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Author: Elizabeth Fowler Publisher: Oxford University Press ISBN: 0192889001 Category : Literary Criticism Languages : en Pages : 289
Book Description
In Poetry and the Built Environment Elizabeth Fowler offers a new approach to criticism that recognises poetry as one among the arts of the built environment. Like gardens, sculptures, paintings, and architecture, poems are cultural artifacts designed to appeal to human bodies. The phrase "the flesh of art" signifies the sphere of interaction between us and such artifacts and signals the phenomenological nature of the approach. As we move through the built environment, we draw on our achieved expertise in negotiating its complex instructions to us. Art mobilizes this expertise, deploying sophisticated conventions and entangling the virtual with the real. As we engage with them, poems, like other artifacts, support skilled collaborations of the sensate (our perceiving flesh) and the sensible (the perceptible properties of the artifact), further developing our kinesthetic and cultural expertise. The notion of collaboration is important, because no matter how powerfully art twists our arms, moves, or injures us, there is always the interesting likelihood that our divergent bodies will contravene its instructions and take its insights somewhere new. In ten chapters, this book explores a range of works by poets Geoffrey Chaucer and John Milton to Seamus Heaney and Tracy K. Smith and by sculptors and architects from Jean de Touyl and Nicholas Stone to Antonin Merci? and Kara Walker. These studies model a practical criticism of the flesh of art that exposes its radiant invitations. The book's critical demonstrations partner with a theory of the central role of art in human culture. Sensory, emotional, and intellectual interactions with art enflesh and acculturate human beings, making art a primary means through which we orient ourselves in spatiality and work out our emplacements in the social world. This book about poetics takes place, in short, at the juncture between aesthetics and politics. It concludes with 43 theses in manifesto and includes many whole poems and 35 striking images. Poetry and the Built Environment insistently demonstrates art's ability to shape our understandings and practices of spatiality, movement, sensation, relation, and presence. In poetry, it argues, we see how, especially when the transparency and sensibleness of the world is under stress, art equips us with strategies for transformation.
Author: Elizabeth Fowler Publisher: Oxford University Press ISBN: 0192889001 Category : Literary Criticism Languages : en Pages : 289
Book Description
In Poetry and the Built Environment Elizabeth Fowler offers a new approach to criticism that recognises poetry as one among the arts of the built environment. Like gardens, sculptures, paintings, and architecture, poems are cultural artifacts designed to appeal to human bodies. The phrase "the flesh of art" signifies the sphere of interaction between us and such artifacts and signals the phenomenological nature of the approach. As we move through the built environment, we draw on our achieved expertise in negotiating its complex instructions to us. Art mobilizes this expertise, deploying sophisticated conventions and entangling the virtual with the real. As we engage with them, poems, like other artifacts, support skilled collaborations of the sensate (our perceiving flesh) and the sensible (the perceptible properties of the artifact), further developing our kinesthetic and cultural expertise. The notion of collaboration is important, because no matter how powerfully art twists our arms, moves, or injures us, there is always the interesting likelihood that our divergent bodies will contravene its instructions and take its insights somewhere new. In ten chapters, this book explores a range of works by poets Geoffrey Chaucer and John Milton to Seamus Heaney and Tracy K. Smith and by sculptors and architects from Jean de Touyl and Nicholas Stone to Antonin Merci? and Kara Walker. These studies model a practical criticism of the flesh of art that exposes its radiant invitations. The book's critical demonstrations partner with a theory of the central role of art in human culture. Sensory, emotional, and intellectual interactions with art enflesh and acculturate human beings, making art a primary means through which we orient ourselves in spatiality and work out our emplacements in the social world. This book about poetics takes place, in short, at the juncture between aesthetics and politics. It concludes with 43 theses in manifesto and includes many whole poems and 35 striking images. Poetry and the Built Environment insistently demonstrates art's ability to shape our understandings and practices of spatiality, movement, sensation, relation, and presence. In poetry, it argues, we see how, especially when the transparency and sensibleness of the world is under stress, art equips us with strategies for transformation.
Author: Francis Raven Publisher: Silenced Press ISBN: 0979241049 Category : Literary Collections Languages : en Pages : 143
Book Description
Poetry. A philosophy of architecture conveyed through poetics. Organizing Principle: We begin our lives unconsciously in fully formed homes, abstract the architectural structure from the built environment, and finally move out into the ethical world of the city.
Author: Emily Hasler Publisher: Liverpool University Press ISBN: 1786946068 Category : Poetry Languages : en Pages : 62
Book Description
A breath-taking collection that moves between local and distant, urban and rural, past and present. This is poetry of emotional density with a lightness of touch, structural but organic, detailed but lively, thoughtful but playful. A rare combination of exactitude and wonder leading the reader in and keeping them there.
Author: Emily Hasler Publisher: Pavilion Poetry ISBN: 178694104X Category : Literary Criticism Languages : en Pages : 58
Book Description
A breath-taking collection that moves between local and distant, urban and rural, past and present. This is poetry of emotional density with a lightness of touch, structural but organic, detailed but lively, thoughtful but playful. A rare combination of exactitude and wonder leading the reader in and keeping them there.
Author: Kristin Hannaford Publisher: ISBN: 9780646908199 Category : Australian poetry Languages : en Pages : 41
Book Description
TRACE is a collection of poetry commissioned by Creative Capricorn responding to historical places in and around Rockhampton. Selections of the poems were included in site-specific exhibitions around Rockhampton during August 2013. This collection is a memento of that project. Email scanned by Netgear UTM25 at Pilbeam Theatre - www.seeitlive.com.au
Author: Mae Losasso Publisher: Springer Nature ISBN: 3031415205 Category : Literary Criticism Languages : en Pages : 272
Book Description
Poetry, Architecture, and the New York School: Something Like a Liveable Space examines the relationship between poetics and architecture in the work of the first generation New York School poets, Frank O’Hara, John Ashbery, Barbara Guest, and James Schuyler. Reappraising the much-debated New York School label, Mae Losasso shows how these writers constructed poetic spaces, structures, surfaces, and apertures, and sought to figure themselves and their readers in relation to these architextual sites. In doing so, Losasso reveals how the built environment shapes the poetic imagination and how, in turn, poetry alters the way we read and inhabit architectural space. Animated by archival research and architectural photographs, Poetry, Architecture, and the New York School marks a decisive interdisciplinary turn in New York School studies, and offers new frameworks for thinking about postmodern American poetry in the twenty-first century.
Author: RAVI YADAV Publisher: RAVI YADAV ISBN: Category : Poetry Languages : en Pages : 40
Book Description
An architecture poetry book is a collection of poems that explore the beauty and meaning behind the design and construction of buildings and structures. The poems in this book may delve into the emotions and thoughts of architects, builders, and inhabitants as they interact with the spaces they create and inhabit. They may also examine the various elements of architecture such as lines, shapes, textures, and light. With imagery and language that captures the essence of architectural form and function, these poems invite the reader to see the world in new ways and to appreciate the role that architecture plays in shaping our experiences and memories. Whether considered as works of art in their own right, or as commentaries on the built environment, these poems offer a unique perspective on the structures that surround us and the lives that we lead within them.
Author: Aggregate Architectural History Collaborative Publisher: University of Pittsburgh Pre ISBN: 0822977893 Category : Architecture Languages : en Pages : 302
Book Description
Governing by Design offers a unique perspective on twentieth-century architectural history. It disputes the primacy placed on individuals in the design and planning process and instead looks to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves. In these chapters, historians offer their analysis on design as a vehicle for power and as a mediator of social currents. Power is defined through a variety of forms: modernization, obsolescence, technology, capital, ergonomics, biopolitics, and others. The chapters explore the diffusion of power through the establishment of norms and networks that frame human conduct, action, identity, and design. They follow design as it functions through the body, in the home, and at the state and international level. Overall, Aggregate views the intersection of architecture with the human need for what Foucault termed "governmentality"—societal rules, structures, repetition, and protocols—as a way to provide security and tame risk. Here, the conjunction of power and the power of design reinforces governmentality and infuses a sense of social permanence despite the exceedingly fluid nature of societies and the disintegration of cultural memory in the modern era.
Author: Elizabeth Fowler
Author: Elizabeth Fowler
Author: Francis Raven
Author: Emily Hasler
Author: Emily Hasler
Author: Kristin Hannaford
Author: David Baker
Author: Mae Losasso
Author: RAVI YADAV
Author: Aggregate Architectural History Collaborative
Author: Chiara Shea