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Author: Mirko Starčević Publisher: ISBN: Category : Languages : en Pages : 309
Book Description
This dissertation undertakes an analysis of the ontological and aesthetic features of transience and anxiety in the poetical thought of Gerard Manley Hopkins. One of the central tasks of the dissertation is also to show that, notwithstanding the stringent devotional impulses present in Hopkins's thought, the poetic vocation, concerned with the inmost need to forge an inimitable and original aesthetic, occupies the most privileged position in Hopkins's life. Although in his youthful days Hopkins does address the subject of transience, he does so, as this dissertation establishes, in a naïve manner. The residual markers of that interest are during his Oxford years for a brief spell of time expunged from the purview of his mind, for then the devotional matters more so than the strictly poetic questions come to consume him with a more feverous ferocity. At the same time, however, Walter Pater, one of the individuals who strongly sways the currents of Hopkins's ideas, rekindles his interest in the nature of transience, an interest which is further stimulated by his reading of Duns Scotus's philosophical works on haecceity and is, gradually, transformed into the language of poetry. In the second half of the work, Martin Heidegger's phenomenological thought is introduced into the discursive scope of the dissertation with the aim of improving the understanding of the vehement appearance of the poetics of transience and anxiety in Hopkins's verse. The purpose of introducing the framework of Heidegger's ideas is not to reduce Hopkins's views to a set of philosophical presuppositions but to illuminate the yet unexplored vistas of Hopkins's poetry, to make explicit the manner in which transience and anxiety, in a piecemeal fashion, come to command the rudder of his thoughts. This phenomenological approach to analysis also helps to uncover Hopkins's growing affinity with Romanticism, his ability to mould the language of anxiety, and to reveal that Hopkins's antithetical authenticity is an emergent of his alacrity to contemplate transience. In other words, the dissertation establishes, against the prevailing view, that Hopkins regards transience and anxiety as entities which enhance rather than hamper the strange and uncertain workings of the creative processes, as entities which beget rather than annihilate the language of inspiration.
Author: Mirko Starčević Publisher: ISBN: Category : Languages : en Pages : 309
Book Description
This dissertation undertakes an analysis of the ontological and aesthetic features of transience and anxiety in the poetical thought of Gerard Manley Hopkins. One of the central tasks of the dissertation is also to show that, notwithstanding the stringent devotional impulses present in Hopkins's thought, the poetic vocation, concerned with the inmost need to forge an inimitable and original aesthetic, occupies the most privileged position in Hopkins's life. Although in his youthful days Hopkins does address the subject of transience, he does so, as this dissertation establishes, in a naïve manner. The residual markers of that interest are during his Oxford years for a brief spell of time expunged from the purview of his mind, for then the devotional matters more so than the strictly poetic questions come to consume him with a more feverous ferocity. At the same time, however, Walter Pater, one of the individuals who strongly sways the currents of Hopkins's ideas, rekindles his interest in the nature of transience, an interest which is further stimulated by his reading of Duns Scotus's philosophical works on haecceity and is, gradually, transformed into the language of poetry. In the second half of the work, Martin Heidegger's phenomenological thought is introduced into the discursive scope of the dissertation with the aim of improving the understanding of the vehement appearance of the poetics of transience and anxiety in Hopkins's verse. The purpose of introducing the framework of Heidegger's ideas is not to reduce Hopkins's views to a set of philosophical presuppositions but to illuminate the yet unexplored vistas of Hopkins's poetry, to make explicit the manner in which transience and anxiety, in a piecemeal fashion, come to command the rudder of his thoughts. This phenomenological approach to analysis also helps to uncover Hopkins's growing affinity with Romanticism, his ability to mould the language of anxiety, and to reveal that Hopkins's antithetical authenticity is an emergent of his alacrity to contemplate transience. In other words, the dissertation establishes, against the prevailing view, that Hopkins regards transience and anxiety as entities which enhance rather than hamper the strange and uncertain workings of the creative processes, as entities which beget rather than annihilate the language of inspiration.
Author: Mirko Starčević Publisher: Cambridge Scholars Publishing ISBN: 1527551466 Category : Literary Criticism Languages : en Pages : 238
Book Description
This book analyses the themes of anxiety and transience in the poetical thought of Gerard Manley Hopkins, a prominent 19th-century poet. The book argues that, despite Hopkins’s strong religious beliefs, his artistic vision and quest for an original aesthetic were the foremost concerns in his poetry. The author examines Hopkins’s early interest in transience, which he later developed through the influence of the philosopher Duns Scotus and the aesthetic critic Walter Pater. In the second half of the book, the author employs Martin Heidegger’s philosophy to deepen our understanding of Hopkins’s poetics of anxiety and transience. He illuminates how these themes shaped Hopkins’s poetic voice, revealing his affinity with Romanticism and his belief that transience and anxiety enhance rather than hinder the creative process. The book provides a fresh perspective on Hopkins’s work, challenging the prevailing views that downplay the importance of these themes. While the book is primarily a contribution to literary scholarship, it may also appeal to readers interested in the intersection of literature, philosophy and art.
Author: Terry Eagleton Publisher: John Wiley & Sons ISBN: 111830621X Category : Literary Criticism Languages : en Pages : 288
Book Description
Lucid, entertaining and full of insight, How To Read A Poemis designed to banish the intimidation that too often attends thesubject of poetry, and in doing so to bring it into the personalpossession of the students and the general reader. Offers a detailed examination of poetic form and its relationto content. Takes a wide range of poems from the Renaissance to the presentday and submits them to brilliantly illuminating closesanalysis. Discusses the work of major poets, including John Milton,Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson,W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon,and many more. Includes a helpful glossary of poetic terms.
Author: Pelagia Goulimari Publisher: Routledge ISBN: 1135053014 Category : Literary Criticism Languages : en Pages : 437
Book Description
This incredibly useful volume offers an introduction to the history of literary criticism and theory from ancient Greece to the present. Grounded in the close reading of landmark theoretical texts, while seeking to encourage the reader's critical response, Pelagia Goulimari examines: major thinkers and critics from Plato and Aristotle to Foucault, Derrida, Kristeva, Said and Butler; key concepts, themes and schools in the history of literary theory: mimesis, inspiration, reason and emotion, the self, the relation of literature to history, society, culture and ethics, feminism, poststructuralism, postcolonialism, queer theory; genres and movements in literary history: epic, tragedy, comedy, the novel; Romanticism, realism, modernism and postmodernism. Historical connections between theorists and theories are traced and the book is generously cross-referenced. With useful features such as key-point conclusions, further reading sections, descriptive text boxes, detailed headings, and with a comprehensive index, this book is the ideal introduction to anyone approaching literary theory for the first time or unfamiliar with the scope of its history.
Author: Karmen Mackendrick Publisher: Fordham Univ Press ISBN: 0823242897 Category : Philosophy Languages : en Pages : 321
Book Description
Divine Enticement argues for a reconception of theology and it subject matter as modes of seduction, of both body and mind. Theological language as evocation opens onto rereadings of faith, sacrament, ethics, prayer and scripture. The conclusion argues for a sense of theology as calling upon infinite possibility.
Author: Eugene O'Brien Publisher: University of Notre Dame Pess ISBN: 0268100233 Category : Literary Criticism Languages : en Pages : 394
Book Description
The Soul Exceeds its Circumstances brings together sixteen of the most prominent scholars who have written on Seamus Heaney to examine the Nobel Prize winner’s later poetry from a variety of critical and theoretical perspectives. While a great deal of attention has been devoted to Heaney’s early and middle poems—the Bog Poems in particular—this book focuses on the poetry collected in Heaney's Seeing Things (1991), The Spirit Level (1996), Electric Light (2001), District and Circle (2006), and Human Chain (2010) as a thematically connected set of writings. The starting point of the essays in this collection is that these later poems can be grouped in terms of style, theme, approach, and intertextuality. They develop themes that were apparent in Heaney’s earlier work, but they also break with these themes and address issues that are radically different from those of the earlier collections. The essays are divided into five sections, focusing on ideas of death, the later style, translation and transnational poetics, luminous things and gifts, and usual and unusual spaces. A number of the contributors see Heaney as stressing the literary over the actual and as always looking at the interstices and positions of liminality and complexity. His use of literary references in his later poetry exemplifies his search for literary avatars against whom he can test his own ideas and with whom he can enter into an aesthetic and ethical dialogue. The essayists cover a great deal of Heaney’s debts to classical and modern literature—in the original languages and in translations—and demonstrate the degree to which the streets on which Heaney walked and wrote were two-way: he was influenced by Virgil, Petrarch, Milosz, Wordsworth, Keats, Rilke, and others and, in turn, had an impact on contemporary poets. This remarkable collection will appeal to scholars and literary critics, undergraduates as well as graduate students, and to the many general readers of Heaney's poetry.
Author: Julia F. Saville Publisher: University of Virginia Press ISBN: 9780813919409 Category : History Languages : en Pages : 264
Book Description
Others decry his monasticism as the regrettably oppressive regimen from which he was able to escape only occasionally through his sensuous, sometimes overtly homoerotic verse." "Julia F. Saville uses Lacanian theories of sublimation and courtly love to reconfigure this long-standing rift in the field of Hopkins criticism."--BOOK JACKET.
Author: Mirko Starčević
Author: Mirko Starčević
Author: Mirko Starčević
Author: David Nowell Smith
Author: Janine D. Langan
Author: Terry Eagleton
Author: Pelagia Goulimari
Author: Robert C. H. Chia
Author: Karmen Mackendrick
Author: Eugene O'Brien
Author: Julia F. Saville