the poem with a polish of sound, while rhythmically and linguistically nativizing the piece, touching base with African orality conventions as he attempts to address an existing reality of a globally shared horrifying experience. Given this schema, this paper is bound to the bane of using the analytical tool of orality in appreciating Daramola's artistic craft.
Author: Nnadube Ejiogu Publisher: ISBN: 9783346171313 Category : Languages : en Pages : 20
Book Description
Essay from the year 2020 in the subject Literature - Africa, grade: 2.5, University of Lagos, language: English, abstract: This paper aims to answer the question of how Adeymi Daramola ́s poem "Coronavirus Pandemic" serves as a paragon for African oral Construction on more general basis. Poetry continues to provide the place of mirroring the existential reality of the society. The exactitude in this is what animates the architecture of Adeyemi Daramola's "Coronavirus Pandemic." Admittedly, it has shamelessly but viciously become the metaphorical clog in the wheels of our global collective progress. This global issue is gradually serving as a raw material for literature, validating the truth that literature reflects the society. There is no gainsaying that there is a symbiotic relationship between the pair so that what affects one, quite naturally, impinges on the other. Without doubt, the situation has served as a tool in the construction of Adeyemi Daramola's "Coronavirus Pandemic." Daramola, through his poem, lends his voice to the numerous voices that have registered their concern on the influx of the virus and its consequential effect. The poet reaches into the vast repository of oral literature in providing an African interpretation of a Western-named global pandemic experience. He aesthetically weaves traditional nuances into the poem with a polish of sound, while rhythmically and linguistically nativizing the piece, touching base with African orality conventions as he attempts to address an existing reality of a globally shared horrifying experience. Given this schema, this paper is bound to the bane of using the analytical tool of orality in appreciating Daramola's artistic craft.
Author: Nnadube Ejiogu Publisher: GRIN Verlag ISBN: 3346171302 Category : Literary Collections Languages : en Pages : 19
Book Description
Essay from the year 2020 in the subject Literature - Africa, grade: 2.5, University of Lagos, language: English, abstract: This paper aims to answer the question of how Adeymi Daramola ́s poem "Coronavirus Pandemic" serves as a paragon for African oral Construction on more general basis. Poetry continues to provide the place of mirroring the existential reality of the society. The exactitude in this is what animates the architecture of Adeyemi Daramola's "Coronavirus Pandemic." Admittedly, it has shamelessly but viciously become the metaphorical clog in the wheels of our global collective progress. This global issue is gradually serving as a raw material for literature, validating the truth that literature reflects the society. There is no gainsaying that there is a symbiotic relationship between the pair so that what affects one, quite naturally, impinges on the other. Without doubt, the situation has served as a tool in the construction of Adeyemi Daramola's "Coronavirus Pandemic." Daramola, through his poem, lends his voice to the numerous voices that have registered their concern on the influx of the virus and its consequential effect. The poet reaches into the vast repository of oral literature in providing an African interpretation of a Western-named global pandemic experience. He aesthetically weaves traditional nuances into the poem with a polish of sound, while rhythmically and linguistically nativizing the piece, touching base with African orality conventions as he attempts to address an existing reality of a globally shared horrifying experience. Given this schema, this paper is bound to the bane of using the analytical tool of orality in appreciating Daramola's artistic craft.
Author: Natalie Lewis Publisher: GRIN Verlag ISBN: 3638643867 Category : Language Arts & Disciplines Languages : en Pages : 57
Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. "Mariana" and "The Lady of Shalott", both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the corresponding paintings of John Everett Millais, William Holman Hunt, and John William Waterhouse.
Author: Stephan Scheeder Publisher: GRIN Verlag ISBN: 3638215318 Category : Literary Criticism Languages : en Pages : 10
Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1 (A), The University of Sydney (Anglistics), course: Australian Literature 1920-1960, language: English, abstract: When reading poetry I as a reader want to imagine a picture, conveyed to me by the language used in the poem. I want to be drawn into the poem, want to feel part of what is written and want to be able to see the images of the words in my own thoughts. The question therefore must be how a poet achieves such an effect in the reader. This paper will examine closely some of the means used by the two poets, Kenneth Slessor and Judith Wright, to make their language embody the image they are trying to convey. The paper will at first focus especially on short, individual passages to examine the use of stylistic devices and use of sound. The second part will focus on the bigger picture and look at the poem as a whole, examining the use of recurring images and themes. Judith Wright’s poem Woman to Man reaches its climax in the last line of the poem in which a mother confesses the fear that comes alongside the birth of her child. The two lines before this confession seem to intensify the feeling of danger and threat that ultimately leads to the mother’s fear. [...]
Author: Nnadube Ejiogu
Author: Nnadube Ejiogu
Author: Nnadube Ejiogu
Author: Natalie Lewis
Author: Stephan Scheeder
Author: Chinweizu
Author: John Donne