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Author: Ms. Arpita Roy Publisher: Notion Press ISBN: Category : Poetry Languages : en Pages : 130
Book Description
The author, Ms. Arpita Roy, has written her first English poetry book “The Poetic Melody”. This book is about the universe, self-help, humanity, peace, science, nature, love, break-up, friendship and many more shades of life. Please listen to the poetic melody of this book. This book makes you feel good and helps you to gain a bit confidence too. Hopefully you find a friend in this book. You can share your feedback at: [email protected]
Author: Ms. Arpita Roy Publisher: Notion Press ISBN: Category : Poetry Languages : en Pages : 130
Book Description
The author, Ms. Arpita Roy, has written her first English poetry book “The Poetic Melody”. This book is about the universe, self-help, humanity, peace, science, nature, love, break-up, friendship and many more shades of life. Please listen to the poetic melody of this book. This book makes you feel good and helps you to gain a bit confidence too. Hopefully you find a friend in this book. You can share your feedback at: [email protected]
Author: Melody Lee Publisher: Createspace Independent Publishing Platform ISBN: 9781535297097 Category : Poetry Languages : en Pages : 302
Book Description
Melody Lee's long anticipated debut book is a kaleidoscope of relatable emotions written through the use of poetry and lyrical prose. Her use of imagery flows effortlessly from one poem to another creating a portrait the reader can easily visualize. Each poem in this book represents a slice of her timeless soul. Melody's poetry is a multi-faceted journey through the inner workings of her mind and keeps the reader engaged as it inspires and enlightens. From her darkest poem to her brightest poetic verse, Melody Lee's poetry is a collection of heartfelt sentiments; some cutting, some healing, introspective, spiritual, and cathartic. She writes about freedom, love, demons, loss, fear, hope, faith and many other factors that embody the human condition. 302 pages.
Author: D. Hall Publisher: ISBN: 9780692739754 Category : Languages : en Pages : 134
Book Description
Within these pages, writers have put their love for music into words. A book filled with poetic melodies about how music makes them feel, how it relates to them; how they use it, and tell us about the type of music and legends they love. Each poet will take the time to breathe life into compositions filled with emotional harmony. Each poem, meant to take the reader on a musical journey; where one can sprout rhythmic wings and fly into symphonic dreams for just a moment. Donna J. Sanders, Author
Author: Bart Eeckhout Publisher: Springer Nature ISBN: 3031070321 Category : Literary Criticism Languages : en Pages : 222
Book Description
Wallace Stevens’s musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet’s work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry.
Author: Alexandria Hall Publisher: HarperCollins ISBN: 0063008394 Category : Poetry Languages : en Pages : 88
Book Description
A collection of poetry from the 2019 winner of the National Poetry Series, selected by Rosanna Warren In her remarkable and assured debut, Alexandria Hall explores the boundaries and limits of language, place, and the self, as well as the complicated space between safety and danger, intimacy and isolation, playfulness and seriousness, home and away. With a keen eye for the importance of place, Hall shows us daily life in rural Vermont, illuminating the beauty and difficulty inherent in the dichotomies of human language and experience. Incisive and tender, Field Music is a thoughtful and alert collection from a major emerging voice.
Author: Mike Mattison Publisher: Univ. Press of Mississippi ISBN: 1496837290 Category : Literary Criticism Languages : en Pages : 176
Book Description
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
Author: Heath Lees Publisher: Routledge ISBN: 1351559486 Category : Music Languages : en Pages : 272
Book Description
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Author: Anthony Hecht Publisher: JHU Press ISBN: 9780801869563 Category : Literary Criticism Languages : en Pages : 334
Book Description
In these essays, acclaimed poet and critic Anthony Hecht explores the ways in which poetry can be read and the many pleasures it affords. Ranging from Shakespeare's sonnets to Eliot, Frost, and Simic, Melodies Unheard offers profound insight into poetic form, meter, rhyme, and meaning--into the mysteries of poetry itself. Anthony Hecht's vast knowledge of literature and his gift for mesmerizing argument are both amply present in Melodies Unheard. Whether defending the sestina against accusations of boredom and dolefulness or examining the structure of Shakespeare's sonnets or unraveling some of the complexity of Moby-Dick, these essays are models of civility, candor, and grace. I know of no other poet, certainly none of Anthony Hecht's stature, who sheds as much light on the intricacies and hidden designs of poems and who does it with such style.--Mark Strand Anthony Hecht declares himself 'a poet first and only secondarily a critic, ' but Melodies Unheard proves again that he is a master in both trades. His discourse on such subjects as rhyme, the sestina, and 'the music of forms' is both scholarly and delightful; his articles on individual poets are finely done; and best of al
Author: Casey Schoenberger Publisher: Oxford University Press ISBN: 0198886217 Category : Literary Criticism Languages : en Pages : 304
Book Description
This innovative study introduces the rhythms, melodies, language, and organization of traditional Chinese poetry and vocal arts. Using insights from cognitive neuroscience, digital humanities, musicology, and linguistics, Casey Schoenberger offers new perspectives on a wide range of issues in the field.
Author: Ms. Arpita Roy
Author: Ms. Arpita Roy
Author: Melody Lee
Author: D. Hall
Author: Bart Eeckhout
Author: Alexandria Hall
Author: Mike Mattison
Author: Heath Lees
Author: Anthony Hecht
Author: Casey Schoenberger
Author: